Le fils d'un industriel revient pour venger son père, déclenchant une guerre familiale. Amour, trahison et vengeance dans ce récit captivant.Le fils d'un industriel revient pour venger son père, déclenchant une guerre familiale. Amour, trahison et vengeance dans ce récit captivant.Le fils d'un industriel revient pour venger son père, déclenchant une guerre familiale. Amour, trahison et vengeance dans ce récit captivant.
- Prix
- 41 victoires et 59 nominations au total
Prithviraj
- Asrar ul Haque
- (as Babloo Prithiveeraj)
Avis en vedette
"Animal," directed by Sandeep Reddy Vanga, offers a captivating experience with impressive background music, memorable songs, and technical finesse. However, the film stumbles in terms of story strength and screenplay execution, featuring temporal shifts that lack coherence and fail to enhance the narrative.
While the first half engages with its fast pace, the second half unnecessarily prolongs the story, leaving the film feeling overly lengthy and lacking character development, especially with Ranbir Kapoor's character. His abrupt temporal shifts lack clear reasoning, contributing to a disjointed narrative.
Despite a touching emotional scene between Anil Kapoor and Ranbir Kapoor towards the end, it arrives too late, leaving the audience fatigued and eager for closure. The credit scenes, though appealing, add to the film's unnecessary length.
Ranbir Kapoor's character, portrayed as a hero, raises concerns due to his criminal actions, lack of respect for others, blatant misogyny, and attitude problems. The film's attempt to celebrate such a character is problematic, as it glorifies a man-child who in reality needs therapy.
Actress Rashmika Mandanna's performance is very poor, making her unfit for the role. She was struggling to deliver convincing dialogue and lacked depth in her portrayal.
It's disheartening to witness Bollywood failing with films like "Animal." The industry has the potential for impactful cinema but seems to fall for subpar narratives. They should strive for better storytelling and more nuanced character portrayals and should avoid the pitfalls of glorifying problematic characters for the sake of entertainment.
While the first half engages with its fast pace, the second half unnecessarily prolongs the story, leaving the film feeling overly lengthy and lacking character development, especially with Ranbir Kapoor's character. His abrupt temporal shifts lack clear reasoning, contributing to a disjointed narrative.
Despite a touching emotional scene between Anil Kapoor and Ranbir Kapoor towards the end, it arrives too late, leaving the audience fatigued and eager for closure. The credit scenes, though appealing, add to the film's unnecessary length.
Ranbir Kapoor's character, portrayed as a hero, raises concerns due to his criminal actions, lack of respect for others, blatant misogyny, and attitude problems. The film's attempt to celebrate such a character is problematic, as it glorifies a man-child who in reality needs therapy.
Actress Rashmika Mandanna's performance is very poor, making her unfit for the role. She was struggling to deliver convincing dialogue and lacked depth in her portrayal.
It's disheartening to witness Bollywood failing with films like "Animal." The industry has the potential for impactful cinema but seems to fall for subpar narratives. They should strive for better storytelling and more nuanced character portrayals and should avoid the pitfalls of glorifying problematic characters for the sake of entertainment.
"Animal" is a cinematic travesty, epitomizing the nadir of modern filmmaking. Its narrative is a convoluted mess, utterly devoid of coherence or purpose. The film's relentless indulgence in gratuitous violence and misogyny is both abhorrent and indefensible. Ranbir Kapoor's performance, though earnest, is squandered in this vile spectacle. Director Sandeep Reddy Vanga's obsession with toxic masculinity renders the film a reprehensible glorification of brutality. "Animal" is an assault on the senses, leaving viewers repulsed and questioning the very state of cinema. I can't believe I wasted 3.25 hours on this steaming pile of diapers.
Such a bogus movie at 600 cr. What are we up to? We have Sam bahadur and kadak singh in parallel which not even able to manage 100 cr.
Basically people want drugs over ghee is such a true analogy. Sad but truth.. There is only violence and bad story in animal which you can't even ask your family to watch.
I am against any boycotting but Indian cinema needs to come out of the 'break the skull with hammer' approach. In fact bollywood is now not able to make their own script or movies so no they are copying South Indian movies.
Jawan was good movie but what was there in Tiger3(total waste).
We need good movies with stories, acting, songs...
Basically people want drugs over ghee is such a true analogy. Sad but truth.. There is only violence and bad story in animal which you can't even ask your family to watch.
I am against any boycotting but Indian cinema needs to come out of the 'break the skull with hammer' approach. In fact bollywood is now not able to make their own script or movies so no they are copying South Indian movies.
Jawan was good movie but what was there in Tiger3(total waste).
We need good movies with stories, acting, songs...
As a fan of gore and dark noir went with loads of expectations- first half was off to a near flawless flight but then the tailspin which began post-interval took down the whole movie.
Excellent BGM, magnificient cinematography and out of the world acting by Ranbir (what a brilliant actor he is!) fell short to save the movie ridden with lack of depth and emotion in the storyline. The loosely written plotlines and characters severely dilapitated Ranbir's character as well because the other characters were so underdeveloped. Lack of motive in even the central character resulted in a lack of conviction in the whole story to such a level that after taking in so much of grandly choreographed violence, one is left scratching head wondering everything happened for what exactly! Emotion got translated i nto only one sided shouting and the viewer is left alone to experience an exhausting and frantic TV debate show where only the TV anchor gets to shout.
Severe formula plotpoints and scenes , some of which are inspired from Godfather,OldBoy(2003), The man from Nowhere (2010) Rajneeti and even Kabir Singh were put together in such a way that one is left doubting whether the director wanted to copy from his own previous success just because it worked earlier. But it didn't result in anything like Kabir Singh because everything was so incoherent. The brilliant opening of the movie, by the director's own obcession of using pointless violence (or might be a desperate attempt to cover up the flaws in storyline) got reduced into one and only point- who can shout the loudest! Or thats what a predatory animal is supposed to do- a non-human who shouldn't be part of humane society but gets occassionally breaded by our society. It emanates an excruciatingly agonizing world around it; unable to love, empathize, dialogue & sense of integrity but is just filled with suffocating anger & treachery.
Excellent BGM, magnificient cinematography and out of the world acting by Ranbir (what a brilliant actor he is!) fell short to save the movie ridden with lack of depth and emotion in the storyline. The loosely written plotlines and characters severely dilapitated Ranbir's character as well because the other characters were so underdeveloped. Lack of motive in even the central character resulted in a lack of conviction in the whole story to such a level that after taking in so much of grandly choreographed violence, one is left scratching head wondering everything happened for what exactly! Emotion got translated i nto only one sided shouting and the viewer is left alone to experience an exhausting and frantic TV debate show where only the TV anchor gets to shout.
Severe formula plotpoints and scenes , some of which are inspired from Godfather,OldBoy(2003), The man from Nowhere (2010) Rajneeti and even Kabir Singh were put together in such a way that one is left doubting whether the director wanted to copy from his own previous success just because it worked earlier. But it didn't result in anything like Kabir Singh because everything was so incoherent. The brilliant opening of the movie, by the director's own obcession of using pointless violence (or might be a desperate attempt to cover up the flaws in storyline) got reduced into one and only point- who can shout the loudest! Or thats what a predatory animal is supposed to do- a non-human who shouldn't be part of humane society but gets occassionally breaded by our society. It emanates an excruciatingly agonizing world around it; unable to love, empathize, dialogue & sense of integrity but is just filled with suffocating anger & treachery.
Simply put it's a masterpiece !
The Director literally put his heart in this one, the complex relationship of Father and Son explained in a such a manner. I don't feel anyone ever dared to take such a step in Indian cinema. I literally enjoyed every minute of the movie it felt so realistic at times. Ranbir finally gave a great performance after Sanju!
I mean just look at the facts Sandeep made 200+mins movie which means fewer shows plus he made it adult for it to be raw and as real as possible both these things require guts everyone told me to cut the movie down and make it U/A but I am so glad he didn't.
Indian cinema these days have become very typical, like at times being a movie lover I find it difficult to understand that why are our writers and directors not being creative or trying something new/ different/ interesting.
But finally we are seeing creative movies and trust me the background score, Acting, music, costumes everything was just wow !
And I know there will be people who might find this movie too bold, too strong, lengthy and violent. I don't oppose to such things I just feel we should appreciate that atleast someone tried to break the status quo and make such a bold movie.
The Director literally put his heart in this one, the complex relationship of Father and Son explained in a such a manner. I don't feel anyone ever dared to take such a step in Indian cinema. I literally enjoyed every minute of the movie it felt so realistic at times. Ranbir finally gave a great performance after Sanju!
I mean just look at the facts Sandeep made 200+mins movie which means fewer shows plus he made it adult for it to be raw and as real as possible both these things require guts everyone told me to cut the movie down and make it U/A but I am so glad he didn't.
Indian cinema these days have become very typical, like at times being a movie lover I find it difficult to understand that why are our writers and directors not being creative or trying something new/ different/ interesting.
But finally we are seeing creative movies and trust me the background score, Acting, music, costumes everything was just wow !
And I know there will be people who might find this movie too bold, too strong, lengthy and violent. I don't oppose to such things I just feel we should appreciate that atleast someone tried to break the status quo and make such a bold movie.
Le saviez-vous
- AnecdotesSandeep Reddy Vanga chose to retain the Punjabi song "Arjan Vailly" in its original language in the dubbed versions, feeling it was very original and impossible to interpret.
- Citations
Ranvijay Singh: When I went seeking evil, I couldn't find any evil. When I looked within, there was no one more evil than me.
- Générique farfeluIn the post-credits scene, Asrar, Abid and Abrar's other younger brother, Aziz, a professional assassin in Istanbul, learns that Vijay was responsible for killing Asrar and Abrar. After successfully undergoing a plastic surgery to become Vijay's doppelganger Aziz, along with Abid, sets out to exact vengeance on Vijay and his family.
- Autres versionsThe Indian theatrical version was certified A (adults only) after some cuts were made. While the modifications suggested by the Examining Committee were waived off based on the filmmaker/applicant's justifications and submissions, a number of verbal cuts were made to the audio as well as the subtitles. The only visual cuts made were to an intimate scene, where the closeup shots were removed.
- ConnexionsReferenced in Unstoppable with NBK: Wildest Episode (2023)
- Bandes originalesArjan Vailly (Hindi)
Music by Manan Bhardwaj
Lyrics by Bhupinder Babbal
Performed by Bhupinder Babbal
Additional Vocals by Sandeep Brar
Backing Vocals by Anirudh Loomba, Paras Kamboj, Charanjeet Sharma, Amandeep Singh Giran, R.D. Singh, Vicky Jass, Gagan Gags Sharma, Kunal Shandilya, Gaurav Verma
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Détails
Box-office
- Brut – États-Unis et Canada
- 15 004 482 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 524 534 $ US
- 3 déc. 2023
- Brut – à l'échelle mondiale
- 92 850 083 $ US
- Durée
- 3h 24m(204 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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