Chariot

I think others' 1/10 is not totally fair. There are this kind of movies it just tells a little story, no start no ending. It is just a little piece happened somewhere in the corner of this world. It is not shawshank redemption or matrix, that you have a closure. Like looper 2012 or stay 2005, It is just a dream, it starts from nowhere and end up somewhere miles away.

If today is not important, and you are not sticked on you cellphone, grab a cup of drink, and maybe just enjoy this movie like a neighbor kid telling you a urban tale.

Apart from just a couple of interesting scenes or moments, the entire film is a very pale attempt at surrealist cinema.

Surrealist or avant-garde films are a cool genre. But the problem with many of them is that they just think up weird nonsensical things to put in for the sake of being weird and cool. But the best surrealist films or directors always have a core sensibility to them, a story, a moral, a deep meaning, a connectedness, and either a beauty or terror to it -- eg, "8 1/2" or "Mulholland Drive".

This film tho is just a try-hard sophomoric effort. And the audience sees right thru it, as all the reviewers here have demonstrated. They're not fooled by it's absence of purpose and meaning.

I consider myself as reasonably intelligent, but this movie went totally beyond me! Thanks to the titles of the various parts (chapters) I at least could gather that reincarnation should be the main theme, so somehow all the goings on had to be related to that. But to be honest, I nowhere in this movie came across even one single thing that seemed in any way to refer to reincarnation. When I force myself to look at it with a positive, or at least a well-meaning attitude, I could say that it's about dreams: either the psychological meaning of (recurrent) dreams, like forming a bridge to repressed memories from childhood; or even, in a more surrealistic way, comparing life itself to a dream. But reincarnation???

There are definitely interesting scenes, also visually, like the party where all these weird guests were gathered, or the masked woman singing on the rooftop, or the almost gothic scene of the surgical operation that took place in a deserted medieval tower. But unfortunately there were many more totally unfathomable scenes and actions that seemed to go nowhere, like the floating man, or the doubling of the persona of Rory (who or what Rory was stayed unclear anyway), or the "Help...!"-cries that came out of several different phones. Were these things maybe meant to be supernatural? Or was the whole movie one big dream??

It all went (I'm sorry to say) down the same dreary and pretentious drain. The pace is extremely slow, the dialogues are awkward, and the acting is unimpressive, except for Thomas Mann, but he couldn't save this project on his own. John Malkovich sure didn't help, with his (as so often) blatant over-acting.

I should have listened to the reviews. The movie started out rather interesting. Disconnected events and a floating man in the apartment building lobby made me wait for a connection. The explanation of the floating man never came and the final story line was really rather simplistic and boring.

Honestly, one of the worst films I've ever witnessed. Any positive review of this film was obviously written by the director himself, or his mother

Felt like it was written by a 16yr old after his first psychology class.

How this hack of a writer/director ever got any actor to sign onto this project, let alone get financed is beyond comprehension! What has Malcovich done to deserve this! Has he been cancelled and this is the only job he can get? Rosa Salazar is the only performance that feels like she's an actual actor in this piece of garbage. This is a new cinematic low for the industry.