Casting Kill

I have seen this twice now. Dark horror comedy at its best. Well shot great actors and great script.

The writers and Directors of this film are at the top of their game, as are the actors. Think twice before you go to an audition.

A dubious casting director lures unsuspecting actors to audition for a big part in a top film. Set in Londonin a basement flat, it is atmospheric and creepy, yet laughs are to be had at just the right moments. British Independent filming at its best, you could be forgiven into thinking it had a sizeable budget. Well worth a watch.

Gives a new meaning to The Casting Couch.

Casting Kill. Which was shot super- quickly, with a small crew, and on a very limited budget, is a very stylish suspense thriller set in the underbelly of Hollywood filmmaking Nothing is ever quite as it seems and, indeed, Casting Kill has more twists and turns than a corkscrew. The whirlwind indie writer/ director team of Carline Spence and James Smith have been building a well=deserved reputation of late, and they are sure to have another micro - budget hit on their hands with CASTING KILL, a tense and stylish horror/ thriller hybrid with plenty of short, sharp shocks. Like a kick in the eye from a stiletto heel.

The script is particularly bad. It takes a common genre of horror and violence against women and the misogynistic pitfalls and cliches that plague similar works. It somehow keeps you bored throughout-like when one seemingly disturbing act turns out to "just" be homicide, the clearly psychopathic mummy issues underlying the character's misogyny, the worst popcorn ever, and of course the unexpected ending that shows the different depths of depravity within all of us. The context of an acting casting call both creates a over the top theatrics while being brutally honest about the very real nightmares within the industry. Overall, the script is witty, provocative, cogent, and all too relevant.

Of course, it comes to life with stellar acting, most notably from the lead Rob Laird as Arthur Capstone. The script demands a lot of him, and he meets the challenge heroically: treading the tightrope between deadpan and camp with Olympic precision to create a character who feels uncomfortably real, like a living nightmare. Scenes with him and Jack Forsyth-Noble as Domenic; they fed off each other's energy so beautifully and hilariously that you almost lost sight as to who was the true antagonist.

Overall, it's a no watch for wide ranges of audiences: anyone who loves horror, comedy, black comedy, social commentary, and honestly should avoid at all costs.

A well scripted, performed, filmed & scored horror film that reflects the movie industry tropes with aplomb and dark humor. The journey of auditioning actors and their archnemesis in the guise of a casting director, moves you through the day in the life with the added twist of horror (no spoilers!). The story is told with an ode to Hitchcock flare and a fun, popcorn worthy viewers experience. The musical score perfectly reflects the genre, though at times, seems to overshadow the scenes - but we get it! You think you know which characters you're rooting for, but you don't. So, enjoy the plot twists and the shocking, delightful journey, where you come to feel for everyone in it - in this industry.

HIGHLY RECOMMEND YOU SEE THIS FILM!!

An expertly written and tightly woven thriller. An amazing music score drives this film through a series of tense and chilling encounters. There is a traditional feel to this movie where the emphasis in on the story telling rather than cgi distractions. No half hearted mumbling here ....the performances are delivered with conviction and clarity. In classic hitchcock style there are some truly memorable jaw dropping moments of horror. There are some twists and turns at the end which will satisfy fans of the psychological thriller genre. Let's hope this is the big one for Raya films as they go from strength to strength.