En 1979, un groupe de jeunes cinéastes entreprit de faire un film pour adultes dans la campagne du Texas, mais lorsque leurs hôtes les surprennent en flagrant délit, les acteurs sont obligés... Tout lireEn 1979, un groupe de jeunes cinéastes entreprit de faire un film pour adultes dans la campagne du Texas, mais lorsque leurs hôtes les surprennent en flagrant délit, les acteurs sont obligés de se battre pour leur vie.En 1979, un groupe de jeunes cinéastes entreprit de faire un film pour adultes dans la campagne du Texas, mais lorsque leurs hôtes les surprennent en flagrant délit, les acteurs sont obligés de se battre pour leur vie.
- Director
- Writer
- Stars
- Prix
- 4 victoires et 43 nominations au total
Geoff Dolan
- Deputy
- (as Geoffrey Dolan)
Matthew J. Saville
- Officer Mitchell
- (as Matthew Saville)
Sommaire
Reviewers say 'X' is a horror film that blends 1970s slasher aesthetics with modern elements, praised for its atmosphere and visual style. Mia Goth's dual performance is lauded for complexity, while themes of aging and sexuality resonate deeply. The film's practical effects and gore receive mixed opinions. Some appreciate its thematic richness and artistic qualities, while others criticize its slow pace, predictability, and lack of originality. The transition between the film's halves sparks debate, with varied reactions to its pacing and structure. Overall, 'X' is a mixed bag, appealing to horror enthusiasts yet disappointing some with its flaws.
Avis en vedette
I didn't know what to expect going into this movie. Some reviews said it was porn with some horror, some said it was a slasher B movie. Some said decent acting and a good gore fest.
It was all of the above, though I'd say less porn, there are some nude/sex scenes but they're really not the heart of the movie. The gore is well done, the acting is very good I think, and the overall slasher aspect is reasonable, though it could have been a little more creative.
Saying all of that none of it is what I'll remember this movie for. What really struck me in this movie was the portrayal of age and how it affects people and their relationships, I actually felt really sad for some of the characters in this movie, and that isn't usually how I'd expect to feel watching a slasher. It really did feel like the writers, directors,. And actors were trying to remind us of something whilst also making a decent slasher. I think it's to value our youth, and our lives as much as we can. I don't want to say much more as I don't want to spoil the movie. Needless to say if you're looking for a decent movie to check out I'd recommend giving this a go. It will entertain you and also make you think a little about the problems others have.
It was all of the above, though I'd say less porn, there are some nude/sex scenes but they're really not the heart of the movie. The gore is well done, the acting is very good I think, and the overall slasher aspect is reasonable, though it could have been a little more creative.
Saying all of that none of it is what I'll remember this movie for. What really struck me in this movie was the portrayal of age and how it affects people and their relationships, I actually felt really sad for some of the characters in this movie, and that isn't usually how I'd expect to feel watching a slasher. It really did feel like the writers, directors,. And actors were trying to remind us of something whilst also making a decent slasher. I think it's to value our youth, and our lives as much as we can. I don't want to say much more as I don't want to spoil the movie. Needless to say if you're looking for a decent movie to check out I'd recommend giving this a go. It will entertain you and also make you think a little about the problems others have.
A decent slasher, but does not deserve a 96% rating on RT. The kills felt conveniently cheap and honestly everything was underwhelming. I was hoping to to feel paranoid or scared, but didn't feel much of anything. Spent most of the movie hoping it would get better or surprise me a little but we've seen this all before.
I originally watched this film as an introduction to Mia Goth's acting, which I must say is incredible this film. I was thrilled to see such a star studded cast including Jenna Ortega and Brittany Snow. That being said I think the writing did not live up to the casts potential. If you are looking for a nostalgic 70's/80's style slasher film, this might fit the bill. Motives of characters in this film left a lot to be explained and fell short in my eyes. That being said, this film serves as the introductory film to the prequel, "Pearl" which is far more better excecuted and "X" is totally worth the watch just to experience "Pearl" in all it's glory. Overall, his film was good but not great. However, I look forward to the character development in the partner films surrounding this plot line.
Ti West's movie really should have been called "E" for elevated. It sets itself up as a smart take on the slasher films of the 70s and early 80s. As a bonus, the film within a film has the filmmakers making an 'elevated' porn flick (as a bonus, actor Owen Campbell who plays the "Director" even looks a bit like Director Tobe Hooper).
Quite consciously taking it's set up from Tobe Hooper's 1974 TEXAS CHAINSAW MASSACRE, X has a group of randy pornographers renting a farmhouse from an elderly couple in the middle of nowhere in Texas (actually New Zealand). Writer-Director West's main idea here is to set up a contrast between the XXX filmmakers and the bible thumping civilians of the area. It's not an uninteresting idea, which, of course, plays off the the puritanical cliche in the slasher films of yore where the most sexually active characters are the most likely to g et killed off. In addition to MASSACRE, West includes nods to FRIDAY THE 13TH, Hooper's EATEN ALIVE and a very specific one to HALLOWEEN. X is set about 5 years after MASSACRE so that it can include a brief exchange about how home video will change the porno industry (adult films were already available on VHS for about 3 years).
The movie is very well directed, with savvy use of cross-cutting between the porn film in the making and the terrors that await the group. Mia Goth (in a dual role; actually a triple if you stay after the credits) and Brittany Snow are the two pornstars to be and each dive in with relish. Kid Cudi is the cocky stud, while Martin Henderson is solid as the confidant Producer. Jenna Ortega is the "crew" all by her lonesome (she manages to keep her clothes on - must have a better agent). Stephen Ure is the ornery old man who rents out his guest house.
As good as the filmmaking is, X ends up feeling too studied. The pacing is lugubrious even if it picks up towards the very end. Once the massacre begins (if not by power tools) it still ends up being fairly typical of the films it's commenting on, regardless of how well executed and 'elevated' it thinks it is. It's also too drawn out to satisfy some gore-hounds and once the blood starts flowing, probably too gross for the internet scribes dreaming of doing extended online essays dissecting it for it's elevated intellect. There are a couple of twists, but they aren't sufficient enough to compensate for the predictability.
In the end, it's not as clever as West thinks it is, and despite some good Directing chops and acting, it's simply too self-conscious to be much of a fun thrill ride.
Quite consciously taking it's set up from Tobe Hooper's 1974 TEXAS CHAINSAW MASSACRE, X has a group of randy pornographers renting a farmhouse from an elderly couple in the middle of nowhere in Texas (actually New Zealand). Writer-Director West's main idea here is to set up a contrast between the XXX filmmakers and the bible thumping civilians of the area. It's not an uninteresting idea, which, of course, plays off the the puritanical cliche in the slasher films of yore where the most sexually active characters are the most likely to g et killed off. In addition to MASSACRE, West includes nods to FRIDAY THE 13TH, Hooper's EATEN ALIVE and a very specific one to HALLOWEEN. X is set about 5 years after MASSACRE so that it can include a brief exchange about how home video will change the porno industry (adult films were already available on VHS for about 3 years).
The movie is very well directed, with savvy use of cross-cutting between the porn film in the making and the terrors that await the group. Mia Goth (in a dual role; actually a triple if you stay after the credits) and Brittany Snow are the two pornstars to be and each dive in with relish. Kid Cudi is the cocky stud, while Martin Henderson is solid as the confidant Producer. Jenna Ortega is the "crew" all by her lonesome (she manages to keep her clothes on - must have a better agent). Stephen Ure is the ornery old man who rents out his guest house.
As good as the filmmaking is, X ends up feeling too studied. The pacing is lugubrious even if it picks up towards the very end. Once the massacre begins (if not by power tools) it still ends up being fairly typical of the films it's commenting on, regardless of how well executed and 'elevated' it thinks it is. It's also too drawn out to satisfy some gore-hounds and once the blood starts flowing, probably too gross for the internet scribes dreaming of doing extended online essays dissecting it for it's elevated intellect. There are a couple of twists, but they aren't sufficient enough to compensate for the predictability.
In the end, it's not as clever as West thinks it is, and despite some good Directing chops and acting, it's simply too self-conscious to be much of a fun thrill ride.
Zero expectations or knowledge about this movie when I turned this one on. I knew it was a horror movie and that was it. Watching it, I could feel the love that the creators had for the old age of horror movies, the era of slashers and all the things that Scream once dissected and made light of, an age of horror movie rules where you expect sex to equal death and the final girl to surmount all odds and take on the horrible entity terrorizing them.
The idea of this movie seems like something I should have really enjoyed. The reality of it was more underwhelming. I never found myself connecting to the characters, so when things start to go awry, I had no investment in their existence. They were just red shirts in a horror movie. I expected them to die and most of them met that expectation. It was fine. It never really tipped the scales into love, never into hate, it lingered in the realm of quiet acceptance of what was going on, a positive tolerance that never reached proper enjoyment.
The idea of this movie seems like something I should have really enjoyed. The reality of it was more underwhelming. I never found myself connecting to the characters, so when things start to go awry, I had no investment in their existence. They were just red shirts in a horror movie. I expected them to die and most of them met that expectation. It was fine. It never really tipped the scales into love, never into hate, it lingered in the realm of quiet acceptance of what was going on, a positive tolerance that never reached proper enjoyment.
Le saviez-vous
- AnecdotesThe day after X (2022)'s South by Southwest premiere, writer/director Ti West revealed that during a mandatory two-week COVID-19 quarantine in his New Zealand hotel, before production could begin on this film, he wrote a prequel, Pearl (2022). A24 saw the script and greenlit the movie even before production on "X" had wrapped. He asked star Mia Goth if she wished to remain in New Zealand and film "Pearl," and she readily accepted. The prequel released later in 2022.
- GaffesThe film set in 1979 makes reference to missing persons ads on milk cartons. However, the first usage of milk cartons for missing persons was not until 1984.
- Générique farfeluThere are no opening credits. The title doesn't even appear on screen until the end.
- ConnexionsEdited into MaXXXine (2024)
- Bandes originalesAct Naturally
Performed by Loretta Lynn
Written by Vonie Morrison, Johnny Russell
Courtesy of Geffen Records under license from Universal Music Enterprises
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Détails
Box-office
- Budget
- 1 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 11 769 469 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 275 126 $ US
- 20 mars 2022
- Brut – à l'échelle mondiale
- 14 745 049 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.90 : 1
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