Ajouter une intrigue dans votre langueA bodyguard protects a pop superstar and her athlete boyfriend from a determined stalker in 1990s Los Angeles.A bodyguard protects a pop superstar and her athlete boyfriend from a determined stalker in 1990s Los Angeles.A bodyguard protects a pop superstar and her athlete boyfriend from a determined stalker in 1990s Los Angeles.
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Borderline certainly has its moments, especially in the first and second acts, with events unfolding at a rapid pace and characters getting established. I could easily buy Samara Weaving as a 90s pop star (who needed to sing a lot more in the film), Ray Nicholson as a romantic stalker-sociopath (man, this guy's got the presence and the "killer" smile!), and Eric Dane as a bodyguard (somehow, the protagonist?). Alba Baptista also gets a notably wacky role. The performances are pretty good, the lighting choices are great, and the colour palette is interesting. And oh yes, I really enjoyed the soundtrack.
What doesn't hit a home-run, for me, is basically the watered-down third act (..even when there are enough stabbings and some darkly funny moments). The film desperately needed more of Ray Nicholson than the rest, but the man simply chews up the scenery whenever he's present. The showdown between Samara Weaving and Alba Baptista was enjoyable. It's just that the film can't entirely stick the landing in terms of its tonality, thereby not ending up as memorable given the potential we see early on. Also, they didn't give the romance angle (between Sofia & Rhodes) any real build-up, and it ends up looking weak as hell.
What doesn't hit a home-run, for me, is basically the watered-down third act (..even when there are enough stabbings and some darkly funny moments). The film desperately needed more of Ray Nicholson than the rest, but the man simply chews up the scenery whenever he's present. The showdown between Samara Weaving and Alba Baptista was enjoyable. It's just that the film can't entirely stick the landing in terms of its tonality, thereby not ending up as memorable given the potential we see early on. Also, they didn't give the romance angle (between Sofia & Rhodes) any real build-up, and it ends up looking weak as hell.
I'm starting to think Jimmy Warden films are not for me. I haven't enjoyed anything I've seen of his to date. His films seem to find an awkward middle ground between serious and humour, and instead of being the best of both worlds, it's the worst of both and just becomes painful to get through.
That's how I found 'Borderline'. I just couldn't find any element of it to grip on to. When it's trying to be funny, it is rarely funny. When it's trying to be serious, it comes across very flat and uninteresting. And when it trying to be stylish and crafty, it just doesn't work.
The one thing I will give it credit for is some good song choices along the way. Otherwise this one was a complete miss for me. A very generous 4/10.
That's how I found 'Borderline'. I just couldn't find any element of it to grip on to. When it's trying to be funny, it is rarely funny. When it's trying to be serious, it comes across very flat and uninteresting. And when it trying to be stylish and crafty, it just doesn't work.
The one thing I will give it credit for is some good song choices along the way. Otherwise this one was a complete miss for me. A very generous 4/10.
What a disappointment.
Good over-acting by Ryan Nicholson, Samara Weaving was better in 'Ready or Not' or 'Azrael'. Here, she has not that much to do.
The movie has some heavy issues concerning the script and the storytelling: The script starts with a lie and Ryan Nicholson as the first person narrator. The lie tricks the viewer and the first person narrative is never again important for the movie. Emotions are shown through the overuse of playing songs, meaning, the narrative is not confident in its script and storytelling. It has to use this trick in filmmaking showing that the direction is not good. So it's more of style over substance thing for the first time director.
The script takes decissions for a black comedy but the ideas don't really take off.
And: Borderline has nothing to do with hallucinations, so the title of the movie makes no sense.
At the end this movie is like an overlong music video.
Ryan Nicholson is rememberable, the movie unfortunately forgettable after watching.
The trailer was promissing a hilarious, dark comedy about stalking. The movie instead is not funny, not hilarious, has serious issues in storytelling, the characters and the script, but it has some dark, black humour.
Good over-acting by Ryan Nicholson, Samara Weaving was better in 'Ready or Not' or 'Azrael'. Here, she has not that much to do.
The movie has some heavy issues concerning the script and the storytelling: The script starts with a lie and Ryan Nicholson as the first person narrator. The lie tricks the viewer and the first person narrative is never again important for the movie. Emotions are shown through the overuse of playing songs, meaning, the narrative is not confident in its script and storytelling. It has to use this trick in filmmaking showing that the direction is not good. So it's more of style over substance thing for the first time director.
The script takes decissions for a black comedy but the ideas don't really take off.
And: Borderline has nothing to do with hallucinations, so the title of the movie makes no sense.
At the end this movie is like an overlong music video.
Ryan Nicholson is rememberable, the movie unfortunately forgettable after watching.
The trailer was promissing a hilarious, dark comedy about stalking. The movie instead is not funny, not hilarious, has serious issues in storytelling, the characters and the script, but it has some dark, black humour.
Samara Weaving is a delight to watch. She's let down by a bad script and direction that is tonally all over the place. Ray Nicholson is campy and over the top, so if that's your thing you're in luck. He's too zany to ever be truly threatening. The characters behave in irrational ways just to make the plot happen. It's quirky and off beat but none of the humor really lands (the funniest bits are Ms. Weavings facial expressions to the craziness around her). The only reason this was set in the '90s is tonget around the ubiquity of cell phones. I'm not sure the movie knows what it's supposed to be and just ends up being a muddled mess. The film was competently shot and does look good.
Is this the best movie I've ever seen? Obviously not but it's fun. And at least it's not another remake! I don't get why some people are super low balling the rating for this. It's a solid 5/6, not a 2, or the 8s I've seen, but hopefully that counteracts the 2s. It's a fun dark comedy. Definitely silly at times but go with it and allow it to be silly. I thought the cast was good. Though it seems Samara is getting a bit type casted in these roles. Ray Nicholson looks just like his father but hes pretty good at playing crazy. This movie made me laugh and it was a good choice for a rainy weekend afternoon. Not everything has to be a masterpiece, this is original and paced well.
Le saviez-vous
- AnecdotesLoosely based on a stalking case involving Madonna in the 1990s. In 1996, a violent man was convicted and sentenced to ten years for stalking and threatening the life of pop legend Madonna, with the man reportedly telling her bodyguard that he intended to slit her throat if she didn't marry him. That man would later escape the mental hospital but was quickly apprehended again before any further harm was caused.
- GaffesAbout 47 minutes in, before Paul puts a bandage a Sofia, her wound is visibly close to the center of her forehead. After she wakes up, her wound has moved about an inch to her left.
- ConnexionsReferences Le silence des agneaux (1991)
- Bandes originalesNo More 'I Love You's'
Written by David Freeman and Joseph Hughes
Performed by Annie Lennox
Courtesy of Sony Music Entertainment (UK) Ltd.
By arrangement with Sony Music Entertainment
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- How long is Borderline?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- На межі
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 13 847 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 8 254 $ US
- 16 mars 2025
- Brut – à l'échelle mondiale
- 284 704 $ US
- Durée
- 1h 34m(94 min)
- Couleur
- Rapport de forme
- 1.66 : 1
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