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Persuasion

  • 2022
  • PG
  • 1h 48m
ÉVALUATION IMDb
5,8/10
38 k
MA NOTE
POPULARITÉ
2 353
18
Dakota Johnson and Cosmo Jarvis in Persuasion (2022)
Eight years after Anne Elliot was persuaded not to marry a dashing man of humble origins, they meet again. Will she seize her second chance at true love?
Liretrailer2 min 22 s
2 vidéos
99+ photos
DrameRomanceDrame costuméRomance réconfortante

L'homme séduisant qu'Anne Elliot a été forcée d'éconduire huit ans auparavant refait irruption dans sa vie. Saisira-t-elle cette seconde chance de vivre le grand amour ?L'homme séduisant qu'Anne Elliot a été forcée d'éconduire huit ans auparavant refait irruption dans sa vie. Saisira-t-elle cette seconde chance de vivre le grand amour ?L'homme séduisant qu'Anne Elliot a été forcée d'éconduire huit ans auparavant refait irruption dans sa vie. Saisira-t-elle cette seconde chance de vivre le grand amour ?

  • Director
    • Carrie Cracknell
  • Writers
    • Ron Bass
    • Alice Victoria Winslow
    • Jane Austen
  • Stars
    • Richard E. Grant
    • Henry Golding
    • Ben Bailey Smith
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,8/10
    38 k
    MA NOTE
    POPULARITÉ
    2 353
    18
    • Director
      • Carrie Cracknell
    • Writers
      • Ron Bass
      • Alice Victoria Winslow
      • Jane Austen
    • Stars
      • Richard E. Grant
      • Henry Golding
      • Ben Bailey Smith
    • 794Commentaires d'utilisateurs
    • 95Commentaires de critiques
    • 42Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 1 nomination au total

    Vidéos2

    Official Trailer
    Trailer 2:22
    Official Trailer
    The Plane Truth About Dakota Johnson's Superstitions
    Clip 2:25
    The Plane Truth About Dakota Johnson's Superstitions
    The Plane Truth About Dakota Johnson's Superstitions
    Clip 2:25
    The Plane Truth About Dakota Johnson's Superstitions

    Photos114

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    Rôles principaux32

    Modifier
    Richard E. Grant
    Richard E. Grant
    • Sir Walter Elliot
    Henry Golding
    Henry Golding
    • Mr. Elliot
    Ben Bailey Smith
    Ben Bailey Smith
    • Charles Musgrove
    • (as Ben Bailey-Smith)
    Yolanda Kettle
    Yolanda Kettle
    • Elizabeth Elliot
    Dakota Johnson
    Dakota Johnson
    • Anne Elliot
    Cosmo Jarvis
    Cosmo Jarvis
    • Wentworth
    Jordan Long
    Jordan Long
    • Debt Collector
    Simon Paisley Day
    Simon Paisley Day
    • Mr Shepherd
    Nikki Amuka-Bird
    Nikki Amuka-Bird
    • Lady Russell
    Lydia Rose Bewley
    Lydia Rose Bewley
    • Penelope Clay
    Agni Scott
    Agni Scott
    • Mrs Croft
    Stewart Scudamore
    Stewart Scudamore
    • Admiral Croft
    Mia McKenna-Bruce
    Mia McKenna-Bruce
    • Mary Musgrove
    Nia Towle
    Nia Towle
    • Louisa Musgrove
    Izuka Hoyle
    Izuka Hoyle
    • Henrietta Musgrove
    Hardy Yusuf
    • Little Charles Musgrove
    Jake Siame
    • James Musgrove
    Eve Matheson
    • Mrs Musgrove
    • Director
      • Carrie Cracknell
    • Writers
      • Ron Bass
      • Alice Victoria Winslow
      • Jane Austen
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs794

    5,838.4K
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    Avis en vedette

    5Dillydaydream

    Very disappointing

    As someone who counts Persuasion as a favourite book I found this so far removed from Jane Austen's original. On the plus side I liked Dakota Johnson's Ann and quite enjoyed the way she talked to the audience.

    I didn't enjoy her being turned into a lush. The actor who played Wentworth was awful- instead of an heroic, handsome character he came across as a real drip and looked scruffy all the way through. In fact there was far more chemistry between Ann and Mr Elliot and in this version they looked a better match. There were some good comic moments with Ann's dreadful family,

    In an earlier film or tv version of Persuasion the drama built up so well that you really wanted Ann to catch him up at the end- in this version I couldn't have cared who she ended up with.

    This was such a disappointment.
    7elientje-98233

    Not for Austen purists, but a pleasant watch

    If you're going into this movie expecting a true adaptation of Jane Austen's Persuasion, you will probably be disappointed. However, on its own it's a nice movie. Not something I immediately want to rewatch, but especially for a Netflix movie it's perfectly enjoyable.
    3cmsausten

    Not Jane Austen's Persuasion

    Persuasion by Jane Austen is one of my favorite books....this movie is so loosely based on the book that it makes me sad to think that new viewers may think that this is what Jane intended.... Anne Elliott is completely mischaracterized.... Dakota Johnson is not Anne Elliott.... Anne would never drink out of a wine bottle.... Yuck...
    7molldollnd

    I Enjoyed It

    I don't understand all the hate. Does it follow Jane Austen's novel to the letter? No. However, I don't mind. I think this new take is funny, fresh and it made my heart flutter. I enjoyed it.
    3cgvsluis

    I couldn't be more disappointed.

    I am a huge Jane Austen fan. Pride and Prejudice is my favorite (I am team Darcy all the way), but Persuasion may be my second favorite of her novels. I like the more mature story of a second chance romance...and the letter, often touted as the most romantic letter in literary history, is truly sigh worthy. I absolutely loved the 2007 BBC production starring Sally Hawkins, Rupert Penny-Jones, Anthony Head and Alice Kridge. That film really brought the story to life, building drama and tension that crests in the actual letter. Completely the opposite of this film.

    I really like Dakota Johnson and Henry Golding and, as mentioned, I love the source material...so I can honestly say I was very excited to see this film in the works and I was eagerly anticipating it's release. I was there at the stroke of midnight to watch and grew more and more dissatisfied as the film went on.

    It's like the story received a Bridgerton-lite filter and not just modernized twists but a true dilution of the source material.

    The film starts with our protagonist, Anne Elliot, speaking to the audience...which she proceeds to do through the entire film...and not in a writing in her journal or thinking kind of way, but full on looking at and speaking to the audience. I imagine they thought it was funny. I could handle it at the start for the set-up, but then it really just started to take you out of the story, serving more as a distraction than a storytelling aid.

    I was very disturbed that they turned Anne into a lush...her only pleasure seems to be drinking and she does it heavily throughout the film...including straight from the bottle. If you read the novel, this seems horribly out of character...which in the source material is above reproach.

    The cast is given a multi-ethnic approach, similar in it's period inaccuracy as Bridgerton. It also gets a modern approach to sexuality as at one point it is alluded to that Lady Russell goes on European tours to have dalliances with men...something she and a young lady like Anne would never, ever have spoken about in reality.

    There is an added feminist twist to the story (one that Austen didn't proved), Wentworth apologizes to Anne for her not being able to be in the navy and when Luisa and Anne discuss Wentworth's qualities...him listening to women is touted as a virtue. Fairly certain neither appear in the source material and seemed time period inappropriate.

    Then there is Mr. Elliot and Anne's straightforward banter, again highly inappropriate and inaccurate.

    Now for the story and it's changes...it was very strange to have Captain Wentworth telling Anne about how as an Admiral he would think "what would Anne do" and that's what he would do...how she is calm in a crisis, etc....and all of this before Luisa hits her head. It's like they didn't the audience was smart enough to glean that from her actions in the moment...which happens later (while watching, I though are they going to skip the real scene altogether and just have his words suffice? But no then they go on to show the injury scene!?!?!?) Also having Captain Wentworth telling Anne that there is an understanding that he didn't mean...changes his character. He truly didn't know that his actions toward Luisa could be misconstrued as more serious...something he never intended as the final letter clears up for anyone in doubt. Then there is the final letter (which is pretty perfect as is)...it ends up being a badly paraphrased and watered down version that contains absolutely no angst or love at all. Of course it didn't help that absolutely no tension or drama was built up at this point.

    Add in some additional period inaccuracies like resin jewelry, pierced earrings, small bust above the front door and inappropriate clasps...the details might have been an indication of the lack of attention this film was going to show.

    I did like the white and black pet rabbit, interesting touch that I didn't hate and Cosmo Jarvis was a bit of a sleeper surprise that I didn't hate in his role as Captain Wentworth.

    I rarely ever recommend a different film, but I feel I really have to in this case. Please watch the 2007 BBC production of Persuasion instead of this film, it is a million times better.

    Very disappointed.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Henry Golding & Cosmo Jarvis's Costumes Reflected Their Personalities. Wentworth's minimalist closet allowed him to "fit in" without making a big fashion statement, while Golding's performance demanded a "sort of a swagger," so beautifully fitted dark dusters and frock coats were made to emphasize his "brilliant confidence."
    • Gaffes
      The look and words Mr. Elliot has with Captain Wentworth during their first encounter on top of the cliffs would had been considered quite an insult for the time period. Common courtesy would have dictated an immediate apology, followed by a written one. Otherwise, such an exchange would have sparked a duel..
    • Citations

      Sir Walter Elliot: What use is a title if you have to earn it? What use is anything if you have to earn it?

    • Connexions
      Referenced in Amanda the Jedi Show: 'THE GRAY MAN' Netflix's new Mediocre Action Universe: Explained (2022)
    • Bandes originales
      Quietly Yours
      Written by Birdy (as Jasmine Van Den Bogaerde)

      Performed by Birdy

      Produced by Rich Cooper

      Strings Arranged by Jordan Lehning

      Courtesy of Warner Music UK Ltd

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    FAQ

    • How long is Persuasion?
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    Détails

    Modifier
    • Date de sortie
      • 15 juillet 2022 (Canada)
    • Pays d’origine
      • United States
    • Site officiel
      • Official Netflix
    • Langue
      • English
    • Aussi connu sous le nom de
      • Persuasión
    • Lieux de tournage
      • Bath, Angleterre, Royaume-Uni(Exterior scenes)
    • sociétés de production
      • Mad Chance
      • Bisous Pictures
      • Fourth & Twenty Eight Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 48 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.1 : 1

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