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IMDbPro

End of the Road

  • 2022
  • R
  • 1h 29m
ÉVALUATION IMDb
4,8/10
9,5 k
MA NOTE
Queen Latifah, Ludacris, Shaun Dixon, and Mychala Lee in End of the Road (2022)
Queen Latifah and Chris Bridges star in this road trip thriller about a mom of two kids who relocates across the country with her kids and brother. The family's move to the southland is thrown into complete chaos when they witness a murder on their road trip. Now, the murderer will stop at nothing to find them.
Liretrailer2:00
2 vidéos
24 photos
CriminalitéDrameMesureMystèreThrillerSuspense - MystèreWhodunnit

Lors d'un voyage éprouvant à travers les États-Unis, Brenda, veuve depuis peu, se bat pour protéger sa famille après un meurtre et la disparition d'un sac plein d'argent.Lors d'un voyage éprouvant à travers les États-Unis, Brenda, veuve depuis peu, se bat pour protéger sa famille après un meurtre et la disparition d'un sac plein d'argent.Lors d'un voyage éprouvant à travers les États-Unis, Brenda, veuve depuis peu, se bat pour protéger sa famille après un meurtre et la disparition d'un sac plein d'argent.

  • Director
    • Millicent Shelton
  • Writers
    • Christopher J. Moore
    • David Loughery
  • Stars
    • Queen Latifah
    • Ludacris
    • Mychala Lee
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    4,8/10
    9,5 k
    MA NOTE
    • Director
      • Millicent Shelton
    • Writers
      • Christopher J. Moore
      • David Loughery
    • Stars
      • Queen Latifah
      • Ludacris
      • Mychala Lee
    • 144Commentaires d'utilisateurs
    • 38Commentaires de critiques
    • 44Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 1 nomination au total

    Vidéos2

    Official Trailer
    Trailer 2:00
    Official Trailer
    Netflix 2022 Movie Preview
    Promo 2:58
    Netflix 2022 Movie Preview
    Netflix 2022 Movie Preview
    Promo 2:58
    Netflix 2022 Movie Preview

    Photos24

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    Rôles principaux35

    Modifier
    Queen Latifah
    Queen Latifah
    • Brenda
    Ludacris
    Ludacris
    • Reggie
    • (as Chris Bridges)
    Mychala Lee
    Mychala Lee
    • Kelly
    • (as Mychala Faith Lee)
    Shaun Dixon
    Shaun Dixon
    • Cam
    Beau Bridges
    Beau Bridges
    • Hammers
    Frances Lee McCain
    Frances Lee McCain
    • Val
    Jesse Luken
    Jesse Luken
    • Ruck
    Tabatha Shaun
    • Shelby
    Jasper Keen
    Jasper Keen
    • Passenger Dude
    Micah McNeil
    Micah McNeil
    • Driver Dude
    Paul Blott
    • G&G Clerk
    Efrain Villa
    Efrain Villa
    • Ochoa
    Rachel Michaela
    Rachel Michaela
    • Lucky 13 Waitress
    Keith Jardine
    Keith Jardine
    • Mace
    Tim Stafford
    Tim Stafford
    • Ringerman
    Travis Hammer
    Travis Hammer
    • Skinny
    James Moontasri
    James Moontasri
    • Sheriff
    Michael Anthony
    Michael Anthony
    • Jake
    • (as Michael Anthony Hendrix)
    • Director
      • Millicent Shelton
    • Writers
      • Christopher J. Moore
      • David Loughery
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs144

    4,89.4K
    1
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    10

    Avis en vedette

    3ArchFrenemy

    kind of middling

    There was an uneven sense of direction here; some excitement mixed with periods of lagging, almost senseless interlude that had no payoff. An initial conflict, which was given a lot of screentime, was never revisited and seemed only to serve as an "Oh, it's like that" moment - which added little to the main plot overall in my opinion. The kids were, as is often the case, unpleasant, disobedient, and bratty. Ludacris, usually fun to watch, was kind of wasted here as a lovable slack-off type. Latifah vacillated between take-charge 'equalizer' and scared victim - which I blame completely on the director, who really needed to pick a lane and tighten this actioner up. As it is, time is spent on scenes showing us hooray-for-family moments when that family should be galvanized, on the move and planning to survive.
    2AvidMovieWatcherX

    Boring, Long Winded, Stupid

    This is a terrible movie. An hour and a half wasted. All the white people were bad. All the black people tried to be good people. I mean, forget the stupidity of social politics. It doesn't matter what color anyone is. They should've killed people who were trying to kill them. Good job trying to take the high road when people are trying to kill you. That's not reality. But again, reality isn't even reality anymore. This movie is awful. It's not worth watching. I'd rather watch Morbius and that was pretty terrible too, but not as terrible as this movie. Go watch something more fun like Minions.
    1heinigrunbaum-786-20424

    Yes, this is the end of the road - LOL

    Everything is mediocre in this movie. Script, acting, photography, director, production design, etc. Typical lefthanded copy-paste of the worst kind. And what's up with the purple lighting? Is it so not to make the movie too scary? Don't worry. There's nothing scary about this movie. The acting and how the scenes are composed together are so untrustworthy that you won't feel scared, ever! Only every two minutes you will be wondering why you are still watching?! And that's a kind of scary feeling. The producers should have taken the same actors and the same script (maybe a different director?!) and made a Comedy. That might have worked.
    4NullUnit

    pffft....

    TRYING to disregard all the obvious social "messages" in this...

    This was decent for the first half, act one. Where they are merely building characters.

    Catalyst happens, act two....

    If you have half a brain you INSTANTLY know who "Mr Cross" (The bad guy) is. Because of this, act two feels more like going through the motions. The repeated "mystery" behind Mr Cross is somewhat pointless because you will probably already know who it is.

    The reveal, act three....

    From here.. It's exceptionally fitting that Ludacris is starring in this film... because it all gets so very, very, very, ludicrous. It almost borders on an unintentional comedy. There are too many logic errors to list - wild leaps that wouldn't really be possible.

    All the acting was good, the constant unnatural lighting was an odd choice... purple, orange, green, pink.... never just normal lights. Made it visually more interesting.

    Overall it was an okay watch, but don't really expect too much.

    Regarding the "propaganda" aspect.....

    I would say the "message" here of exceptional bigotry by white characters is not really a good message for younger audiences. Portraying all white people as racist is no different than portraying all black people as pimp, hookers, or murderous drug dealers --- it's simply not true. Ya can't paint things with such a broad brush. While I don't deny bigotry exists.. I've never seen it to the extent expressed later in this film. And to be perfectly honest, I think it worked pretty well in act one of this film when it first rears its ugly head. However, all the usage after that scene was pointless and didn't add to the story in ANY way.

    I honestly wonder if these films which portray such bold, in-your-face, clearly defined, racism are not teaching mechanisms for younger viewers. And while this film avoided any white character using the N word.. it got as close as possible without it. So are they somehow showing younger white viewers what's "okay" in terms of how white people think of and act towards black people?? There's no subtlety in this film, no nuance - which is most commonly what actual racism looks like today. And there are no consequences for the racism, no pushback by other white characters.... it's simply portrayed as "that's what all white people think."
    3ronan73

    Oh Luda.....You cant need the money this bad.

    I really really tried with this one because of the number of actors that have decent names. I even ignored the very very repetitive r@cism tropes. I still struggled with the off button. But I did make it to the end. Just!

    It was very tired old/ old fashioned. Very repetitive. Poorly over acted. And weirdly directed.

    The slow increase of purple lighting made me think old horror movies. Very odd. It felt like the director was trying to portray it as a dream where the whole thing is a story of a black womans struggle to have a better life with white people constantly holding her back...but the movie wasnt done well enough to leave that impression.

    The "baddy" was super obvious from the very beginning. Bit of a waste.

    I have liked Luda for decades and hes also acted in decent stuff but LUDA..what you thinking?

    Queen Latifa seems to be portrayed as a super athletic bad ass recently but I genuinely dont see what producers see. There are hundreds of black women that could portray a bad ass and make it more believable. Her close up fight scenes look very dated and only used because she isnt an athletic bad ass.

    The scene where she not only takes out a muscle bound ex UFC fighter with very few blows but she also takes out a whole gang of r@cist drug dealers made me pick up the remote to finally go to turn it off..but I thought NOPE, I shall finish this like the hero I am.

    And what is it with every white person being r@cist? I mean I get having white people as baddies but do they all have to be r@cist baddies.lol... The r@cism was strong with this one, mostly not very subtle at all. Even Ludas character was a r@cist cliché.

    But a black female director who has spent god knows how many years behind the camera obviously has a story to tell..But these heavy handed messages with a weak story isnt the way to get the message out. Its bores people. Just read the terrible reviews. They missed the smaller subtle messages in this movie because they were busy rolling their eyes with the big loud r@cist tropes.

    There were subtle micro aggressions that were excellent but then BOOM..a massive r@cist bomb ruins the whole thing.

    I absolutely genuinely think ""R@CISM"" is a new movie genre..like slashers were in the 1980s.

    Watch if really bored and dont know all white people are r@cist..

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Even though both are equally known both in the music industry and other movies and television shows, this is the first time Queen Latifah and Ludacris have ever been in a movie together.
    • Gaffes
      There are bags on the roof...and the front shots show no wind resistance against them. Also the back of the vehicle gas plenty of room, having them on the roof makes no sense.
    • Citations

      Brenda: I got one more shot in this gun. Who wants it?

    • Bandes originales
      Menace
      Written by Jessica Singh, Steve J. Samson, Frederick D. Robertson Jr., Maxime Breton

      Performed by Durand the Rapper

      Courtesy of Boss Entertainment Music

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    FAQ16

    • How long is End of the Road?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 9 septembre 2022 (Canada)
    • Pays d’origine
      • United States
      • United Kingdom
    • Site officiel
      • Netflix Site
    • Langue
      • English
    • Aussi connu sous le nom de
      • Final del camino
    • Lieux de tournage
      • Belen, New Mexico, ÉTATS-UNIS
    • sociétés de production
      • 42
      • Edmonds Entertainment
      • Flavor Unit Entertainment
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 29m(89 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.39 : 1

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