Boy vs le monde

If you like revenge movies with a twist and tons of mindless goons being evicerated for your entertainment then you will enjoy this movie 👍🏻 I am one of those people 👍🏻 My expectations were quite low but by the end I had a great time and it was much better than I originally thought. The fight scenes are really well done and there are some laughs thrown in (especially when Boy played by Skarsgard is trying to lip read someone) Bill Skarsgard is awesome in this and I hope he continues to do more action roles. Don't watch this if you dont like blood on screen, have an irrational fear of cheese graters or your with your nan 👌🏻

I wanted to like this more than I did.

The fight scenes were fun, and the gore was excessive, but I couldn't bring myself to care all that much.

I think it might have to do with the mismatch between John Benjamin's voice and the actor playing the boy.

I couldn't quite reconcile them as being the same person so it felt like the entire movie was being narrated like MSTK or something.

Also some of the shaky camera fights were hard to make out in between limbs breaking.

I was relieved to see a new IP and it deserves to be supported, but I would say this was more of a rental or even a matinee movie.

This movie is narrated by H. Jon Benjamin. If that doesn't tell you exactly what kind of movie this is, let me explain:

This is what Archer would be if it was a little more dramatic and a lot more bloody.

Oldboy if it were half as brilliant with a little bit of slapstick thrown in.

The Hunger Games if it didn't treat death and murder was all that bad - like it was written by a gamer of the FPS variety.

Did I cringe at the squelching bloody noises? Yes. Did I laugh out loud in the theater? Also yes. Was the revenge story worthwhile? I think so. Outside all of the action, the story was not terrible, and the characters had character. Worth a watch, but doubt it'll change anyone's life.

I got the chance to see this movie early at an AMC Unseen Screen event -- and considering I was walking in thinking they were going to show the new Amy Winehouse biopic -- I was pleasantly surprised when we got our opening shots and realized I was in for a much different ride than I'd previously anticipated.

My immediate reaction is to compare Boy Kills World to John Wick -- it's certainly just as bloody. But the continuous underlying thread of humor throughout this movie juxtaposed with the gratuitous violence puts it more into the realm of Bullet Train in my mind.

Bill Skarsgård's physical acting paired with H. Jon Benjamin's voice acting was a matchup I never knew I needed in my life. There were several times where I genuinely laughed out loud -- even when the next scene was a quick crash to someone getting their head smooshed. They did a great job blending the action with the comedy while still getting you to care about the main character and his plight.

Definitely not for the weak of heart or stomach -- but if you're looking for a bloody fun romp through absolute mayhem that doesn't require much from you as a viewer, then you've found your film. I just saw it last night and I still say I'd for sure go see it again, even so soon after viewing.

Boy (That's his name) witnesses the murder of his family at the hands of goons who work for the dysfunctional crime family who run a dystopian city at an unspecified location and date. Boy is rescued by the Shaman, who subjects him to a brutal regime of martial arts training, so that he grows up to be a lethal killing machine (Bill Skarsgard), whose sole purpose is revenge.

So far, so seen-it-all-before, so yada-yada-yada. Boy Kills World, however, brings enough originality to the old tropes that the viewer is happy to go along with things as they take increasingly-bizarre turns. To start with, Boy is a deaf-mute. He can read lips, and hears a voice-over in his head. He's also haunted by the ghost of his younger sister, who acts as his guide and moral conscience.

Naturally, he embarks on his elaborate revenge, leaving a trail of bodies killed in inventive and extremely bloody ways. There's a lot of John Wick, and a big slice of The Running Man. There are also a surprising number of laughs, with great comedic performances from Brett Gelman, Isaiah Mustafa, Sharlto Copley and Andrew Koji. Gotta love June27 as well.

As you'd expect, there's also a twist at the end, but it's twisty enough to pack a punch.

This is not high art. This is not a film that rewards analysis. Nothing about it is outstanding, and its plot-holes have plot-holes. If, however, you can switch your brain off and go long for the ride, it's a wild and satisfying one.