ÉVALUATION IMDb
6,1/10
6,5 k
MA NOTE
Le nouvel employé de The Authority, Orson, se retrouve piégé dans les absurdités de la vie d'entreprise. Son aliénation s'accentue lorsqu'il découvre une pièce dont on lui a dit qu'elle n'ex... Tout lireLe nouvel employé de The Authority, Orson, se retrouve piégé dans les absurdités de la vie d'entreprise. Son aliénation s'accentue lorsqu'il découvre une pièce dont on lui a dit qu'elle n'existait pas.Le nouvel employé de The Authority, Orson, se retrouve piégé dans les absurdités de la vie d'entreprise. Son aliénation s'accentue lorsqu'il découvre une pièce dont on lui a dit qu'elle n'existait pas.
- Prix
- 4 nominations au total
Avis en vedette
Although I am not a professional reviewer, I genuinely enjoyed watching the movie. It does have its flaws, such as being slow-paced and lacking variety and originality. However, what captivated me was the way it depicted real-life workplace dynamics and the relatable gestures it made towards our needs in that setting. As the movie progresses, you become invested in Orson's character and desperately want to believe in him. I must mention that my initial motivation for watching the movie was Jon Hamm, as I admire his acting style, and I was certainly not disappointed. He truly shines in this film, with his absurd humor serving as the driving force behind its entertainment value. His character consistently holds enough strength and charisma to keep you engaged throughout. Additionally, I appreciated the cinematography and editing, as they effectively conveyed the psychological aspects of the story within the confined space of the film. While there may be other similar movies out there, none have managed to capture my interest quite like this one. In my opinion, it is a highly underrated gem.
In the perspective of Orson it's his refuge from ugliness. In times where children being left increasingly uncared for only to be grown and become a foot soldier in a crusade to quench the corporate desires it's a fertile ground to grow more Orsons. Visuals are perfect to signify the coldness and impenetrable ways of the massive structures where ants rush. A great story that mocks what's accepted as normal. Hopeless staring at a world left behind out there is what's left to do when routine entrapment seemed hopeless. Great meaningful use of audio. Excellent performances by the cast. In this corner office you will be left to choose between alternatives and that's a fun experience.
I liked it, but then I find movies (and other art forms) concerning the act of work, especially office work, quite engrossing. I can understand why it might seem weird and unremarkable to some. Perhaps you need to have experienced office work, especially in a large, soulless space, toiling for a large, soulless organisation, to appreciate some of the nuances and petty frictions on display here. The more I think about the film, the more it chimes with me. It's one man raging against the machine and finding his own way of managing the profound frustrations of being misunderstood and under-appreciated.
In off-centre, dark dramedy "Corner Office" (adapted by Ted Cupper from Jonas Karlsson's book 'The Room') Jon Hamm (always strong) is a new employee (under Christopher Heyerdahl alongside the likes of Danny Pudi & Allison Riley (with Sarah Gafon in support)) at a dull, grey, monolithic corporation, which tho contempory feels backwards & Seventies (in a "Wristcutters: A Love Story" stylee). Told from Hamm's perspective it's soon clear he's mentally ill, imagining for example the plush titular office (which no-one else can see) where he gathers his thoughts. Joachim Back delivers a quirkily interesting film in distinctive style... but it won't be to everyone's taste.
Based on a book, 'The Room' by Swedish author Jonas Karlsson, a dark comedy.
I never found it boring in the least. It depends on your preconceptions going into it I guess? You experience it almost entirely in the head of the protagonist, and his internal monologue. The lead plays this to perfection, though I found myself envisioning Steve Carrell in the role! Its certainly not a thriller, in fact, like (I guess) a typical corporate office environment, its mundane, stifling, repetitive.
So why did I like it? It has you guessing, does the room exist? It has you thinking, why is this man like this? Have I known someone like this, and how did I, and others treat them?
The acting and direction are excellent, you buy into all of the characters as ordinary everyday types. The cinematography and soundtrack are faultless, there is nothing to distract you from the monologue. Its 1 hour 41 minutes occupying the head of a troubled individual, who's increasingly fractious interactions with his fellow workers provides drama and interest enough to keep it interesting.
I never found it boring in the least. It depends on your preconceptions going into it I guess? You experience it almost entirely in the head of the protagonist, and his internal monologue. The lead plays this to perfection, though I found myself envisioning Steve Carrell in the role! Its certainly not a thriller, in fact, like (I guess) a typical corporate office environment, its mundane, stifling, repetitive.
So why did I like it? It has you guessing, does the room exist? It has you thinking, why is this man like this? Have I known someone like this, and how did I, and others treat them?
The acting and direction are excellent, you buy into all of the characters as ordinary everyday types. The cinematography and soundtrack are faultless, there is nothing to distract you from the monologue. Its 1 hour 41 minutes occupying the head of a troubled individual, who's increasingly fractious interactions with his fellow workers provides drama and interest enough to keep it interesting.
Le saviez-vous
- AnecdotesBased on a book by Swedish author Jonas Karlsson's 2015 novel The Room
- GaffesAt 1:08:24, when Orson leaves a little early and gets to his car, his car is the only car not covered in snow, so it seems that it was a second take, and someone forgot to cover the car with snow between takes.
- Bandes originalesNo Surprises
Written by Colin Greenwood (as Colin Charles Greenwood), Phil Selway (as Philip James Selway), Ed O'Brien (as Edward John O'Brien), Jonny Greenwood (as Jonathan Greenwood), Thom Yorke (as Thomas Edward Yorke)
Performed by Radiohead
Warner Chappell Music Canada Ltd obo Warner Chappell Music Ltd
Licensed courtesy of XL Recordings Ltd
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Détails
Box-office
- Budget
- 11 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 10 456 $ US
- Durée
- 1h 41m(101 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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