Prisonniers

Prisoners is a gritty, incredibly well-acted, suspenseful, thought-provoking crime drama thriller. The film mainly focus on the choices taken and the consequences faced by the characters when worst things happen to them.

It simply raises the question: When your kid's life is at stake, how far are you willing to do to protect your family? It explores the likelihood of human behaviour when such crime is happening to us, blurring the lines between good and bad people.

For a 153 minute movie, the story does unfolds at a slow and solemn pace (which hurts the film and might bore some audiences) but the dramatic scenes performed by the main cast members in the film will keep you engaged. Hugh Jackman and Jack Gyllenhaal both giving intense, Oscar-worthy performances here, defining and developing their characters with various layers of emotions: affection, anger, grief, empathy, guilt...throughout the film.

The film's atmosphere, heavy rains, stormy days and icy cold winter managed to create a dark, dreadful environment to make up the dreary and haunting mood in the film. Every violent action taken by the characters are acts of desperation given that they are running out of time.

However, the film is not perfect. Despite some plot problems from the various twists and turns shown in the film, the superb performances from the casts was sufficient enough to make the story succeed and believable.

Highly recommended for those who wanted to watch a serious drama thriller with powerful, engaging acting performances from its talented casts.

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I just came back from the theater and to be honest I went into this movie with very low expectation! But WOW did it prove me wrong. The film left me on the edge of my seat all the time, one could argue things were slow sometimes but it only adds to the beauty of the big picture.

Performance are top notch and if it was for me I would give Jackman his very deserved Oscar for this amazing performance, of course all the other performances were really great also but Hugh's stands out for me.

This movie is worth your time, and I'm sure by the end of it you'll keep talking about it with your friends, for me that is a success stamp if the movie can keep my mind busy all the time.

This is not your feel-good movie. This is a perfectly paced thriller which I haven't seen anything like it in a very long time. For me this was a totally new experience as I usually go for lighter movies in the cinema, but after this movie I will go out of my comfort-zone in movies more often to find masterpieces like this one.

Wow, what an intensely suspenseful film Prisoners was. The film commences with a naturalistic and peaceful look of a suburban neighborhood, leafless trees calmly swaying along with the cool air that encompass them. All is fine, and a perfectly normal family visits their friends/neighbors for a delightful dinner and some music. Everything is fine and dandy until both family's two kids run off to retrieve a toy they left outside. After pleasant conversation, the two families begin to realize that their kids haven't gotten back yet. The noiseless environment around them feels incredibly unusual, and once they realize that their kids have officially gone missing, chaos breaks loose. We are suddenly presented with a ruthless father (played by Hugh Jackman) who loves his daughter so much that he's willing to transcend any morally difficult obstacles to hopefully locate her.

A spectacular cast, ranging from the likes of Hugh Jackman to Jake Gyllenhaal to Viola Davis and Terrence Howard, create such a chilling atmosphere that everyone in the audience immediately notices the discomforting subject matter as they prepare for a disturbing viewing. One should know prior to visiting the movie theater that this film doesn't feature morally perfect individuals. They are all human beings cast into an unbelievably frightening situation, and this is where larges amounts of debate will stir. There's one side of the audience that will persistently detest the characters' actions and the characters themselves, and there's the other side (which I am proudly a part of) that will essentially understand that people can't possibly (always) be the "goody-two-shoes" heroes, perceived in Hollywood blockbusters, in reality- that, by god, I will partake morally and ethically questionable activities to save a precious, loved one, absolutely! Such conversation/argument is healthy for it proves the memorability factor of the film itself. After you witness the terrifically-crafted picture, you will find enjoyment in discussing the movie's events with friends and family with- eventually- two sides forming over the talk.

And holy crap is Hugh Jackman entirely convincing in his performance. You can see the longing to find his sweet, innocent daughter through his miserable eyes, filled with redness, desperation, and anger. Then, there's Jake Gyllenhaal as the second lead, playing an ambitious cop who holds a very impressive resume: no unsolved cases left under his plate. Can that mean his skill will greatly help in this predicament? On a similar note, Paul Dano takes the prize after Hugh Jackman for another wonderful performance. No offense or anything, but he completely fits into these immensely creepy and eerie roles.

Speaking of, the soundtrack will definitely remain in that shocked mind of yours long after you've left the theater because it fills us with a sense of hopelessness and discomfort. At times, it sounds exceptionally ominous with the disconcerting sound of those violins in play. At others, it sounds like the music weeps for all those involved. The pace never seems to drag even though it clocks in at around 150 minutes as you remain at the edge of seat the entire time, utterly perplexed by everything that's transpiring and wholly befuddled by the choices that these people are making. The film will make you cringe and question the humanity of the participants or the competence of our law (that word could mean two things). Although I was slightly disappointed with the end result, the majority of the film strongly intrigued me. And, oh, how could I forget, the cinematography is simply amazing. Roger Deakins, the brilliant cinematographer behind last year's Skyfall, manages the camera-work of this film as well. As one wise critic said, a drive in the rain never felt so disquieting- a moment of foreboding.

Furthermore, I would not recommend skipping out on Prisoners unless you're of the type that prefers more lighthearted and fun movies like The Avengers. If you love films that explore more than just entertainment and "fun," such as important themes and moral ambiguity as a whole, you cannot go wrong with Prisoners. With a mix of top-notch cinematography, remarkably unsettling music, superb performances, and a thrilling/powerful story, Prisoners will definitely be one of this year's features that I'll surely be remembering. The true cinema season has started; now, let's hope every film from here on out delivers like this one did.

This was one intense movie-going experience. Throughout the entire running time of the movie, the suspense never lets up.

The director masterfully weaves the haunting atmosphere, and I was at the edge of my seat. The plot is a wonderful puzzle, unraveling slowly to reveal hidden layers of depth and complexity. The acting was wonderful, emotional and nuanced, with some unforgettable moments (The two leads - Gyllenhaal and Jackman - give their career best performances, but the biggest achievement in my opinion is Paul Dano's). The musical score contributes to a sense of dread, as well as the rich sound design and the chilly color palette of the breathtaking cinematography.

All those parts add up to a rare, gut-wrenching, dark and fascinating masterpiece - the kind that lingers with you long after the credits roll.

There is a sensitivity that Director Denis Villenueve and writer Aaron Guzikowski inhabit in bringing their newest film "Prisoners" from Warner Bros. to the screen. Starring an Academy Award nominated cast that includes Hugh Jackman, Jake Gyllenhaal, Terence Howard, Maria Bello, Viola Davis, Oscar-winner Melissa Leo, and Paul Dano, this is a smartly constructed and emotionally resound mystery thriller that is thoroughly enjoyable.

The synopsis is fully in the trailer. When two young girls go missing, one belonging to Keller and Grace (Jackman and Bello), the other to Franklin and Nancy (Howard and Davis), a hot-shot detective (Gyllenhaal) is assigned to the case and relentlessly tries to find the clues that could lead to the whereabouts of the missing. When a mentally handicapped Alex Jones (Dano) is found near the scene of the disappearance with no hard evidence, Keller takes matters into his own hands.

I have to say that I've never been this hypnotized with the works of Hugh Jackman and Jake Gyllenhaal. Jackman, who is fresh of his inaugural nomination for Tom Hooper's "Les Miserables" has capitalized in a massive way. Approaching his character with the ferocity that made him a star in the "X-Men" franchises, he hammers his way into every scene, keeping the audience guessing about their own moral complexities. He tears into scenes in a way we've never seen him and layers his character with plenty of affection, empathy, grief, and rage. It's his best dramatic endeavor he's ever done.

When it comes to Jake Gyllenhaal, many, and probably for the right reasons, gravitate towards his work in Ang Lee's "Brokeback Mountain" as his shining moment in film history. I believe he's gone deeper in works like "Jarhead" and "Zodiac" but those were just the surface of what he can do as an actor. As Detective Loki, Gyllenhaal stands firm and tall in one of the year's finest performances. Terrifically executed as a man disconnected from real emotion, he finds himself enamored by the mystery surrounding two missing girls. He also orchestrates character beats and ticks that's reminiscent of Joaquin Phoenix's towering work in "The Master" last year.

What is very refreshing in the film is it offers a great reminder of how brilliant an actor Terence Howard is. The Oscar-nominated actor seemed to fall by the wayside following his nomination for "Hustle and Flow" in 2006, coincidentally the same year Gyllenhaal snagged his first, and now has realized his capabilities when he chooses more dynamic and passionate characters. In a film that centers around his involvement, Paul Dano doesn't have too much to offer but is completely adequate in form.

The film however is not entirely perfect. Aaron Guzikowski's depth screenplay offers a great mystery story, full of twists and turns, all the bit a tad predictable, but that's not where he falters so much. His construction of the female counterparts, Maria Bello, Viola Davis, and Melissa Leo, are not as crisply or smoothly put together as I'd like them to be. They each have one "scene" that gives us their character's motivation and the look into their cinematic psyche however, some are thrown in quite lazily and manages to halt the story in spots.

The film's technical merits all rise to the abilities of its cast. Roger Deakins, the most overdue Cinematographer in the business, captures stunning portraits of conversations, weather, and scenes that continue to prove his brilliance in the film world. The film's score is masterfully placed by Jóhann Jóhannsson while Joel Cox and Gary Roach edit the film to an impeccable pace.

At 153 minutes, the film is detailed, precise, and engaging nearly throughout. I feel there's a shorter cut of the film that would surely be a Best Picture nominee for this year's Academy Awards if it existed. The film could still garner that support with what they have now, but I think there are aspects of the film members won't be able to get around. A high level of violence and torture scenes infused with a longer run time could keep people at a distance. One thing that can't be denied is the towering works of Hugh Jackman and Jake Gyllenhaal. The two have offered plenty of memorable performances in their filmography, but their work in "Prisoners" is cut and clear their best they've offered.

"Prisoners" is a magnificent achievement for the film year. Thorough, enigmatic, and purely amazing. A must-see for the movie lovers.

The film opens in theaters this Friday, September 20.