Reptile

For those who like murder mysteries like me, this is an excellent movie. My fave shows and movies are BBC mysteries and Nordic Noir - well written and well acted productions. Certainly, for the mystery-affectionado, this is a quality production from top to bottom - acting, writing, story-line, camera work, production. Benicio Del Torro is a pleasure to watch. I feel like the story was somewhat familiar but I appreciate a movie which re-covers a certain theme but in a quality way. For those who enjoy an intelligent mystery / thriller, they will enjoy this movie. For those who want a more shoot 'em up, car chase, action-packed show, this will disappoint. Overall, I recommend to anyone who enjoys quality mystery / thriller productions.

This film could have easily been a series of True Detective.... the filming, atmosphere and music are very of that genre... this is a long film and not for the action lovers. It's thoughtful well written and you need to be awake and concentrating. If you like this pace of film you will enjoy it and the plot is complex and cleverly developed... I won't spoil it... there are web sites that fully explain it. I believe it's got a 7/10 rating due to some impatient poor reviews by people not suited to the pace and genre. I would say if you like the true detective series 1 you might enjoy this ... but if you wants a shoot out every two minutes and an easy plot line... I'd give it a miss.

A real estate developer is considered the prime suspect after he finds his realtor girlfriend murdered at a vacant property. The initial police investigation stalls when it's revealed he has an alibi and the victim had a bitter ex-husband.

All this is just the opening passage, after which homicide detective Tom Nichols sets to work and finds a tangled web of additional complications as the case gets murkier. With the plot unfolding at an unhurried pace, Nichols' nuanced relationship with his wife Judy is given unusual prominence for a neo-noir mystery movie. The rest of the excellent cast is well up to the task of portraying individuals being hostile and devious as Nichols ruffles the feathers of his suspects and colleagues. 'Reptile' is a thoroughly professional debut by a first time director which offers several modest innovations to the genre.

Music-Director Grant Singer Teams-Up with Benicio del Toro and Delivers this "Netflix" Original for His 1st Feature-Film.

A Bleak Detective Thriller that is Driven by a Moody Neo-Noir Tone.

It's about del Toro, a Transplant Detective Trying to Avoid Mistakes-Made in the Past, and is Caught-Up in a Murder-Corruption Case where "Bad" is Overwhelmingly Everywhere.

He "Bites-the-Bullet" and Hunkers-Down as Events and Revelations Slow-Burn the Case and the Film.

The Tone is Suppressing, Dark, and Deep. More Reliant on Characters "Behaving Badly" than Action and Violence, although the Mood is Relentlessly Depressing and Cuts to the Bone.

Del Toro Nails His Inner-Turmoil Eating Away at His Soul Reflecting in His Demeanor Concerning His Job and His Wife (deliciously played by Alicia Silverstone).

A Stone-Faced Justin Timberlake is a Suspect. What Amounts to a Cameo by Eric Bergosian becomes Integral to the Story.

Worth a Watch.

Set in the town of Scarborough, Detective Tom Nichols (Benecio del Toro) and his partner Dan Cleary (Ato Essandoh) investigate the murder of real-estate broker Summer Elswick (Matilda Lutz). As the two run down possible suspects including Summer's boyfriend Will Grady (Justin Timberlake), her ex-husband Sam Gifford (Karl Glusman), and a man with a grudge against the Gradys named Eli Phillips (Michael Pitt), the case goes from a simple murder to something of larger scale implications.

Reptile is the feature film debut of music video director Grant Singer who also co-wrote the script alongside Benjamin Brewer and the film's star and executive producer Benicio Del Toro. Singer and Brewer wrote the initial draft of the film in 2018 where it was acquired by Black Label Media who'd previously worked with Del Toro on the Sicario films and upon showing it to him he became a huge proponent of the project. With a gritty noir story, an all star cast, and an Autumn adjacent release date you can tell Netflix wants this to be their equivalent of Gone Baby Gone or Prisoners as that dark horse crime thriller that scores some Oscar nominations, and while it doesn't reach those heights unfortunately it's an ultimately decent detective thriller with a strong sense of style and some committed performances.

Despite being the debut feature of Grant Singer, he shows a strong grasp on filmmaking from a stylistic and technical sense with the film given some solid shots that capture the environments in which Nichols investigates. With a predominantly suburban setting that often uses the states of various homes like McMansion Grady is trying to sell having signs of vermin infestation or a neglected swimming pool with stagnant water, you get the sense Singer is trying to capture that underlying sense of rot within these seemingly idyllic homes. While Tom Nichols isn't given the greatest depth as a protagonist, del Toro who serves as a co-writer on the film does add some humanity to the role especially in regards to his relationship with his wife Judy played by Alicia Silverstone who takes what could've been an underwritten character and makes her more of a confidant who actually assists Tom on several occasions and the two have some solid chemistry together. Where the movie faulters for me unfortunately is in the mystery aspect of the film especially in how it establishes its array of suspects only for us to switch gears at the one hour mark where we begin another decidedly different investigation. The writing in the film while fine most of the time is perfectly fine (if not exceptional) but it does lead to some groanworthy dialogue exchanges and a fake-out dream sequence that I didn't really care for.

For those who like dramatic procedural thrillers of this kind you will find some good elements to appreciate here especially in how it relates to the acting and visuals on display. The movie itself as a mystery I'm sorry to say fell somewhat flat for me despite seemingly having all the right pieces in play. A slight stumble out the gate for Grant Singer, but one that shows promise if given refinement.