Kompromat
- 2022
- 2h 7m
ÉVALUATION IMDb
6,4/10
3,4 k
MA NOTE
Emprisonné en Sibérie, un diplomate français doit s'évader pour échapper à un complot du puissant Service fédéral de sécurité de Russie.Emprisonné en Sibérie, un diplomate français doit s'évader pour échapper à un complot du puissant Service fédéral de sécurité de Russie.Emprisonné en Sibérie, un diplomate français doit s'évader pour échapper à un complot du puissant Service fédéral de sécurité de Russie.
- Director
- Writers
- Stars
Michael Gor
- Rostov
- (as Mikhail Gorevoy)
Daniil Vorobyov
- Sasha
- (as Danila Vorobyev)
Igor Zhizhikin
- Sagarine
- (as Igor Jijikine)
Avis en vedette
The term "kompromat" refers to a form of blackmail used by the Russian authorities to gain leverage over individuals, and it's a concept at the heart of this gripping thriller which is very loosely based on actual events.
Mathieu (Gilles Lellouche), a member of the French institute in Irkutsk, is arrested overnight by the Russian authorities and accused of a crime he did not commit. He soon realizes he is being used as a scapegoat in an elaborate setup orchestrated to frame him for a crime that never happened.
Left alone and isolated with no one to turn to, Mathieu must find a way to prove his innocence and escape. The journey is filled with tense moments as he navigates through corrupt officials, threats of violence, and an atmosphere of despair.
Gilles Lellouche gives a powerful performance in the lead role, conveying Mathieu's emotions with nuance and intensity. His performance is complemented by a top-notch supporting cast, making the movie an engaging experience. The cinematography is also noteworthy as it captures the claustrophobic atmosphere and oppressive mood of the setting.
The themes of KOMPROMAT also have a contemporary immediacy given the currently tense relationships between Russia and other European countries. It tells an important story about a system designed to control and manipulate its citizens and gives us insight into how our liberties can be taken away.
KOMPROMAT did feel a bit too long, but its intricate plot and detailed character development created a compelling narrative that kept me riveted until the very end.
Mathieu (Gilles Lellouche), a member of the French institute in Irkutsk, is arrested overnight by the Russian authorities and accused of a crime he did not commit. He soon realizes he is being used as a scapegoat in an elaborate setup orchestrated to frame him for a crime that never happened.
Left alone and isolated with no one to turn to, Mathieu must find a way to prove his innocence and escape. The journey is filled with tense moments as he navigates through corrupt officials, threats of violence, and an atmosphere of despair.
Gilles Lellouche gives a powerful performance in the lead role, conveying Mathieu's emotions with nuance and intensity. His performance is complemented by a top-notch supporting cast, making the movie an engaging experience. The cinematography is also noteworthy as it captures the claustrophobic atmosphere and oppressive mood of the setting.
The themes of KOMPROMAT also have a contemporary immediacy given the currently tense relationships between Russia and other European countries. It tells an important story about a system designed to control and manipulate its citizens and gives us insight into how our liberties can be taken away.
KOMPROMAT did feel a bit too long, but its intricate plot and detailed character development created a compelling narrative that kept me riveted until the very end.
This is kind of exactly what I have against French movies. The story is good, the actors are good, the images are good, but the way it is filmed is way too long. It's as if there are 2 different kinds of movies, the comedies and the artsy ones. This one tries to be artsy, with pan shots, and repeating itself so that we understand how much the poor guy waited. I love movies, and I love movies that are a piece of art, because it's gorgeous, and yet it keeps you interested throughout, without needong to take a nap. But this one fails at it. It felt very long, which transpired with me looking at my watch around the 1 hour mark to see how long I was supposed to stay there still. I think the real story of Yoann Barbereau would have been better, rather than VERY loosely basing the movie on it. So much questions remain in the end. Too bad...
A tale of fateful mysterious encounters. A promoter of culture a work horse is very well portrayed by Gilles. Something that's frequently remarkable about European cinema is quietness that builds up anxiousness. Kompromat got that distracting silence to which the thrills gets bombarded. A beautiful love story that's ill-fated yet pure and childish. Joanna Kulig was perfect in portraying the woman lost between worlds. Rest of the cast put up sincere performances too. Cinematography is excellent adapting to the mood of each moment. Kompromat is a simple story that's told right. Worth the time spent.
What promised to be a great movie, loosely based on real events, turned into a soap full of clichés and turns of events that lack verisimilitude. It is really sad that the screewriter/ the director felt the need to pack the film with over the top dramatic unrealistic eye-roll worthy plots and twists on top of the core storyline, wherever some understatement and restraint could have made this a great film. This story didn't deserve to be turned into melodramatic fromage.
However, the portrayal of the Russian system, specifically the prison and the people' interactions are realistic enough. The acting is great as well. It is entertaining enough for you to wait till the very expected end.
However, the portrayal of the Russian system, specifically the prison and the people' interactions are realistic enough. The acting is great as well. It is entertaining enough for you to wait till the very expected end.
I have seen most of the films that won Oscars this year, 2025. I will not mention them, because they are so bad that they do not deserve to be mentioned. I almost lose faith in the art of cinema and even in human being, because of the banality of these films. Meanwhile, high-quality films like this french one are forgotten in some streaming system and few people watch them. This is a suspense film that has all the requirements of a great film, everything about it is top notch: Acting, photography, editing, soundtrack, script. In short, it is a film that shows that the art of cinema still has a lot of breath and will not die any time soon. Thank you to the producers who made this gem, it is really good.
Le saviez-vous
- AnecdotesThis movie is inspired by a true story, in which a French citizen in Siberia, Yoann Barbereau, director of the local branch of the Alliance française, was accused of pedophilia, based on very flimsy evidence. However, the writer/director did not acquire the rights of Barbereau's book and decided to write an action thriller instead of the very Kafkaesque original story. This was heavily criticized, both by Barbereau and by several critics during its release, as they felt the characters are very cliche and some story beats quite unbelievable.
- Générique farfeluThe title appears on screen in cyrillic script.
- ConnexionsReferences Les demoiselles de Rochefort (1967)
- Bandes originales39th Parallel North (for Electronics)
Written by Julius Aglinskas
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Kompromat, el expediente ruso
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 4 314 029 $ US
- Durée
- 2h 7m(127 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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