Le concert

This is a gem of a movie. Do not miss it! Amazing rarely seen Russian actors, hilarious comedy, emotions by the bucket, tears, sublime music, tension, suspense, it's been a while since I saw anything like it. I was weary that the director, prize winner of art-house fame, would make a slow pompous contemplative film. At the contrary Le Concert is a fast moving beautifully shot comedy about music, artists, Russia, Paris and communism. The director makes the actors brilliant, even average French actors like Miou Miou or the young soloist whose name I forgot. Do not wait for the DVD: it's worth watching on a big screen with a loud digital surround to enjoy the violins and the magnificent soundtrack. Bring your tissues you will laugh and cry, a great night out guaranteed!!!

I received warm recommendations before going to see "Le concert" and, as a consequence, was prepared to like it.

I must admit that hearing one of my favourite classical pieces at the beginning induced a positive outlook; however, as I am rather critical, this would not have made up for a boring experience afterwards.

Yet the rest was delightful, and there was no moment left for fatigue or dissatisfaction. Those clichés criticized by some are still well understood in Eastern Europe; as to the exacerbated kitsch - it can be found today, with no difficulty, within the society I live in.

The plot may have seemed straightforward, but a whirlwind of colour, wonderful music, sadness and humour carried me swiftly to the end and to the applause of the audience in the cinema.

It may not be the best film I have seen, but it certainly possesses the "je ne sais quoi" that makes you want to see it again, that makes you feel different for having experienced it. And for this, I think "Le Concert" should be accepted and loved just as it is.

If you love music this will quickly become a favorite for you.

This movie is all about music. An orchestra conductor is given a second chance 30 years later and he definitely grabs it.

Life flows through this movie. You can detect how music mixes with life and how music is a part and at the same time is not a part of life.

Music lifts you beyond life.

I also liked the comedy parts. Life is tragedy and comedy and music encompasses it all.

Be advised that the director likes to play and the mixture between fantasy and real life is present throughout the whole movie.

Also, please note the gypsy who arranges the passport issue. In real life he is a member of the Romanian music band Taraf des Haidouks (http://www.myspace.com/tarafdehaidouksbandofgypsies). They have amazing music and you will also be treated with a small sample in the movie. He is one of my favorite characters in the movie and one of my favorite performers on stage.

I'm trying to find any downsides to this movie but I personally can't. The person who accompanied me to the cinema said it was too...soapy. I was just sorry I was not alone in my home...This is a movie where you meet yourself so you'd better not have witnesses.

I liked Le Train De La Vie, but i loved Le Concert. Mihaileanu keeps things simple and withholds just a couple of info, in order to reveal the actual truth at the end of the movie. He creates a drama without forcing you into tears from the beginning, consolidating every dramatic moment with a gag, joke or just a funny face. He builds funny characters, that you can enjoy seeing without being worn off by their problems or issues.

He was able to make a 2 hours film that envelopes so much about drama, failure, communism, music and dedication that is quite impossible not to appreciate. This movie was quite a joy.

This movie goes a long way to heal my nostalgia for the good films of old. A lot of the "modern" eastern European movies try very hard to be so soul searching, so psycho-dramatic, as if they are on a mission to turn and twist their bewildered audience in the hope of some intellectual and metaphysical gratification (or maybe just the hope of a Palme D'Or). Radu Mihaileanu is the master of story telling, touching souls in the best way possible, really. Yes you can pick faults, like with most movies, but if you really pay attention and let you and your feelings move with the flow of the movie, you will be in for a great soul experience. The inaccuracies, the factual errors won't matter anymore. What it does matter is that the author is pretty much exact in retrieving the atmosphere of an era which some of us actually experienced.