ÉVALUATION IMDb
7,4/10
20 k
MA NOTE
Nelly vient de perdre sa grand-mère et aide ses parents à vider la maison d'enfance de sa mère. Elle explore la maison et les bois environnants. Un jour, elle rencontre une petite fille du m... Tout lireNelly vient de perdre sa grand-mère et aide ses parents à vider la maison d'enfance de sa mère. Elle explore la maison et les bois environnants. Un jour, elle rencontre une petite fille du même âge qui construit une cabane dans les arbres.Nelly vient de perdre sa grand-mère et aide ses parents à vider la maison d'enfance de sa mère. Elle explore la maison et les bois environnants. Un jour, elle rencontre une petite fille du même âge qui construit une cabane dans les arbres.
- Nominé pour le prix 1 BAFTA Award
- 9 victoires et 37 nominations au total
Avis en vedette
Great movie! A wonderfull masterpiece of love, loss, magic and time.
This director surprises me more and more, with her delicate stories, her sensitive photography, and this film is a clear example of what she can create.
This director surprises me more and more, with her delicate stories, her sensitive photography, and this film is a clear example of what she can create.
Petite Maman is a warm bundle of cinematic magic. Director Celina Sciamma's French coming of age sci-fi hybrid never gets too bogged down in tedious specifics of its fantastical set-up. Petit Maman bends time to tell the story about the bond between a daughter and her mother that transcends it.
Petite Maman, which I had the pleasure of seeing at the Middleburg Film Festival, centers itself around a little girl named Nelly (Josephine Sanz) and her family, reeling after the death of a loved one, as they spend some time in Nelly's mother's childhood home. Nelly's mother leaves the family behind in the midst of the immense grief she's suffering, leaving her husband and daughter with little idea of when she'll return. In the meantime, Nelly ventures into the woods, where she meets and begins to pal around with a young girl, who she learns, by some twist of cosmic fate, is a much younger version of her own mother, who faces trials of her own. A single stretch of woods bridges decades between them. Together, they try to help each other cope in these moments of personal turmoil and Nelly can maybe get to understand why her mother left and what she's going through. This movie quite literally follows its two leads after their meeting, making food, building forts, making believe. Petit Maman uses those pastimes of youth to hit audiences with a surprisingly layered exploration of something as monumental as grief from a kid's perspective.
I loved, loved, loved the setup of this movie-it doesn't ever seek to explain how Nelly and this younger version of her mother meet in terms of time and space, but it uses that heightened concept to speak to something more human. Here, two children reckon with fear and their powerlessness in the conflicts they face, and in the comfort and security they give each other lies the courage to face them.
The lesson of Petite Maman is just to be there for the people you love in times of great difficulty.
I give Petite Maman 3.5 out of 5 stars and recommend it for ages 5 to 12. It's an understated, but moving little gem that I hope doesn't escape people's radar. By Benjamin P., KIDS FIRST!
Petite Maman, which I had the pleasure of seeing at the Middleburg Film Festival, centers itself around a little girl named Nelly (Josephine Sanz) and her family, reeling after the death of a loved one, as they spend some time in Nelly's mother's childhood home. Nelly's mother leaves the family behind in the midst of the immense grief she's suffering, leaving her husband and daughter with little idea of when she'll return. In the meantime, Nelly ventures into the woods, where she meets and begins to pal around with a young girl, who she learns, by some twist of cosmic fate, is a much younger version of her own mother, who faces trials of her own. A single stretch of woods bridges decades between them. Together, they try to help each other cope in these moments of personal turmoil and Nelly can maybe get to understand why her mother left and what she's going through. This movie quite literally follows its two leads after their meeting, making food, building forts, making believe. Petit Maman uses those pastimes of youth to hit audiences with a surprisingly layered exploration of something as monumental as grief from a kid's perspective.
I loved, loved, loved the setup of this movie-it doesn't ever seek to explain how Nelly and this younger version of her mother meet in terms of time and space, but it uses that heightened concept to speak to something more human. Here, two children reckon with fear and their powerlessness in the conflicts they face, and in the comfort and security they give each other lies the courage to face them.
The lesson of Petite Maman is just to be there for the people you love in times of great difficulty.
I give Petite Maman 3.5 out of 5 stars and recommend it for ages 5 to 12. It's an understated, but moving little gem that I hope doesn't escape people's radar. By Benjamin P., KIDS FIRST!
Celine Sciamma's sensitive and superb PETITE MAMAN is akin to a novella for inquisitive children. Like all good bedtime stories, it's made out of seemingly ordinary events and adventures, yet delivers graceful wisdom. Sciamma creates an intimate world where a litte magic can prosper.
Nelly (Joséphine Sanz) is at her grandmother's house helping her parents sort out the estate. Her mother (Nina Meurisse) grew up there. During her stay, Nelly plays on the same grounds as her mother and befriends another eight-year old girl, Marion (played by Josephine's sister, Gabrielle). Their bond becomes very close even during the brief time they have together.
As with Sciamma's PORTRAIT OF A LADY ON FIRE, the Director (who also penned the screenplay) doesn't employ a background score, choosing to let the natural sounds of wind and rain to create the mood. There are also are abundant silences. When a cheekily titled pop song (La Musique du Futur; lyrics by Sciamma) plays on the soundtrack it bursts with an extra force as it breaks the spell. Claire Mathon's cinematography is exquisite without ever drawing attention. The movie is efficiently edited, but, never feels rushed, the filmmaker confident that the backstory can easily be imagined without showing every beat.
PETITE MAMAN, like PORTRAIT is a story about women with the only male being the father (Stéphane Varupenne). The female characters represent three stages of motherhood: the past, the present and the future. With a run-time of 72 minutes, one might expect the simplicity to allow for only a superficial treatment of its themes, but, Sciamma turns it into a virtue. Life is short - embrace those around you while you can. The emotionally resonant final exchange consists of only two simple words, but entire lifetimes are implied. PETITE MAMAN is not only about sayign Au Revoir, but, also, Allo.
Nelly (Joséphine Sanz) is at her grandmother's house helping her parents sort out the estate. Her mother (Nina Meurisse) grew up there. During her stay, Nelly plays on the same grounds as her mother and befriends another eight-year old girl, Marion (played by Josephine's sister, Gabrielle). Their bond becomes very close even during the brief time they have together.
As with Sciamma's PORTRAIT OF A LADY ON FIRE, the Director (who also penned the screenplay) doesn't employ a background score, choosing to let the natural sounds of wind and rain to create the mood. There are also are abundant silences. When a cheekily titled pop song (La Musique du Futur; lyrics by Sciamma) plays on the soundtrack it bursts with an extra force as it breaks the spell. Claire Mathon's cinematography is exquisite without ever drawing attention. The movie is efficiently edited, but, never feels rushed, the filmmaker confident that the backstory can easily be imagined without showing every beat.
PETITE MAMAN, like PORTRAIT is a story about women with the only male being the father (Stéphane Varupenne). The female characters represent three stages of motherhood: the past, the present and the future. With a run-time of 72 minutes, one might expect the simplicity to allow for only a superficial treatment of its themes, but, Sciamma turns it into a virtue. Life is short - embrace those around you while you can. The emotionally resonant final exchange consists of only two simple words, but entire lifetimes are implied. PETITE MAMAN is not only about sayign Au Revoir, but, also, Allo.
... just like eight year old Nelly, whose vivid imagination is brought to life when she meets her doppelganger Marion after her mother absents herself from her life for a few days. Beautifully filmed and acted, it may get you reflecting on your own perceptions of the world when you were that age or even as you got older, if you were lucky enough to carry that imagination with you.
As "Petite Maman" (2021 release from France; 72 min) opens, 8 yo Nelly and her mom Marion are dealing with the recent passing of Marion's mom/Nelly's grandmother. The grandmother's house contains tons of childhood memories and things. Once day while playing in the nearby woods, Nelly meets another 8 yo girl, whose name is Marion...
Couple of comments; this is the latest from French writer-director Celine Sciamma ("Portrait of a Lady on Fire"). Here Sciamma looks at how an 8 yo girl processes the loss of her grandmother. "I never get to say a proper goodbye", she laments to her mom. Things really get interesting when Nelly meets 8 yo Marion. The scale of the movie may be small, but its emotional reach is enormous. I was completely blown away by the lead performances of the young twins (Joséphine Sanz as Nelly and Gabrielle Sanz as Marion). In case you are wondering whether the movie's short running time hurts the viewing experience, don't worry. The movie comes to a natural close and you will be surprised how deeply invested you had become with these characters.
"Petite Maman" premiered at the 2021 Berlinale to immediate and widespread critical acclaim. If the movie get a US theatrical release, it certainly didn't make it to where I live (in Cincinnati.). Fortunately, the movie started streaming on Hulu just a few days ago, and that is where I caught it. If you are in the mood for a top notch foreign movie about dealing with grief from a young girl's perspective, I'd readily suggest you check this out and draw your own conclusion.
Couple of comments; this is the latest from French writer-director Celine Sciamma ("Portrait of a Lady on Fire"). Here Sciamma looks at how an 8 yo girl processes the loss of her grandmother. "I never get to say a proper goodbye", she laments to her mom. Things really get interesting when Nelly meets 8 yo Marion. The scale of the movie may be small, but its emotional reach is enormous. I was completely blown away by the lead performances of the young twins (Joséphine Sanz as Nelly and Gabrielle Sanz as Marion). In case you are wondering whether the movie's short running time hurts the viewing experience, don't worry. The movie comes to a natural close and you will be surprised how deeply invested you had become with these characters.
"Petite Maman" premiered at the 2021 Berlinale to immediate and widespread critical acclaim. If the movie get a US theatrical release, it certainly didn't make it to where I live (in Cincinnati.). Fortunately, the movie started streaming on Hulu just a few days ago, and that is where I caught it. If you are in the mood for a top notch foreign movie about dealing with grief from a young girl's perspective, I'd readily suggest you check this out and draw your own conclusion.
Le saviez-vous
- AnecdotesCéline Sciamma served as costume designer as well as writer and director for the film, as she did for Bande de filles (2014).
- Générique farfeluDuring the end credits the lyrics to the song are displayed one word at a time in the lower left corner.
- Bandes originalesLa Musique du Futur
Composed by Jean-Baptiste de Laubier
Arranged by Arthur Simonini
Lyrics by Céline Sciamma
Interpreted by the Maîtrise Notre Dame de Paris
© Lilies Films / Para One / Savoir Faire
(p) 2021 Lilies Films
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Détails
Box-office
- Budget
- 2 800 000 € (estimation)
- Brut – États-Unis et Canada
- 829 065 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 45 764 $ US
- 24 avr. 2022
- Brut – à l'échelle mondiale
- 1 990 331 $ US
- Durée1 heure 13 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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