Capra cu trei iezi

Capra cu trei iezi is a romanian horror period piece featuring Maia Morgenstern and directed by Victor Canache.

This is an adaptation of the iconic fairytale from Romania 1875 by Ion Creanga. But unlike other fairytale adaptations, it's a much darker and adult take on the story.

As a drama, this movie is great. The actors bring this characthers to life in an impressive way. The movie is pretty short, each scene being relevant to the plot and I wasn't bored (almost) at all. The direction is immaculate: the editing and cinematography do a spectacular job of showing this quiet, isolated setting with a dark and misterious tone. The characthers, while barely of them likeable, have nice interactions that keep you engaged to see what will happen next

But enough with the hyperbolized praises, let's talk about the worst part of the movie: the horror element. As a horror movie, this is honestly the worst the genre has to offer. Overall tense and scary scenes are ruined by corny, out of touch editing that makes the movie feel like a parody. Characthers like Nanasu feel like carichatures, because the movie wants to take ths intimidating villain and make him some blood thristy maniac that comes off more like some Batman 1965 villain, rather than an unstoppable force. Also the characters, just like I've said, are unlikeable. And not just the villain: all of them. In this movie, unless you're a mean, grumpy person or downright a piece of trash, you have little to no power in this world. The mother is always angry and mean to her kids, sometimes even to the little kid who is presented as a pure heroic underdog. And I know that her older kids are mean pieces of rubbish too, but when they're eventually killed, it doesn't really feel like they're the victims 'cause 1. They're unlikeable, non-relatable brats and 2. They pretty much guilty of their deaths. And of course I'm sorry, but if the movie put them in a somewhat more positive spot, their deaths would've felt much sadder, since the audience had an emotional connection with them.

So yeah, it's flawed, but I don't think it's bad like others say.

In my case, the kick to see this film was the hard work , the impressive perseverance of Victor Canache to make it. A beautiful effort, two well known Romanian actors, two local boys from village offering a decent job, one , Antonio Gavrila offering a nice surprise for his good acting and inspired music and cinematography.

It is adaptation, faithfull in good way to a so familiar folk story by Ion Creanga. A story absolutely creepy in details, part of many Romanian childhood memories.

I am far to consider this film a masterpiece or be very critic about it. I am doubts than it is a real horror. Yes, the dialogue sounds not so good but , being a familiar one, it is just difficult to impress. But it represents more than good intentions. It is, in essence, a good first step , the potential of Romanian folk literature, fairy tales or balads being just generous.

Is it a orror ? I am not real convinced about this few scenes being more crowned by my smiles.

But it is more than a decent film and, for few reasons, it can be defined as temerary.

It is a honest perspective about social realities, offering decent portrait of single mother of isolated place, the realistic image of alliance relative hoping conquer the heart of widow and, rejected being, his terrible, sadistic revenge.

In some measure, the revenge, against fate, against the answer of woman affecting the ego of pretender, the revenge of painful mother are the basic pieces defining this film.

The good memory, for me, about the film, is represented by the first scenes - the fire affecting the grenary as first sign of a story of sufference.

The kids are just good, maybe better than Maia Morgenstern and Marius Bodochi, captives of their theatral skills and front to not very easy text for its stringency.

Critics - the mixture of pieces of popular clothes from different regions of Romania. The cross on wall, covered by blood and Lupul making a gesture who reminds shfeshtania in Greek Orthhodox confession , having the status very closed by blasphemia in this case.

In hort, with not so reduced reserves, a sort of well done for Victor Canache and his team, for their significant sacrifices to made this film .

The stories of Ion Creanga are an obligatory read for every Romanian kid. We grew up with his tales, one of the most famous being Capra cu trei iezi. Only later, as adults we truly understand this is hardly a children's story and more a horror/thriller one. Victor Canache and his team did an amazing job on this story, honoring Romanian folklore yet bringing a breath of fresh air on a tale as old as time. The music creates and eery setting and contributes to the thrill. Maia Morgenstein is incredible as always and Marius Bodochi's rendition of the wolf is guaranteed to scare the **** out of anyone. Congrats and we are looking forward to more from the director.

Knowing the story that the movie is based on and knowing the story behind the movie, makes me appreciate this production even more.

The production quality based on the budget is amazing, they really managed to keep us right on the edge with the script and offer us visual comfort through the landscapes and representation of the Romanian countryside household.

It really was refreshing to watch a quality Romanian movie which brought back to the public eye a well known folk story with a powerful message.

And last but not least, the iconic actors were a perfect match for their roles. I would definitely not want to meet with the "wolf" by accident on the streets.

It's a 10 for me!

The story by Creanga upon which this is based is essential reading in elementary school and a cautionary tale for children which has been adapted many times, perhaps most famously in the rock musical "Mama" (1976). This is a fond memory for many Romanians, so quite a few will be peeved to see it turned into a folk horror piece (like the infinitely worse Winnie the Pooh gore).

But I am from Transylvania and the story made sense in the past as there are many small farms scattered in the countryside which used to be targeted by thieves. Also, there are lots of stories about people turning crazy in our long winters, so this somber uptake is more on point than city dwellers may believe. We invented werewolves, after all (not vampires, they're from Serbia). The finish is how the story actually ends so it's more brutal than Little Red Riding Hood.

Maia Morgenstern is an icon of 1990s cinema, her best known film is probably "The Oak" (1992) by Lucian Pintilie but she hasn't done much in the past years, this is a great comeback for her.