Ajouter une intrigue dans votre langueFollows the true story of a controversial honeytrap at the heart of the 1992 police investigation into the murder of a young mother in London.Follows the true story of a controversial honeytrap at the heart of the 1992 police investigation into the murder of a young mother in London.Follows the true story of a controversial honeytrap at the heart of the 1992 police investigation into the murder of a young mother in London.
- Nominé pour le prix 1 BAFTA Award
- 3 nominations au total
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An absorbing examination of the investigation into a disturbing true life murder and the subsequent police undercover operation to try and entrap the man they believe is responsible.
The decision to make the drama female centric and tell it through the eyes of the undercover cop Sadie Byrne worked really well. Casting was great, Niamh Alghar was standout as the lead and Eddie Marsan was great as ever.
Hard to fault the production in any department, direction and photography were stylish, the score by Marc Calham was beautiful and the story was perfectly paced.
Hats off to all involved, esp. The writer Emilia di Giroloma for a fab script.
The decision to make the drama female centric and tell it through the eyes of the undercover cop Sadie Byrne worked really well. Casting was great, Niamh Alghar was standout as the lead and Eddie Marsan was great as ever.
Hard to fault the production in any department, direction and photography were stylish, the score by Marc Calham was beautiful and the story was perfectly paced.
Hats off to all involved, esp. The writer Emilia di Giroloma for a fab script.
Deceit was absolutely superb and I binged it in one sitting barely taking a breath. It held me captivated from start to finish. I remember this tragic case and how the undercover officer Lizzie James was treated by the press. It's about time the story was set straight. She was clearly an ambitious and smart officer but she was treated appallingly.
I googled all I could after watching and was pleased to see that Rachel's son and family gave their blessing for this drama and that the writer had worked closely with Colin Stagg to make sure he was happy with his portrayal. It's a clever trick to take us on the same journey Lizzie went on.
I also loved seeing a true crime drama that wasn't slow, plodding and patronising but actually made the audience think. And a great female character at the centre. I recommend this to everyone as there are valuable lessons to learn here. It's also a terrific thriller so will appeal to everyone not just true crime fans.
I googled all I could after watching and was pleased to see that Rachel's son and family gave their blessing for this drama and that the writer had worked closely with Colin Stagg to make sure he was happy with his portrayal. It's a clever trick to take us on the same journey Lizzie went on.
I also loved seeing a true crime drama that wasn't slow, plodding and patronising but actually made the audience think. And a great female character at the centre. I recommend this to everyone as there are valuable lessons to learn here. It's also a terrific thriller so will appeal to everyone not just true crime fans.
A four part series based on the tragic and brutal killing of Rachel Nickell back in 1992.
This is a dark, gritty, unforgiving drama, 4 relentless episodes that give you the horror of the crime from the point of view of the undercover Officer, it will unnerve you, it will upset you, at times it will shock you.
Parts one and two are excellent, parts three and four take it up yet another notch.
The production values are terrific, they really do capture 1992, not just the visuals, but the mood and atmosphere, the accompanying music is first rate, it adds to the story, they play some great tunes too.
I thought the acting was fabulous, Niamh Algar is the absolute standout, Treadaway and Marsan are great too.
Excellent drama, 9/10.
This is a dark, gritty, unforgiving drama, 4 relentless episodes that give you the horror of the crime from the point of view of the undercover Officer, it will unnerve you, it will upset you, at times it will shock you.
Parts one and two are excellent, parts three and four take it up yet another notch.
The production values are terrific, they really do capture 1992, not just the visuals, but the mood and atmosphere, the accompanying music is first rate, it adds to the story, they play some great tunes too.
I thought the acting was fabulous, Niamh Algar is the absolute standout, Treadaway and Marsan are great too.
Excellent drama, 9/10.
You know what it's like - just one more episode then I'm going to bed then before you know it you've done the whole thing and it's 2:00am on a work night! I have no idea who has rated this low but they were not watching the same thing as me! I was gripped and can't quite believe that the police, those that are here to protect us, could behave so despicably, so devious and blinkered. No spoilers but just wait until the last two episodes! Absolutely amazing!!!
Beautifully shot, terrific performances and a script that sizzles with a mix of verbatim and written dialogue, this outstanding drama is a world away from most British true crime. It feels like a reinvention of the genre and is a truly compelling watch. Sion Daniel Young turns in a superb performance as Stagg and we feel every ounce of his suffering as he's targeted by the unstoppable Niamh Algar as Lizzie James. Eddie Marsan is gently terrifying as the criminal psychologist out of his depth. I've never seen anything quite like this before. An absolute 10/10.
Le saviez-vous
- AnecdotesThe scene in episode 1 when Paul Brittan makes Sadie tea, asking about the specific order is something he does/did as a psychological test.
- GaffesIn the last scene of episode 1, the killer sits down in his kitchen and looks at a Polaroid picture of Lizzie. Behind him, mounted on the wall is a Worcester Greenstar boiler, this wasn't released until the early 00s.
- ConnexionsFeatured in Jeremy Vine: Episode #4.160 (2021)
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