Rock Hudson: All That Heaven Allowed

For those of us who have read about Rock Hudson's life after his passing, there's really nothing new in this documentary, other than random interviews with people who knew him and who share their memories. The film also doesn't feel complete; strangely, there's the glaring omission of the lawsuit that Hudson's partner, Marc Christian, filed after his death (in fact, there's no mention of Christian at all in the documentary, possibly for legal reasons). They were partners for the six years preceding his death and Christian passed away in 2009... so the fact that the details of their relationship as well as the famous lawsuit were omitted seems particularly striking.

I also found the constant interspersing of clips from Hudson's films to become distracting after awhile. The filmmakers seemed to think it was clever to find similarities in Hudson's life with many of the scenes from his films, but after about an hour I felt the constant interruptions in the narrative with these asides eventually became so overused that it intruded on the tone of the documentary itself. This became particularly obvious at the end when the documentary details Hudson's passing. Probably 30 minutes of the film's 104 minute running time seem to be made up of clips that are used in this manner. Some of them have been edited by the filmmakers to be humorous in order to unnecessarily drive home a point.

Overall, I've been looking forward to seeing this film since I've heard about it but ultimately found it to be pretty disappointing. If you know nothing about Rock Hudson or his life, this might be interesting... but for many of us there isn't much territory that hasn't already been explored here.

As "Rock Hudson: All That Heaven Allowed" (2023 release; 104 min) opens, we see a clip of the TV show "This Is Your Life" in 1952, where Rock Hudson, then a rapidly up-and-coming film star, is feted. We then go back to "Illinois, 1932" as the then 7 yo Roy Fitzgerald grows up without distinction. After WWII, Roy ends up in Hollywood... At that point we are less than 10 minutes into the documentary.

Couple of comments: this is the latest from director Stephen Kijak ("Shoplifters of the World"). Here he reassesses the legacy of Rock Hudson, one of Hollywood biggest matinee idols ever, and a child of Hollywood's "golden age" of the 1950s-60s. Alas, as we now know all too well, Hudson lived a secret life as a gay man in private, and utterly unable and/or unwilling to admit as much in public. It makes for a rather sad reminder of that era, to be honest. "Golden" era? I don't think so. The documentary uses tons of Hudson lovie clips, arranged in such a way as if Hudson os commenting on the various issues raided in this documentary. The documentary works best towards the end, as we witness how the AIDS crisis overwhelms the (mostly) gay population, while the Reagan administration brazenly stands by and does... absolutely nothing, year after year after year. For shame.

"Rock Hudson: All That Heaven Allowed" recently premiered on HBO and is now streaming on Max, where I caught it the other evening. If you are a fan of Rock Hudson, or simply interested in learning how a man led separate public and private lives, I'd readily suggest you check this out, and draw your own conclusion.

Clean-cut All-American Boy Roy Scherer Jr. Probably never envisioned the life he would eventually lead when he was growing up in Winnetka, IL. But, once he transformed into rugged, handsome matinee idol Rock Hudson, it all came together, even if it was not how and what he imagined. As one of Hollywood's most sought-after actors in the 1950s, '60s and '70s, Hudson emerged as one of Tinsel Town's biggest stars in the movies and on television. He was also someone who throngs of women lusted after as a romantic interest, an image that his handlers carefully crafted. There was just one snag in this plan: Hudson was a closeted gay man whose private life had to be discreetly managed to preserve his reputation and the future viability of his career. It was as if he were leading two lives - a public life as an allegedly straight regular guy and a private, judiciously guarded one in which he could be himself as a gay man. And, even though almost everyone in Hollywood's inner circle knew the truth about him, Hudson's public persona was successfully preserved, despite occasional (and widely discredited) tabloid rumors. However, when the idol was diagnosed with AIDS in 1984, the secret could no longer be contained, despite official denials to the contrary. Yet, with this revelation, Hudson became the face of this frightening new illness, a condition no one wanted to talk about. It was thus ironic how this once-heavily sequestered gay man would become an unwitting activist for patients suffering with this debilitating disease, helping to generate attention and funding at a time when the homophobic Reagan Administration refused to do anything meaningful about it. Director Stephen Kijak's new HBO documentary presents a comprehensive look at Hudson's professional and personal life, with ample contemporary and archive clips and interviews with those who worked with him, such as actresses Elizabeth Taylor, Linda Evans, Piper Laurie and Carole Cook, and with those who knew him privately, such as author Armistead Maupin, actor Peter Kevoian and biographer Mark Griffin. While much is known about Hudson's entertainment career, little has been publicly circulated about his personal life, a development that marks a significant change with the release of this new film. Interestingly, there's a fair degree of irony in the choice of movie and TV clips included here in that many of them are quietly telling about the actor's personal life when viewed in this new light, almost as if they represented muted, inside revelations at the time these works were made. Some of the content (particularly in the interviews about Hudson's private life) could be seen as sexually explicit, so sensitive viewers should take heed. In all though, this insightful, respectful look at the actor's life as both a gifted entertainer and an unlikely hero delivers a well-rounded biography of a man who toiled to strike a balance in his two worlds, both for his fans and for those who shared his secret, an effort that yielded a lot of good in both areas.

We learned quite a bit about his legendary Hollywood dominance and overall story. In the end, a very sad and tragic end to a man so full of life. This is a well-told and heartbreaking story for the most part. There are so many valuable contributors interviewed throughout the documentary. It was touching to hear their experiences and see their shared personal videos and photos of aspects and points in time of Rock's life. My only complaint is that we are treated to an (over) abundance of movie clips cleverly edited to help tell his/the story via dialogue from various movies . By the last half hour or so those clips became a bit grating. The cut back and forth with this creative approach took something away from the actual story and interviews.

An icon as beloved as Rock Hudson deserves a thorough, thoughtful, and multifaceted documentary. So why is it that he got one that focuses so heavily on his sexuality and conquests, and not nearly enough on the man himself? No person is defined simply by their sexual orientation and nor should they be. This is especially true of one of the biggest movie stars of the '50s and '60s. Going from the Midwest to Hollywood, experiencing the ups and downs of stardom, and being closeted all the while all must affect someone in various ways. But we don't really learn how in this doc. Instead, it consists mostly of interviews with men he had flings with. There is some good insight here and there, but it mostly gets lost amongst talk of his romantic relationships.

Perhaps he was just too private for any truly meaningful content to be put together about him. If that's the case, it probably wasn't worth making this. I also seriously question the director's abilities because, as another review said, the movie clip usage grew tiresome and was uncomfortable at times. There were also a couple of highly unnecessary crude comments about Rock that were inexplicably not edited out.

I personally don't think Rock would appreciate his sexuality being the biggest talking point because I don't think anyone would. He was so much more than that. This is a skip.