ÉVALUATION IMDb
7,0/10
19 k
MA NOTE
Suzu est une adolescente qui vit avec son père dans une petite ville de la montagne. Dans le monde virtuel appelé "u", Suzu est Belle, une icône musicale.Suzu est une adolescente qui vit avec son père dans une petite ville de la montagne. Dans le monde virtuel appelé "u", Suzu est Belle, une icône musicale.Suzu est une adolescente qui vit avec son père dans une petite ville de la montagne. Dans le monde virtuel appelé "u", Suzu est Belle, une icône musicale.
- Prix
- 2 victoires et 23 nominations au total
Kaho Nakamura
- Suzu
- (voice)
- …
Ryo Narita
- Shinobu Hisatake
- (voice)
- (as Ryô Narita)
Tina Tamashiro
- Ruka Watanabe
- (voice)
Lilas Ikuta
- Hiroka Betsuyaku
- (voice)
- (as Rira Ikuta)
Ryôko Moriyama
- Yoshitani
- (voice)
Michiko Shimizu
- Kita
- (voice)
Fuyumi Sakamoto
- Okumoto
- (voice)
Yoshimi Iwasaki
- Nakai
- (voice)
Sachiyo Nakao
- Hatanaka
- (voice)
Toshiyuki Morikawa
- Justian
- (voice)
Mamoru Miyano
- Muitaro Hitokawa
- (voice)
- …
Sumi Shimamoto
- Suzu's Mother
- (voice)
Kôji Yakusho
- Suzu's father
- (voice)
Ken Ishiguro
- Kei's Father
- (voice)
Mami Koyama
- Swan
- (voice)
Avis en vedette
Sorry for my bad English. I'm not a Native speaker.
Great image and sound mastering.
Ordinary music arrangement and character design.
But the plot... not great.
Weak characterization and the topics changed around too fast makes it like an unfinished story.
A little pity. ;-;
Great image and sound mastering.
Ordinary music arrangement and character design.
But the plot... not great.
Weak characterization and the topics changed around too fast makes it like an unfinished story.
A little pity. ;-;
I really thought the animation was great and I loved a lot of the stylistic choices. A lot of the ideas involving the internet and music were also very cool. There is just A LOT going on with the story. There's a lot of elements of Beauty and the Beast, The Matrix, and other ideas and I don't feel like they always came together smoothly. All in, I'm happy to have watched it.
Never tell anyone that you can't heap on the empathy in virtual reality by singing incredibly sappy and cheesy pop songs...
There's a part of me that wants to rate this even higher, or even possibly lower. At times this is staggeringly gorgeous - and I'm not sure if I'm in a minority opinion that the scene scenes taking place in the real world are much more eye catching and appealing than those in the U Dimension (except for the climax, where it walks a tightrope of like Care Bears energy and one of the most heart-soaring moments in modern film, but again animated with emotional gusto, like that thing at the end of movies where everyone is there to applaud/say goodbye to the hero) - and at other times it's that mopey-dopey teenage girl stuff that's not my thing. Have you ever seen an Anime where the teenage heroine freaks out because (gasp) a boy maybe looked her way or (extra gasp) people may know who she is from a virtual reality world in the real one? Lots of that here.
It's also completely open about it being so all-in on being Cornball and I admire and was involved by that. It may not address abuse and trauma and even grief necessarily in the most mature or well-rounded sense, but who would my old ass be to argue or look down if some young kid or teen somewhere found the messages about overcoming such rancid figures productive and meaningful (in real life as well as the web which is where all the horrors of the world multiply)?
It manages to use the main empathetic meat of Beauty and the Beast, primarily the Disney one (they even copy, brilliantly, that one image of the Beast showing regret after kicking Belle out), while not making it so verbatim it neglects its own characters. I guess this is to say if an anime has to do an homage to that, might as well do it with a pop singer and a giant dragon!
I'm not sure if it's great overall, and it's message about a daughter following in a mother's moral footprint is heavy - if, again, presented with a go for broke attitude for its emotional compass (this is BIG, and it's fitting if possible to see it in IMAX as I was lucky to do). I also wonder if it could bother to reckon with people living as a New Body in U. But I'll surely remember that little and pivotal scene where Suzu comes up with the song and how that is animated and edited is staggeringly good.
There's a part of me that wants to rate this even higher, or even possibly lower. At times this is staggeringly gorgeous - and I'm not sure if I'm in a minority opinion that the scene scenes taking place in the real world are much more eye catching and appealing than those in the U Dimension (except for the climax, where it walks a tightrope of like Care Bears energy and one of the most heart-soaring moments in modern film, but again animated with emotional gusto, like that thing at the end of movies where everyone is there to applaud/say goodbye to the hero) - and at other times it's that mopey-dopey teenage girl stuff that's not my thing. Have you ever seen an Anime where the teenage heroine freaks out because (gasp) a boy maybe looked her way or (extra gasp) people may know who she is from a virtual reality world in the real one? Lots of that here.
It's also completely open about it being so all-in on being Cornball and I admire and was involved by that. It may not address abuse and trauma and even grief necessarily in the most mature or well-rounded sense, but who would my old ass be to argue or look down if some young kid or teen somewhere found the messages about overcoming such rancid figures productive and meaningful (in real life as well as the web which is where all the horrors of the world multiply)?
It manages to use the main empathetic meat of Beauty and the Beast, primarily the Disney one (they even copy, brilliantly, that one image of the Beast showing regret after kicking Belle out), while not making it so verbatim it neglects its own characters. I guess this is to say if an anime has to do an homage to that, might as well do it with a pop singer and a giant dragon!
I'm not sure if it's great overall, and it's message about a daughter following in a mother's moral footprint is heavy - if, again, presented with a go for broke attitude for its emotional compass (this is BIG, and it's fitting if possible to see it in IMAX as I was lucky to do). I also wonder if it could bother to reckon with people living as a New Body in U. But I'll surely remember that little and pivotal scene where Suzu comes up with the song and how that is animated and edited is staggeringly good.
I've enjoyed the last 3-4 movies from this director but this one was a misjudged sappy convoluted mess.
It tried to marry the world of idol performers (a manufactured and manipulated and notably shallow world of selling music based on looks and marketing) to the struggles of youth in the modern world, and it just won't fit unless you turn off everything you know about social media, and manufactured entertainment. For a director who's made some smart and insightful dramas this one misses its target in the big picture although many of the details that make his previous films worthy are still here.
There is a lot of japanese small town and city details that are rewardingly accurate and familiar. The images are fantastic (not photos as another reviewer criticised the film for, but just really good animation).
The characters when they're not spreading on the cheese are more well rounded japanese people, until they're shifted into cliche, but they switch between the 2 regularly.
It's like the film was directed by two directors, one making quality anime and the other making a greasy cheese sandwich. The end result is an uneasy mixture of the 2, and unfortunately the cheese is the overpowering taste left in ones mouth. I don't know what he was aiming for with this film but he made a move into hollywood and authentic japanese culture loses in that game.
It tried to marry the world of idol performers (a manufactured and manipulated and notably shallow world of selling music based on looks and marketing) to the struggles of youth in the modern world, and it just won't fit unless you turn off everything you know about social media, and manufactured entertainment. For a director who's made some smart and insightful dramas this one misses its target in the big picture although many of the details that make his previous films worthy are still here.
There is a lot of japanese small town and city details that are rewardingly accurate and familiar. The images are fantastic (not photos as another reviewer criticised the film for, but just really good animation).
The characters when they're not spreading on the cheese are more well rounded japanese people, until they're shifted into cliche, but they switch between the 2 regularly.
It's like the film was directed by two directors, one making quality anime and the other making a greasy cheese sandwich. The end result is an uneasy mixture of the 2, and unfortunately the cheese is the overpowering taste left in ones mouth. I don't know what he was aiming for with this film but he made a move into hollywood and authentic japanese culture loses in that game.
I realised belatedly that this was a fresh new take on Beauty and The Beast only when the Beast was introduced, so I thought that this would be a typical romance story. But it wasn't and although it had darker themes such as child ab*se, it was handled quite alright - nothing too explicit but the ending felt incomplete. The visuals were stunning and the songs were incredibly beautiful. That last song even brought me to tears.
Le saviez-vous
- AnecdotesMamoru Hosoda and Jin Kim both had an admiration for each other's work. While Hosoda was attending the Oscar's ceremony for his film, Mirai no Mirai (2018) the two were able to meet for the first time. It was there the two said they would work together on a future project, which eventually became Belle.
- ConnexionsFeatured in AniMat's Crazy Cartoon Cast: Talkin' Trailers (2021)
- Bandes originalesU
Performed by Millennium Parade (as millennium parade) & Kaho Nakamura (as Belle)
Music and Lyrics by Daiki Tsuneta
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- How long is Belle?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 4 018 313 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 565 658 $ US
- 16 janv. 2022
- Brut – à l'échelle mondiale
- 64 679 830 $ US
- Durée
- 2h 1m(121 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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