Ajouter une intrigue dans votre langueA life-affirming, genre-bending story about three chapters in the life of an ordinary man named Charles Krantz.A life-affirming, genre-bending story about three chapters in the life of an ordinary man named Charles Krantz.A life-affirming, genre-bending story about three chapters in the life of an ordinary man named Charles Krantz.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 4 nominations au total
Saidah Arrika Ekulona
- Andrea
- (as Saidah Ekulona)
Avis en vedette
There is a concept here about the truth: we live, and then we die, and because I know it's a movie based on a story by Stevn King it has me asking the question: which am I more afrriad of?
I know the ambiguous trailer did not seem like anything you would expect from a Steven King movie, but what I got is exactly why this dude is The Master of Horror.
Maybe I am reading too much into a film, possibly influenced far greater by Mike Flanagan's filmmaking, yet the emotion I felt for this movie was deep.
That's the brilliance of this movie, I felt something at the end, and it made me think, and it was beautiful for that.
It's everything I expected from a movie/
I know the ambiguous trailer did not seem like anything you would expect from a Steven King movie, but what I got is exactly why this dude is The Master of Horror.
Maybe I am reading too much into a film, possibly influenced far greater by Mike Flanagan's filmmaking, yet the emotion I felt for this movie was deep.
That's the brilliance of this movie, I felt something at the end, and it made me think, and it was beautiful for that.
It's everything I expected from a movie/
I went into this with no idea about what this film was about, other than it was supposedly life-affirming and feel-good.
The structure of the movie wasn't something I expected, but understand the intentions. The movie starts with the 3rd act, which is completely detached from the bulk of the movie. I don't want to add spoilers, so won't go into too much detail but to me, this 3rd act sets up a completely different movie to the one that plays out. Again, I understand the intentions, but I was ready for a completely different type of movie by the end of the 3rd act.
Acts 1 & 2 are great and more in-fitting with what I presume are the intentions of the story, but even here, I wouldn't say "life-affirming" or "feel-good" are the emotions I left with. In the end I left with melancholy and sadness, both at the story of Chuck, but also what this movie could have been.
Production, acting and cinematography are all excellent, so no complaints there. It's just that 3rd act at the beginning that threw me. As I said above, I was ready for a totally different type of movie, which I think would have been far more interesting to explore i.e. - end of the world and, rather more interestingly, not setting up a complete hellscape/dystopia, but instead seeing individual and society's reactions as they try to cling on to normality and watching things evolve as things progressively decline.
On the whole, I enjoyed this film, but I didn't "love" it, nor would I sing its praises too much if quizzed about it.
The structure of the movie wasn't something I expected, but understand the intentions. The movie starts with the 3rd act, which is completely detached from the bulk of the movie. I don't want to add spoilers, so won't go into too much detail but to me, this 3rd act sets up a completely different movie to the one that plays out. Again, I understand the intentions, but I was ready for a completely different type of movie by the end of the 3rd act.
Acts 1 & 2 are great and more in-fitting with what I presume are the intentions of the story, but even here, I wouldn't say "life-affirming" or "feel-good" are the emotions I left with. In the end I left with melancholy and sadness, both at the story of Chuck, but also what this movie could have been.
Production, acting and cinematography are all excellent, so no complaints there. It's just that 3rd act at the beginning that threw me. As I said above, I was ready for a totally different type of movie, which I think would have been far more interesting to explore i.e. - end of the world and, rather more interestingly, not setting up a complete hellscape/dystopia, but instead seeing individual and society's reactions as they try to cling on to normality and watching things evolve as things progressively decline.
On the whole, I enjoyed this film, but I didn't "love" it, nor would I sing its praises too much if quizzed about it.
I had the pleasure of attending Regal's Mystery Movie Monday and was absolutely delighted to preview The Life of Chuck. Directed by Mike Flanagan and adapted from Stephen King's novella, this film is a deeply moving exploration of life's fleeting moments and the quiet, powerful ways one person can leave a mark on the world.
Tom Hiddleston gives a captivating performance as Charles "Chuck" Krantz, portraying his life in reverse, from death back to childhood. Jacob Tremblay and Benjamin Pajak, who portray Chuck at younger ages, deliver equally sincere and affecting performances, each capturing the spirit and complexity of the character at various stages of his life. The film's unconventional structure may initially challenge viewers, but by the end, it offers a resonant, emotionally rich experience that lingers long after the credits roll.
The supporting cast brings warmth, depth, and surprise. Mia Sara, in a heartfelt return to the screen, shines as Chuck's mother. Matthew Lillard's brief appearance is both deeply touching and meomorable (my one complaint is that he did not return later in the movie), and Mark Hamill lends weight and tenderness in his role as Chuck's grandfather. Nick Offerman serves as the narrator, and his voice, calm, grounded, and thoughtful, beautifully anchors the film's reflective tone.
As a teacher, I was especially moved by the portrayal of educators. Characters like Miss Richards (Kate Siegel), Miss Rohrbacher (Samantha Sloyan), and the beautifully portrayed role by Chiwetel Ejiofor, all embody the kind of teachers we aspire to be, compassionate, inspiring, and transformative. Their presence in Chuck's life is a testament to the quiet heroism of educators.
And I have to say it, Rahul Kohli is a joy to watch in everything he does. His presence is always a highlight.
The Life of Chuck is more than just a film, it's a love letter to life, memory, connection, and the meaning we create in our short time here. Flanagan's masterful direction, paired with a stellar cast and emotionally intelligent storytelling, makes this one of the most beautiful and thought-provoking films of the year.
I wholeheartedly recommend it to anyone ready to be moved, and reminded of what truly matters.
Tom Hiddleston gives a captivating performance as Charles "Chuck" Krantz, portraying his life in reverse, from death back to childhood. Jacob Tremblay and Benjamin Pajak, who portray Chuck at younger ages, deliver equally sincere and affecting performances, each capturing the spirit and complexity of the character at various stages of his life. The film's unconventional structure may initially challenge viewers, but by the end, it offers a resonant, emotionally rich experience that lingers long after the credits roll.
The supporting cast brings warmth, depth, and surprise. Mia Sara, in a heartfelt return to the screen, shines as Chuck's mother. Matthew Lillard's brief appearance is both deeply touching and meomorable (my one complaint is that he did not return later in the movie), and Mark Hamill lends weight and tenderness in his role as Chuck's grandfather. Nick Offerman serves as the narrator, and his voice, calm, grounded, and thoughtful, beautifully anchors the film's reflective tone.
As a teacher, I was especially moved by the portrayal of educators. Characters like Miss Richards (Kate Siegel), Miss Rohrbacher (Samantha Sloyan), and the beautifully portrayed role by Chiwetel Ejiofor, all embody the kind of teachers we aspire to be, compassionate, inspiring, and transformative. Their presence in Chuck's life is a testament to the quiet heroism of educators.
And I have to say it, Rahul Kohli is a joy to watch in everything he does. His presence is always a highlight.
The Life of Chuck is more than just a film, it's a love letter to life, memory, connection, and the meaning we create in our short time here. Flanagan's masterful direction, paired with a stellar cast and emotionally intelligent storytelling, makes this one of the most beautiful and thought-provoking films of the year.
I wholeheartedly recommend it to anyone ready to be moved, and reminded of what truly matters.
Mike Flanagan's "The Life of Chuck" (2024) is an ambitious and unconventional adaptation that explores the entirety of an ordinary man's life, told in reverse chronological order. While the non-linear structure can be initially disorienting, it ultimately serves to deepen the emotional impact and reveal the interconnectedness of seemingly small moments. The film, a departure from Flanagan's usual horror fare, leans heavily into themes of life, death, and the human experience, often with a melancholic yet ultimately optimistic tone.
The ensemble cast, including strong performances from Tom Hiddleston, Chiwetel Ejiofor, and Mark Hamill, brings a quiet dignity to their roles. While some may find the philosophical musings a bit heavy-handed or the pacing occasionally slow, "The Life of Chuck" is a thought-provoking and often moving cinematic experience that encourages reflection on the beauty found in everyday existence.
Is it worth watching? Yes, for its unique storytelling and emotional depth, especially if you appreciate contemplative dramas.
The ensemble cast, including strong performances from Tom Hiddleston, Chiwetel Ejiofor, and Mark Hamill, brings a quiet dignity to their roles. While some may find the philosophical musings a bit heavy-handed or the pacing occasionally slow, "The Life of Chuck" is a thought-provoking and often moving cinematic experience that encourages reflection on the beauty found in everyday existence.
Is it worth watching? Yes, for its unique storytelling and emotional depth, especially if you appreciate contemplative dramas.
It honestly boggles my mind how I kept reading about how this movie was bombing at the box office, when it clearly was very poorly marketed. It was two weeks after its "wide" release before it finally showed up to our local art house/second run movie theater. The chain multiplexes gave it a complete miss.
Mike Flanagan is a very talented screenwriter and director and this was possibly Stephen King's most sentimental work. And there's two INCREDIBLE dance scenes. The result is completely human, uplifting film.
There is some anxiety inducing story in the start of the film, but it is not a horror film by any measure. King is also very good with general fiction too, after all.
This movie will stick with you for awhile. Hours after my viewing, I was still thinking about it (and tearing up.)
Mike Flanagan is a very talented screenwriter and director and this was possibly Stephen King's most sentimental work. And there's two INCREDIBLE dance scenes. The result is completely human, uplifting film.
There is some anxiety inducing story in the start of the film, but it is not a horror film by any measure. King is also very good with general fiction too, after all.
This movie will stick with you for awhile. Hours after my viewing, I was still thinking about it (and tearing up.)
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Le saviez-vous
- AnecdotesThis marks Mia Sara's return to acting since 2013. She had retired but told filmmaker Mike Flanagan she would return to acting for him after watching Sermons de minuit (2021).
- GaffesThe funeral for Sarah (Bubbie) is a Jewish funeral. According to Judaic custom, the casket is required to be a very plain and nondescript casket, and lowered into the grave after which attendees are encouraged to shovel dirt onto the casket. At the conclusion of the funeral the ornate casket is still above ground as people are leaving. This would not happen at a Jewish Funeral.
- Citations
Charles 'Chuck' Krantz: I will live my life until my life runs out.
- ConnexionsFeatures Cover Girl (1944)
- Bandes originalesGimme Some Lovin'
Written by Spencer Davis, Steve Winwood and Muff Winwood
Performed by Steve Winwood
Courtesy of Wincraft Music Inc
By arrangement with Kobalt Music Group
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Détails
Box-office
- Brut – États-Unis et Canada
- 6 712 600 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 224 585 $ US
- 8 juin 2025
- Brut – à l'échelle mondiale
- 12 530 540 $ US
- Durée
- 1h 51m(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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