Un agent des douanes américaines découvre un stratagème de blanchiment d'argent impliquant le baron colombien de la drogue, Pablo Escobar.Un agent des douanes américaines découvre un stratagème de blanchiment d'argent impliquant le baron colombien de la drogue, Pablo Escobar.Un agent des douanes américaines découvre un stratagème de blanchiment d'argent impliquant le baron colombien de la drogue, Pablo Escobar.
- Prix
- 1 nomination au total
Avis en vedette
Bryan Cranston is Robert Mazur, the real life undercover man whose work in the 1980s connected the dots on the Sinaloa cartel and the international banks. Cranston is excellent.
The movie is suspenseful, with good performances by Amy Ryan, Benjamin Bratt and, g*d help us, John Leguizamo, with a very small and funny role for Olympia Dukakis. I have my doubts; given the fighting-the-drug-cartels movies that have been coming out in the last few years, I think the subgenre has been getting played out. I still had a very good time.
The movie is suspenseful, with good performances by Amy Ryan, Benjamin Bratt and, g*d help us, John Leguizamo, with a very small and funny role for Olympia Dukakis. I have my doubts; given the fighting-the-drug-cartels movies that have been coming out in the last few years, I think the subgenre has been getting played out. I still had a very good time.
Bryan Cranston is not your typical movie star, although he seems like it. Underneath the cool-high-school-dad exterior, there's an actor of great depth and unexpected power. You'll know it when you see a scene involving his character, said character's wife, and a restaurant on their anniversary dinner. Cranston seems to have benefited during his years as Walter 'Heisenberg' White on TV's Breaking Bad. And it has contributed greatly in this biographical crime thriller, about as straightforward and predictable as a stab in the gut.
Yes, Brad Furman's (The Lincoln Lawyer, Runner Runner) directorial efforts here will not be known for their signature riffs, as there is none to speak of. It's standard thriller fare, the kind that would do well had it been released between the late 1980s and early 1990s; pure genre fare that caters to mostly adult film-goers that aren't interested in seeing computer-generated superpowers or rubble. In other words, unoriginal yet mature, grown-up stuff.
The Infiltrator, however, is textbook example of how great casting can elevate shopworn genre material into solid entertainment, as the always-reliable Cranston has proved here. Sure, he is strongly supported by a bevy of intriguing cast members including Benjamin Bratt, John Leguizamo and the lovely Diane Kruger; but in portraying real-life undercover agent Robert Mazur shimmying his way up through Pablo Escobar's criminal empire, Cranston's understated but strong everyman presence confidently carries the movie solely. That quality alone replaces the tediousness often found in similar true-crime movies with an intense amount of uneasy suspense and grounded credibility, providing lots of fun for Cranston fans as long as they do not expect anything groundbreaking.
Breaking Good, indeed.
Yes, Brad Furman's (The Lincoln Lawyer, Runner Runner) directorial efforts here will not be known for their signature riffs, as there is none to speak of. It's standard thriller fare, the kind that would do well had it been released between the late 1980s and early 1990s; pure genre fare that caters to mostly adult film-goers that aren't interested in seeing computer-generated superpowers or rubble. In other words, unoriginal yet mature, grown-up stuff.
The Infiltrator, however, is textbook example of how great casting can elevate shopworn genre material into solid entertainment, as the always-reliable Cranston has proved here. Sure, he is strongly supported by a bevy of intriguing cast members including Benjamin Bratt, John Leguizamo and the lovely Diane Kruger; but in portraying real-life undercover agent Robert Mazur shimmying his way up through Pablo Escobar's criminal empire, Cranston's understated but strong everyman presence confidently carries the movie solely. That quality alone replaces the tediousness often found in similar true-crime movies with an intense amount of uneasy suspense and grounded credibility, providing lots of fun for Cranston fans as long as they do not expect anything groundbreaking.
Breaking Good, indeed.
There are many reasons to like The Infiltrator. It takes place in the '80s, it's suspenseful, and it gives us a really gritty inside look at what life is like for a good guy who goes undercover to work with the Colombian drug cartel.
Which is what Bryan Cranston's character does. He's a guy on the verge of retirement and could easily leave to spend time with his wife and kids, but takes this one last job. And it proves to be the toughest one yet as he poses as a money launderer to try and take down Pablo Escobar's entire drug trafficking network.
It takes place in the Reagan-'80s and so there's this whole overt camera filter over the whole film. It's not too distracting, but it's also not terribly necessary. But it's minor.
The whole thing plays out as one giant sting operation. And the filmmakers understand that in a 2 hour movie, you don't need to run through all the details in one quick dialogue-filled scene. However, it would've been nice if they had given us a little more along the way.
It starts unraveling a little over an hour in. There's about a 30 minute stretch where you're looking at the person sitting next to you saying, "What's happening?" There's a lot left unexplained, but I guess there was more concern about the movie not becoming any longer.
The film is long at 127 minutes, but it's never really an issue. We need the time to process what's happening and for Cranston's character to evolve over the course of the film.
It tightens back up in the home stretch, culminating in an emotionally impressive final scene.
The always-under-appreciated John Leguizamo plays Cranston's partner and does a very good and believable job.
There seems to be this slightly neglected theme intermittently placed throughout the film about the American economy collapsing without laundered money. It's an interesting idea and one that should have been touched upon way more.
Twizard Rating: 80
Which is what Bryan Cranston's character does. He's a guy on the verge of retirement and could easily leave to spend time with his wife and kids, but takes this one last job. And it proves to be the toughest one yet as he poses as a money launderer to try and take down Pablo Escobar's entire drug trafficking network.
It takes place in the Reagan-'80s and so there's this whole overt camera filter over the whole film. It's not too distracting, but it's also not terribly necessary. But it's minor.
The whole thing plays out as one giant sting operation. And the filmmakers understand that in a 2 hour movie, you don't need to run through all the details in one quick dialogue-filled scene. However, it would've been nice if they had given us a little more along the way.
It starts unraveling a little over an hour in. There's about a 30 minute stretch where you're looking at the person sitting next to you saying, "What's happening?" There's a lot left unexplained, but I guess there was more concern about the movie not becoming any longer.
The film is long at 127 minutes, but it's never really an issue. We need the time to process what's happening and for Cranston's character to evolve over the course of the film.
It tightens back up in the home stretch, culminating in an emotionally impressive final scene.
The always-under-appreciated John Leguizamo plays Cranston's partner and does a very good and believable job.
There seems to be this slightly neglected theme intermittently placed throughout the film about the American economy collapsing without laundered money. It's an interesting idea and one that should have been touched upon way more.
Twizard Rating: 80
I heard grumblings from two guys who were leaving the theater behind me after seeing THE INFILTRATOR that this movie did not have nearly enough action/bloodshed for them. I think they were expecting another SCARFACE or GOODFELLAS. That is not what this movie is. This movie is a character study of a man who goes undercover with the Pablo Escobar drug cartel and develops relationships/friendships with these bad guys in order to bring them down. The real conflict in this film is not the action, but rather, the RE-ACTION of "the infiltrator" - will he remember that he is just playing a role to bring down the bad guys, or will he lose himself in the role and the relationships and become a bad guy himself?
If you are looking for an action movie, this movie will be a little too slow for you. If you are looking for good acting and a strong character study, then this is a very enjoyable film.
Much of that enjoyment hinges on the performance of Bryan Cranston as Robert Mazur, "The Infiltrator". We follow him as he dives deep into this criminal organization. Cranston is in about 90% of the scenes of this movie, so his performance better be strong or this will be one long movie, indeed. Fortunately for us, his performance is better than strong. He continues his string of fascinating/watchable performances and he more than anchors this film and makes it worth watching.
Ably assisting him is a strong supporting cast - Amy Ryan (as his boss), Jason Issaacs (somewhat wasted as the District Attorney), Benjamin Bratt (as one of the main bad guys), Olympia Dukakis (in a fun turn as his aunt) and Diane Kruger (defying age as another agent posing as his fiancé - when I first saw her I thought "that's a young Diane Kruger" until I realized it WAS Diane Kruger!). Finally, John Leguizamo as Mazur's partner, Emir Abreu is TERRIFIC. The best performance I've seen from him in quite some time. If this movie was a little better and a little later in the season, I'd be touting him for an Academy Award nomination.
If you want blood, guts and action, wait for the Jason Bourne film. If you want an interesting, gripping film that is well acted check out the Infiltrator - you'll be glad you did!
7 (out of 10 stars) and you can take that to the Bank (of Marquis)
If you are looking for an action movie, this movie will be a little too slow for you. If you are looking for good acting and a strong character study, then this is a very enjoyable film.
Much of that enjoyment hinges on the performance of Bryan Cranston as Robert Mazur, "The Infiltrator". We follow him as he dives deep into this criminal organization. Cranston is in about 90% of the scenes of this movie, so his performance better be strong or this will be one long movie, indeed. Fortunately for us, his performance is better than strong. He continues his string of fascinating/watchable performances and he more than anchors this film and makes it worth watching.
Ably assisting him is a strong supporting cast - Amy Ryan (as his boss), Jason Issaacs (somewhat wasted as the District Attorney), Benjamin Bratt (as one of the main bad guys), Olympia Dukakis (in a fun turn as his aunt) and Diane Kruger (defying age as another agent posing as his fiancé - when I first saw her I thought "that's a young Diane Kruger" until I realized it WAS Diane Kruger!). Finally, John Leguizamo as Mazur's partner, Emir Abreu is TERRIFIC. The best performance I've seen from him in quite some time. If this movie was a little better and a little later in the season, I'd be touting him for an Academy Award nomination.
If you want blood, guts and action, wait for the Jason Bourne film. If you want an interesting, gripping film that is well acted check out the Infiltrator - you'll be glad you did!
7 (out of 10 stars) and you can take that to the Bank (of Marquis)
"The Infiltrator" brings the story of undercover agent Robert Mazur. As the movie opens (with Rush's "Tom Sawyer" blasting away), we are reminded that it is "Tampa, Florida 1985", and we see Mazur at work, in what turns out the be the last phase of an undercover job. Due to his length of service, Maruz is offered the possibility to retire with full benefits. Instead, to the dismay of his wife Ev, he decides to take on one more job, far more complicated and dangerous than he ever imagined. As this point we're not even 15 minutes into the movie, but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this movie is directed by Brad Furman, who previously brought us the Matthew McConaughey-fronted thriller "The Lincoln Lawyer". Screenplay is by Ellen Brown Furman (I imagine related to the director, but don't know for a fact). This is a narco crime drama that is essentially "The Sting" on steroids: can Maruz (in his undercover role as Bob Musella) and his rookie partner Kathy Ertz pull off a sting of gigantic proportions, right under the noses of the feared Colombia drug cartel of Pablo Escobar? As you have probably noted, the connection with Pablo Escobar is played up in the movie's marketing materials. The reality is that Escobar is perhaps hovering over the movie in spirit, but the movie in fact is a lot more about what happened with BCCI (the UK's Bank of Credit and Commerce International), the 7th largest private bank at that time. (And if you are looking for a true Escobar crime drama, check out "Escobar: Paradise Lost", starring Benicio Del Toro and Josh Hutcherson.) "The Infiltrator" has many great moments, and is tense almost from the get-go. Bryan Cranston, on the heels of the excellent "Trumbo" last year (but still best known for his work on TV's "Breaking Bad"), delivers yet another winning performance. But the big surprise for me was the outstanding work from Diane Kruger as the rookie undercover partner. She is superb (aside from being superbly beautiful). Lots of great songs throughout the movie, including The Who's "Eminence Front", which plays not once but twice in the movie!
"The Infiltrator" opened this weekend and I couldn't wait to see it. The Friday evening screening where I saw this at here in Cincinnati was attended very nicely, somewhat to my (pleasant) surprise. I found "The Infiltrator" to be a riveting narco crime-drama, the likes of which we don't get to see enough, and would encourage you to check it out, be it in theaters, on VOD or eventually on DVD/Blu-ray. "The Infiltrator" is HIGHLY RECOMMENDED!
Couple of comments: this movie is directed by Brad Furman, who previously brought us the Matthew McConaughey-fronted thriller "The Lincoln Lawyer". Screenplay is by Ellen Brown Furman (I imagine related to the director, but don't know for a fact). This is a narco crime drama that is essentially "The Sting" on steroids: can Maruz (in his undercover role as Bob Musella) and his rookie partner Kathy Ertz pull off a sting of gigantic proportions, right under the noses of the feared Colombia drug cartel of Pablo Escobar? As you have probably noted, the connection with Pablo Escobar is played up in the movie's marketing materials. The reality is that Escobar is perhaps hovering over the movie in spirit, but the movie in fact is a lot more about what happened with BCCI (the UK's Bank of Credit and Commerce International), the 7th largest private bank at that time. (And if you are looking for a true Escobar crime drama, check out "Escobar: Paradise Lost", starring Benicio Del Toro and Josh Hutcherson.) "The Infiltrator" has many great moments, and is tense almost from the get-go. Bryan Cranston, on the heels of the excellent "Trumbo" last year (but still best known for his work on TV's "Breaking Bad"), delivers yet another winning performance. But the big surprise for me was the outstanding work from Diane Kruger as the rookie undercover partner. She is superb (aside from being superbly beautiful). Lots of great songs throughout the movie, including The Who's "Eminence Front", which plays not once but twice in the movie!
"The Infiltrator" opened this weekend and I couldn't wait to see it. The Friday evening screening where I saw this at here in Cincinnati was attended very nicely, somewhat to my (pleasant) surprise. I found "The Infiltrator" to be a riveting narco crime-drama, the likes of which we don't get to see enough, and would encourage you to check it out, be it in theaters, on VOD or eventually on DVD/Blu-ray. "The Infiltrator" is HIGHLY RECOMMENDED!
Le saviez-vous
- AnecdotesRemarkably cool-headed during most of the undercover mission, Evelyn Mazur, the wife of Robert Mazur, admitted she did encounter one sticking point when it came to her husband's alternate identity. "The most challenging part of the whole case, to be honest, was the idea of Bob having a fiancé and planning a wedding. For me, that was like time-out." Robert Mazur recalled: "Ev ultimately came to the decision that it would be better for me just to go and stay in deep cover. I could come home when I finished the job and at that point we'd determine whether or not we still had a life together." Mr. and Mrs. Mazur survived the rigors of Operation C-Chase and three decades later remain a happily married couple.
- GaffesBarry Seal was assassinated by Cartel assassins in Baton Rouge in 1986. At the time he was a DEA informant and was never part of Operation C-Chase which was a US Customs operation run out of Tampa.
- Citations
Robert Mazur: Roberto, I am glad you are here. But there is a part of me that wishes you hadn't taken that risk.
Roberto Alcaino: Without family or friends what kinda world it is be. There will be no reason to be alive. Hmm? It's a good day.
- Générique farfeluAt the end of the film, there are summaries of subsequent events, as well as that of various principals' fates, alongside photos of both the actors portraying them and the real people. This is followed by the credits proper, accompanied by evidentiary photos.
- Bandes originalesTom Sawyer
Written by Alex Lifeson, Geddy Lee, Neil Peart & Pye Dubois
Performed by Rush
Courtesy of Anthem Records/Ole & Island Def Jam Music Group
Under license from Universal Music Operations Ltd, Anthem Records/Ole & Ole Core Music Publishing
(c) 1981 Ole Core Music Publishing (SESAC/SOCAN)
All rights reserved, used by permission
Administered by Ole
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Infiltrator
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 15 436 808 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 303 775 $ US
- 17 juill. 2016
- Brut – à l'échelle mondiale
- 21 011 110 $ US
- Durée
- 2h 7m(127 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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