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Kingu Kongu tai Gojira

  • 1962
  • 1h 37m
ÉVALUATION IMDb
6,2/10
2,6 k
MA NOTE
Kingu Kongu tai Gojira (1962)
Emerging from the iceberg where he was buried in the last adventure, Godzilla heads for Tokyo, while a drug company discovers Kong on a remote South Pacific island, where he battles a giant octopus. Soon these two terrible titans are on a collision course, as the authorities realize that the only way to defeat them is to pit them against each other in a spectacular final showdown on top of Mount Fuji.
Liretrailer2 min 32 s
1 vidéo
99+ photos
AventureComédieFantaisieMesureScience-fictionAventure sur les dinosauresAventure urbaineCatastropheComédie excentriqueFantastique surnaturelle

Ajouter une intrigue dans votre langueThe advertising director of a pharmaceutical company seeks to boost the ratings of their sponsored TV program by capturing the legendary monster King Kong just as Godzilla re-emerges.The advertising director of a pharmaceutical company seeks to boost the ratings of their sponsored TV program by capturing the legendary monster King Kong just as Godzilla re-emerges.The advertising director of a pharmaceutical company seeks to boost the ratings of their sponsored TV program by capturing the legendary monster King Kong just as Godzilla re-emerges.

  • Director
    • Ishirô Honda
  • Writers
    • Willis H. O'Brien
    • Shin'ichi Sekizawa
  • Stars
    • Tadao Takashima
    • Yû Fujiki
    • Kenji Sahara
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,2/10
    2,6 k
    MA NOTE
    • Director
      • Ishirô Honda
    • Writers
      • Willis H. O'Brien
      • Shin'ichi Sekizawa
    • Stars
      • Tadao Takashima
      • Yû Fujiki
      • Kenji Sahara
    • 13Commentaires d'utilisateurs
    • 16Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:32
    Trailer

    Photos199

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    Rôles principaux58

    Modifier
    Tadao Takashima
    Tadao Takashima
    • Osamu Sakurai
    Yû Fujiki
    • Kinsaburo Furue
    Kenji Sahara
    Kenji Sahara
    • Kazuo Fujita
    Ichirô Arishima
    Ichirô Arishima
    • Tako
    Mie Hama
    Mie Hama
    • Fumiko Sakurai
    Akiko Wakabayashi
    Akiko Wakabayashi
    • Tamiye
    Akihiko Hirata
    Akihiko Hirata
    • Dr. Shigesawa
    Senkichi Ômura
    • Interpreter Konno
    Someshô Matsumoto
    Someshô Matsumoto
    • Dr. Onuki
    Jun Tazaki
    Jun Tazaki
    • Commanding General of the JSDF Eastern Army
    Sachio Sakai
    • Obayashi
    Haruya Katô
    • Pacific Pharmaceuticals advertising department employee
    Nadao Kirino
    • Eastern Army Second Chief of Staff
    Yoshio Kosugi
    • Chief of Faro Island
    Haruo Hirano
    • Chikiro
    Akemi Negishi
    Akemi Negishi
    • Chikiro's mother
    Ikio Sawamura
    Ikio Sawamura
    • Praying Faro Islander
    Yasuhisa Tsutsumi
    • Eastern Army First Chief of Staff
    • Director
      • Ishirô Honda
    • Writers
      • Willis H. O'Brien
      • Shin'ichi Sekizawa
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs13

    6,22.6K
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    10

    Avis en vedette

    6kevin_robbins

    This is a very dated movie that's fun for its nostalgic charm but doesn't hold the test of time as well as other Godzilla and Kong movies

    King Kong vs Godzilla (1962 edition, not the edited 1963 American version), the 4th ever Godzilla movie, is a movie I recently watched on YouTube. The storyline follows a marketing team who wants to boost ratings by capturing film of the legendary King Kong. Wouldnt you know it that just as they arrive Godzilla re-emerges for an epic showdown like we've never seen before.

    This movie is directed by Ishirô Honda (Godzilla, 1954) and stars Tadao Takashima (Sons of Godzilla), Ichirô Arishima (The Lost World Of Sinbad), Kenji Sahara (Godzilla, 1954), Mie Hama (You Only Live Twice) and Akiko Wakabayashi (Ghidorah, the Three-Headed Monster).

    The first thing I have to say is this is the worst King Kong ever created. His eyes are absolutely crazy throughout the film. The 1933 edition is infinitely better than this one. The music in this is awesome and Godzilla is as entertaining as always. His introduction followed by his battle with the military is great, though the burning tanks were a bit dated. There's a weird octopus scene in this that's unfortunately shot too dark in a fun battle with Kong. The conclusion fight in this is fun and the tree in the mouth scene is legendary.

    Overall this is a very dated movie that's fun for its nostalgic charm but doesn't hold the test of time as well as other Godzilla and Kong movies. I'd score this a 5.5/10.
    7Calaverasgrande

    Slightly above average Kaiju movie

    From the beginning scenes you can tell this is a little different. It's almost like a proto-Verhoeven film. It has a satirical edge to it that you dont see in other Godzilla movies. And just overall it's a little zanier and kind of wild compared to previous Godzilla films.

    It's still Honda directing and still a TOHO film with the same technical crew as most other Kaiju. It was just this one script and a few actors that made this one a tad more enjoyable than many others.

    I will be blunt though. It's not as amazing as a lot have made it seem. I guess if you saw this once when you were a kid then had to wrok to find it again in the pre-internet era of video rental stores. That would inflate the spectacle of the film a lot.

    It is better than most Kaiju films. It does have some memorable characters and some moments of the Kaiju fights that are remarkable. But really it's only about 10% better than the average Kaiju film. There are others like Mothra that are much better in a number of ways.

    It is kind of a turning point for the franchise in a few ways. This starting the change of Godzilla from an evil monster to a kind of antihero. Antimonster maybe?

    The pitched up his roar a bit. Made the suit less scary looking and had him dance whenever he scores a good move against King Kong.

    King Kong is a little weird. He looks nothing like the classic Kong. Very crude and rough. Not to my liking at all. But the suit actor did a great job of mimicing ape like movements.

    The fight choreo is recognizably influenced by pro wrestling. I thought that was a great idea, but there are a couple spots I really didn't like how they went about it, but it worked.

    Overall it's enjoyable not to be taken seriously fare.
    6mind-boggled

    Review of the Japanese cut

    Considering the time, it's okay for what it is. The cast is too big, it would have benefited from focusing more on the two leads instead; and the romance subplot makes the film unnecessarily convoluted, and bogs down the pacing. It also takes too long to focuses on Godzilla and Kong, the split second shots of them get annoying. Probably one of the better Godzilla films, although none of them are actually good movies.

    6/10 considering the era it was made in and that the film is intentionally light-hearted and comedic. Reasonable entertaining overall, but it does drag a little before it finally gets to the showdown right before the film warps up.
    6chand-suhas

    Electricity gives Kong his powers. Like Popeye's spinach.

    A pharmaceutical company head is not happy with the television ratings and wants to boost it with the help of a giant monster at Faro Island which is none other than King Kong. Meanwhile, an American submarine named Seahawk crashes into an iceberg freeing Godzilla. As Godzilla moves towards Japan, even King Kong is being brought to Japan. Circumstances make way for an unplanned wrestling match between King Kong and Godzilla. Who emerges as the winner and what new lesson Japanese learn out of this battle, forms rest of the story.

    For all the hype, it's fascinating to see the makers pull this off back in 1962. The human characters especially the the pharmaceutical company head was cartoonish and over the top. It is when the monsters are introduced that film gets interesting and the gigantic octopus scene with Kong stood out. King Kong capturing a girl is again repeated here for a brief period, before setting him on the path of Godzilla. However the electricity powering Kong was not something I could get onboard with and it happens twice. Barring that, the film is all about the wrestling match and the humans picking their sides without betting. All in all, it delivers on the fun and is a decent watch.
    6Jithindurden

    Better than the modern Hollywood version

    Like Mothra, here also, Toho produces a movie that criticizes nuclear war and consumerism at the same time but on a whole another level. Bringing the most famous monsters together, one from Hollywood and one from Japan, it was really a huge event even back then. The first half of the story in the monster part is similar to both monsters' first outing but the human element is a pharmaceutical company using monsters for advertisement. Initially, I thought the humor element there was simply like a comic relief moment but the movie manages to be hilarious throughout. The King Kong suit design itself is very whacky. Then when the final battle ensues, it's just two people in rubber suits wrestling and throwing props at each other. The whole battle is just stupid and hilarious. The initial Island rituals and music were actually engrossing but with the cigarette gift to the blackface kids it is consistently funny. Even though there's so much stupidity in this movie, a lot of it is clearly intentional and they know what the audience wants. Even all the posters are hilarious. Still, better than the modern Hollywood version.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      To promote the film, Toho released "interviews" with King Kong and Godzilla in which the monsters acted like sumo wrestlers preparing for their bout against each other.

      In this promotion Godzilla was quoted as saying: "seven years has passed since I rose from the bottom of the southern seas and raved about in Japan, leaving destruction behind wherever I crawled. It is most gratifying for me to have the privilege of seeing you again after breaking through an iceberg in the arctic ocean where I was buried. At the thought of my engagement with King Kong from America I feel my blood boil and flesh dance. I am now applying myself to vigorous training day and night to capture the world monster-championship from King Kong."

      In response King Kong said "I may be the stranger to the younger people here, but have quite a number of fighting adventures to my credit. I will fight to the last ditch in the forthcoming encounter with Mr. Godzilla, for my title is at stake... Hearing that the world-renowned special effects director Eiji Tsuburaya is to act as referee I am going to return to the screen in high spirits."
    • Citations

      Tako: Full page ads of a smiling King Kong holding our drugs.

      Osamu Sakurai: Will he smile?

      Tako: He will. The catchphrase will be "I'll pulverize Godzilla because I use Pacific drugs.

    • Autres versions
      A version created for the Champion festival re-edited and shorten the film's run-time, supervised by Honda
    • Connexions
      Edited into King Kong contre Godzilla (1963)
    • Bandes originales
      The Giant Demon God - Main Title
      Composed by Akira Ifukube

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    FAQ

    • How long is King Kong vs. Godzilla?Propulsé par Alexa
    • Is this the original Japanese Version and where can it be found?
    • In the film's Criterion release, why does the video quality appear to drop in certain scenes?
    • How do I know the version of the subtitle translations of the film are accurate?

    Détails

    Modifier
    • Date de sortie
      • 11 août 1962 (Japan)
    • Pays d’origine
      • Japan
      • United States
    • Site officiel
      • Japanese Movie Database
    • Langues
      • Japanese
      • English
    • Aussi connu sous le nom de
      • King Kong vs. Godzilla
    • société de production
      • Toho
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Mixage
      • 4-Track Stereo
    • Rapport de forme
      • 2.35 : 1

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