McCartney 3,2,1

Exhaustive and somewhat exhausting, incredibly jam-packed with behind the scenes Beatles lore and analysis of musical composition and arrangements, Macca's interviews with record mogul Rick Rubin come across very relaxed and conversational, making the viewer feel. As much as possible, that they are also in on the conversation. Bits of historical contexts are included, but I think the more you are familiar with the material discussed, the better oriented you'll feel to absorb it all..,

Greetings again from the darkness. Remember when ... in 1993 ... Chris Farley interviewed Paul McCartney on "Saturday Night Live"? That was awesome. Mr. Farley passed away four years later, and Sir Paul McCartney is now 79 years old and truly a living music legend. This Hulu original consists of six 30 minute episodes directed by Zachary Heinzerling, who was Oscar nominated for his 2013 documentary CUTIE AND THE BOXER. Filmed in black and white from inside a recording studio, McCartney and famed hip-hop music producer Rick Rubin spend three hours talking music, history, and influence.

Many of the stories McCartney tells here are the same he's told numerous times over the years, however, he infuses each episode with some new tale or, even better, a peek behind the music he's created over the last 60 years. Of course, there is next to nothing about his private life which he has expertly protected for so long, but this environment is about one topic. A sound studio with a music producer talking music with a musician should only be about the music, and McCartney and Rubin fascinate us by deconstructing some of the most famous and popular songs ever written.

The stories in the episodes meander a bit, rather than go in chronological order, and each contains some color clips that correspond to McCartney's memory of the moment. Episode 1, "These Things Bring You Together" finds Paul recalling how Edith Piaf not only influenced his songwriting, but also his "French" phase (although Jane Asher is not mentioned). It's really mesmerizing to hear Paul discuss the "intercontinental rivalry" with the Beach Boys and how the Pet Sounds album motivated him towards "Sgt Pepper's Lonely Heart Club Band" (sprinkled with a humorous salt and pepper story). An incredible clip of Jimi Hendrix performing "Sgt Pepper", and Paul incessantly chomps on his chewing gum as he refers to "George's friend", who just happens to be Eric Clapton.

Episode 2, "The Notes That Like Each Other", has Paul discussing how Bach influenced his songwriting, and we get insight into "Eleanor Rigby" (and the Octet), "Penny Lane" (with Dave Mason's piccolo trumpet), "Band on the Run", "Blackbird", and the trip to Lagos. It's in this segment where Paul first acknowledges the importance of George Martin as producer, performer, and arranger. Episode 3, "The People We Loved Were Loving Us", opens with "Back in the USSR", and the Beatles first number one hit in the U. S.: "I Wanna Hold Your Hand". Paul then reiterates the importance of seeing Roy Orbison, Jimi Hendrix, and Bob Dylan perform, and how every musician is influenced by others. He re-tells the too-familiar "Lucy in the Sky with Diamonds" story, and recalls the band's trip to India.

Episode 4, "Like Professors in a Laboratory", is a bit of a hodgepodge, but may include the most new details of any. Rubin and McCartney discuss the process for pushing the treble on George's guitar for "Nowhere Man", the opening chord of "A Hard Day's Night", and the band's fascination with having Robert Moog and his new invention at Abbey Road. We also hear "the Ringo moment", and Paul talks about penning his James Bond theme, "Live and Let Die", and the segment ends with "You Know My Name". Episode 5, "Couldn't You Play it Straighter?", and Episode 6, "The Long and Winding Road" find Paul and Rubin digging deep into creating some of the unique sounds within the songs - the bass line in "Something"; George telling Paul, "you play it" in regards to the guitar solo on "Tax Man"; John's impact and the famous bass line on "Come Together"; and George Martin's string quartet for "Yesterday". Episode 5 closes with "Helter Skelter", while Episode 6 ends, of course, with "The End".

Director Heinzerling has the camera track set up as if to film Rubin and McCartney performing in the round - with a couple of exceptions when Paul picks up a guitar or plops down at the piano to make his point musically. Rubin plays the roles of fan boy, music professional, and interviewer, and he does a nice job getting Paul to go a bit deeper than he typically would. As the two isolate fragments of songs, it's fun to see the joy on Paul's face as he recalls the "luck" (his word) involved with some of the band's quick work in the studio. McCartney does manage to give John, George, and Ringo brief moments of tribute, but make no mistake, this is Paul's show. For music lovers, this is an enjoyable 3 hours, and whether by design or not, it certainly ups the already high anticipation for Peter Jackson's upcoming, THE BEATLES: GET BACK for Disney+ later this year.

Premieres on Hulu on July 16, 2021.

I loved this show. Lennon and McCartney were both geniuses. McCartney pays great homage to the influence of George Martin and the impact he had on the Beatles. It's interesting to hear isolated parts of some of their most famous songs played. It shows how musically gifted they were. There are lots of lovely little anecdotes and the interviewer has a great rapport with McCartney. I saw him perform in Sydney a couple of years ago, 44 songs. He still has it, the voice is a lot thinner but he surrounds himself with the best musicians in the business.

The only annoying thing about this documentary is that Paul chews gum virtually all the way through it. It gets a bit tedious after a while. It's beautifully shot in glorious black and white. Highly recommended.

Everyone is aware of the Beatles music and probably believes that nothing new can be added to the legendary story. I have never seen a music production as well done as this Hulu TV series. Three hours is not enough, as Rick Rubin and Paul McCartney discuss the music making process in front of a mixing board. Rubin expertly breaks down some of the songs, using the board to isolate individual instruments. Even Paul is astounded by Rick's keen observations. Hearing his bass playing during Come Together is an eye opener. I had always understood McCartney's incredible genius as a songwriter but Rubin shows Paul's unmatched creativity on the bass. Please Hulu, I need another three hours of these two men.

Paul McCartney must have carried out hundreds of interviews over his professional career and I believe I've seen, heard or read quite a lot of them, being a big Beatles / McCartney fan myself. I must admit that I know very little about Rick Rubin other than that he first came out producing rap and hip hop music, before much later producing critically acclaimed and commercially successful albums very late in their careers by the likes of Johnny Cash and Neil Diamond to name but two. I wouldn't automatically have had him sharing much in common musically with McCartney, but clearly he knows and loves Paul's work especially the Beatles years. Coupling this with his obvious knowledge of studio technology, we here get a very detailed and in-depth analysis of McCartney's music as this extended interview is carried out with just the two of them standing in front of a production console in a darkened studio. You could argue it's a metaphorical duplication of his production work with Cash in particular, i.e. Honest, stripped back and black and white, but whatever it is, it works, making for one of the best, most revealing interviews ever with the ex-Beatle, in fact it's almost poignant given his obviously advancing years.

Of course as I said, McCartney has been doing this for a very long time and yes, one or two of his old anecdotes do get repeated that we've heard before, but on the whole I found this a fascinating and insightful conversation between two very obviously experienced music men.

I particularly appreciated McCartney giving kudos not just to Lennon as is to be expected but also to Harrison, Starr and indeed George Martin for their contributions to the Beatles, and with the latter, his solo years too.

So what we get is Rubin I presume selecting certain songs and then isolating instruments and vocals in an attempt to analyze the magic that went into so many Beatles recordings. I counted just three songs from McCartney solo years and none of them past the year of 1980 while the remainder were all from the Beatles songbook. Even so, some of the Beatles songs chosen were a little off the beaten track such as "Another Girl" from "Help" and "And Your Bird Can Sing" from "Revolver", although the usual biggies such as "Yesterday" "Hey Jude" and "Eleanor Rigby" naturally get a look-in too.

Combined with some rare, never-seen before vintage photographs and video clips, this whole three-hour interview was compulsive viewing for this particular Beatlemaniac. The only slight downside was that whenever he tried to sing along to his old records, it's very obvious, as it has been for some years, that Paul's once golden voice just isn't there anymore. That and his slightly rude habit of chewing gum throughout the interview.

Otherwise I was only curious as to how many other songs that were selected for dissection in this way perhaps ended up on the cutting-room floor, although I suppose this leaves a small hope for an extended version with more conversation and discussion if a subsequent DVD release ever comes out.

I have to admit that I watched this after viewing Peter Jackson's marathon production / reduction job on the massive "Get Back" / "Let It Be" sessions released late last year, but I do think this entertaining and informative interview goes with it very well and I would recommend all Beatles or McCartney fans to set aside about half a day to watch both these fascinating projects.

You'll not be disappointed.