- Prix
- 1 victoire et 17 nominations au total
Aaron Pierre
- Mufasa
- (voice)
Kelvin Harrison Jr.
- Taka
- (voice)
Tiffany Boone
- Sarabi
- (voice)
Kagiso Lediga
- Young Rafiki
- (voice)
Preston Nyman
- Zazu
- (voice)
Blue Ivy Carter
- Kiara
- (voice)
Mads Mikkelsen
- Kiros
- (voice)
Seth Rogen
- Pumbaa
- (voice)
Billy Eichner
- Timon
- (voice)
Thandiwe Newton
- Eshe
- (voice)
Lennie James
- Obasi
- (voice)
Anika Noni Rose
- Afia
- (voice)
Keith David
- Masego
- (voice)
Braelyn Rankins
- Mufasa Cub
- (voice)
Theo Somolu
- Taka Cub
- (voice)
Donald Glover
- Simba
- (voice)
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Sommaire
Reviewers say 'Mufasa: The Lion King' is lauded for its stunning visuals and animation, enriching the Pride Lands with intricate detail. The film's exploration of Mufasa's backstory and his complex relationship with Scar is appreciated for offering fresh perspectives. However, critics point out the weak script, uninspired songs, and lack of emotional depth. The inclusion of Timon and Pumbaa is often deemed unnecessary and disruptive. Some feel the film overly relies on nostalgia, failing to establish a compelling standalone narrative. Despite these drawbacks, it remains a visually impressive installment in the franchise.
Avis en vedette
A huge leap from the 2019 remake
Mufasa: The Lion King is so much better than the soulless remake it has to act as a prequel to. All of the biggest issues have been rectified instantly and it has a greater purpose by telling a new story, even with some classic prequel issues. Everything set after the events of the first film could've been easily cut out to let the main story breathe however they are thankfully brief whenever they do interrupt and it comes to a nice conclusion.
Aaron Pierre makes the role of Mufasa his own with a strong performance that has him feeling reluctant to accept his destiny and becoming more stoic as it goes along. Similarly, Kelvin Harrison Jr. Gets more deceitful throughout and chooses to make his voice work sound closer to Jeremy Irons than Chiwetel Ejiofor. The only occasionally distracting element is some of the line readings sounding rushed.
Director Barry Jenkins is massively over qualified for this and held back by the photo real animation that comes with this but his direction is still more ambitious and exciting than Jon Favreau's was. He isn't afraid to sacrifice a pointless commitment to realism to create a beautiful looking film where the locations are more varied, the visuals are more creative and the cinematography is infinitely more dynamic.
The CGI is always faultless and thankfully all the lions now show a much wider range of emotions, enhanced by the massive increase in close ups. The songs by Lin-Manuel Miranda are definitely some of his weakest, they're very repetitive without his usual level of catchiness and it's a testament to how strong everything else is that this isn't a major issue. Dave Metzger's score only stands out when referencing Hans Zimmer's work, which it does constantly.
Aaron Pierre makes the role of Mufasa his own with a strong performance that has him feeling reluctant to accept his destiny and becoming more stoic as it goes along. Similarly, Kelvin Harrison Jr. Gets more deceitful throughout and chooses to make his voice work sound closer to Jeremy Irons than Chiwetel Ejiofor. The only occasionally distracting element is some of the line readings sounding rushed.
Director Barry Jenkins is massively over qualified for this and held back by the photo real animation that comes with this but his direction is still more ambitious and exciting than Jon Favreau's was. He isn't afraid to sacrifice a pointless commitment to realism to create a beautiful looking film where the locations are more varied, the visuals are more creative and the cinematography is infinitely more dynamic.
The CGI is always faultless and thankfully all the lions now show a much wider range of emotions, enhanced by the massive increase in close ups. The songs by Lin-Manuel Miranda are definitely some of his weakest, they're very repetitive without his usual level of catchiness and it's a testament to how strong everything else is that this isn't a major issue. Dave Metzger's score only stands out when referencing Hans Zimmer's work, which it does constantly.
Decent, I just wanted a bit more depth.
With the imminent disaster that is Snow White, waiting in the wings, the company needed a big hit.
I have no doubts that fans of The Lion King's many forms will flock to see it, and for kids and families, there is a definite appeal, I watched this movie about a week ago, and almost forgot to review it, that's the problem, it simply isn't memorable.
You get the impression that they played it super safe, it's just a little bland at times, it's hardly a film that'll be remembered as a classic. Sure it's a good story, but sometimes it just feels a little shoved together.
Amazing visuals, lovely music, you can't fault the production values of it at all.
It's a shame that James Earl Jones couldn't have been persuaded to at least feature, but it was nice that the film was dedicated to him.
A nice movie, just hardly memorable.
6/10.
I have no doubts that fans of The Lion King's many forms will flock to see it, and for kids and families, there is a definite appeal, I watched this movie about a week ago, and almost forgot to review it, that's the problem, it simply isn't memorable.
You get the impression that they played it super safe, it's just a little bland at times, it's hardly a film that'll be remembered as a classic. Sure it's a good story, but sometimes it just feels a little shoved together.
Amazing visuals, lovely music, you can't fault the production values of it at all.
It's a shame that James Earl Jones couldn't have been persuaded to at least feature, but it was nice that the film was dedicated to him.
A nice movie, just hardly memorable.
6/10.
Just ok, a bland, uninspired vision
Visuals are great, but it can't hold up an overall subpar movie. Fine for kids and families but leaves originality at the door.
It does fit together some fine lore to bring us up to speed with what we know from the original movie. How it does it is rehash story elements, themes and plenty of conveniences to forcibly make the pieces fit into the original. It has similar flaire to Solo where it's just fine and uninterestingly shows or tells us where things come from in this fanfiction. Sometimes it's best to leave things a mystery if the progenitor is unceremoniously bland.
The music is fine but doesn't have the same force of fun or majesty as the original score. They're kind of just there like Moana 2's music. Not bad, but certainly not memorable.
The 3D glasses also did nothing. It felt like just a regular movie instead of them trying to do anything with with 3D.
The worst part IMO was no James Earl Jones in the actual movie. I know he's sadly passed, but they've brought back voices from other people before. If they didn't want to synthesize, they could've used unused clips or even just reused a voice clip from previous Lion King works. I can't get behind a movie called Mufasa without Mufasa's actual iconic voice somewhere in the movie.
Feels like a made for TV movie, and probably worth a watch on Disney+. But not really one I'd recommend for theatres or purchase.
It does fit together some fine lore to bring us up to speed with what we know from the original movie. How it does it is rehash story elements, themes and plenty of conveniences to forcibly make the pieces fit into the original. It has similar flaire to Solo where it's just fine and uninterestingly shows or tells us where things come from in this fanfiction. Sometimes it's best to leave things a mystery if the progenitor is unceremoniously bland.
The music is fine but doesn't have the same force of fun or majesty as the original score. They're kind of just there like Moana 2's music. Not bad, but certainly not memorable.
The 3D glasses also did nothing. It felt like just a regular movie instead of them trying to do anything with with 3D.
The worst part IMO was no James Earl Jones in the actual movie. I know he's sadly passed, but they've brought back voices from other people before. If they didn't want to synthesize, they could've used unused clips or even just reused a voice clip from previous Lion King works. I can't get behind a movie called Mufasa without Mufasa's actual iconic voice somewhere in the movie.
Feels like a made for TV movie, and probably worth a watch on Disney+. But not really one I'd recommend for theatres or purchase.
Less of Timon and Pumba please
Man these 2 were unnecessary and NOT funny. Annoyed every time they cut to them. Havent seen the first live action and now i definitely wont if I have to see more of these two. Could've used less cutting back and forth maybe a voiceover would have been more effective. Villains didnt really have a lot of depth. Nothing interesting about them. They just wanted to wipe out all other prides? I dont know. WhyOtherwise enjoyable movie. Casting of Rafiki was a good choice. Truly brought the essence of Rafiki from the original movie. Won't repeat what already has been said. Songs were catchy visuals were stunning.
Offensively Bad
The only good thing about this 2 hour CGI exhibition is that it will inspire you to re-watch the original Lion King to rinse off the brain rot you incur while watching it.
No heart or humanity radiates from these creepy, anthropomorphized, neutered CGI lions. The kids we went with were bored within 5 minutes. Parents, you will be checking how much time is left on your phones.
The only funny part was how awful the songs were. It felt like they were improvised first drafts of a musically inclined high schooler. A few of them mostly repeated the same line over and over again. Our whole row was laughing.
The writing and acting felt just as lacking in truth and beauty as the animation. The script felt like a first draft written with some AI assistance in a rush. The voices were badly cast and prioritized celebrity over character.
It's sad that the value placed on deep and honest storytelling continues to decline in modern cinema and that Hollywood continues to empower mediocre talent, endlessly subjecting us to this onslaught of dumbed down and recycled ideas. Movies like this, and like so many these days, are clearly made with more love and respect for the mighty dollar than their audiences.
No heart or humanity radiates from these creepy, anthropomorphized, neutered CGI lions. The kids we went with were bored within 5 minutes. Parents, you will be checking how much time is left on your phones.
The only funny part was how awful the songs were. It felt like they were improvised first drafts of a musically inclined high schooler. A few of them mostly repeated the same line over and over again. Our whole row was laughing.
The writing and acting felt just as lacking in truth and beauty as the animation. The script felt like a first draft written with some AI assistance in a rush. The voices were badly cast and prioritized celebrity over character.
It's sad that the value placed on deep and honest storytelling continues to decline in modern cinema and that Hollywood continues to empower mediocre talent, endlessly subjecting us to this onslaught of dumbed down and recycled ideas. Movies like this, and like so many these days, are clearly made with more love and respect for the mighty dollar than their audiences.
'Mufasa: The Lion King' Stars Through the Years
'Mufasa: The Lion King' Stars Through the Years
From Solo: A Star Wars Story and Dreamgirls to The Three Musketeers, check out the TV and movie roles of the Mufasa: The Lion King stars Donald Glover, Beyoncé, Mads Mikkelsen, and more.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesEach lion in the film featured over 30,000,000 hairs to achieve the realistic look of fur. Just Mufasa's mane on its own was made up of 16,995,454 hair curves. The lion has 600,000 hairs on his ears, 6.2 million hairs on his legs, and 9 million hairs covering the middle portion of his body. Simulating realistic lion manes for the assembled lions required 40,000-80,000 dynamic curves per character, with custom presets for different weather and physical conditions. Long shots took up to a week per iteration, with final fur caches exceeding 800 GB.
- GaffesMufasa is proven to have an excellent sense of smell, proven by being able to smell duck flowers on Sarabi from her valley, despite her not having been there for days. But he did not smell Kiros on Taka after Taka betrayed Mufasa and joined the white lions.
- Citations
Taka: Mufasa, please forgive me.
Zazu: You must banish him, sire.
Mufasa: As long as I'm king, my brother will have a place here.
Taka: Brother, I'm so...
Mufasa: But I won't ever say your name again. I can't. I won't.
Taka: Then call me Scar. So I will never forget what I have done.
Mufasa: Scar.
Taka: [He bows and leaves.] Your Majesty.
- Générique farfeluThere is a dedication at the start of the film: "In remembrance of James Earl Jones".
- ConnexionsFeatured in Animat's Crazy Cartoon Cast: The Sequel of Life (2020)
- Bandes originalesHome
Written by Nicholas Britell
Choral Pieces by Lebo M. and Nicholas Britell
Performed by Lebo M. and South African Cultural Gospel Choir
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Détails
Box-office
- Budget
- 200 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 254 567 693 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 35 409 365 $ US
- 22 déc. 2024
- Brut – à l'échelle mondiale
- 722 631 756 $ US
- Durée
- 1h 58m(118 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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