L'agent de sécurité Ben doit faire ses preuves auprès du frère de sa petite amie, le haut policier James. Il rejoint James pour une patrouille de 24 heures à Atlanta.L'agent de sécurité Ben doit faire ses preuves auprès du frère de sa petite amie, le haut policier James. Il rejoint James pour une patrouille de 24 heures à Atlanta.L'agent de sécurité Ben doit faire ses preuves auprès du frère de sa petite amie, le haut policier James. Il rejoint James pour une patrouille de 24 heures à Atlanta.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 1 victoire et 7 nominations au total
Benjamin Flores Jr.
- Morris the Kid
- (as Benjamin 'Lil P-Nut' Flores)
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Avis en vedette
Quite funny, but it's also quite annoying too
Video game obsessed high school security guard Ben Barber (Kevin Hart) has ambitions on becoming a police officer. When he's accepted in the academy, his girlfriend's brother James Payton (Ice Cube) decides that Ben must partake in a 'Ride Along' with him in order to prove that he is worthy to marry his sister. James initially makes life hell for Ben and deliberately tries to discourage Ben from joining the force. However, when James finds himself in danger it's down to Ben to really show what he's made of....
The opening credits for this film are shamelessly (and perhaps knowingly) over the top and ridiculous. The chase sequence at the start looks like it's come from Need For Speed or Burnout and in these sequences it feels like you're watching a mate playing a computer game. I'm sure it's no coincidence that the following scene shows Kevin Hart playing a video game. It's actually quite fun in a dumb way.
Ride Along has two strands to its plot; you have the main plot which basically sees Payton attending various 126 situations (which are police codes that they use to wind up rookies). We then have a sub plot involving a Serbian gang that are attempting to buy fire arms. The main plot does provide us with some laughs, but I suspect that how funny you'll find this aspect of the plot will really depend on whether you find Kevin Hart funny or not. I'll admit that he was occasionally funny here, but when watching him I can't help feel that I'm watching a poor man's Chris Tucker (no matter how much I try to shake this thought). I did find that he also got a bit annoying at times. The main plot does start to become a little repetitive and tiresome towards the end, but there are just about enough laughs here to make it tolerable. The sub plot involving the Serbians seems to merely act as a back drop for the majority of the running time till towards the end when the writers decide that it's time to wrap the film up. In some ways it didn't bother me as the sub plot is never as strong as the main plot.
One thing that needs to exist in order for these cop-buddy films to work is chemistry between the two leads and to my surprise the chemistry between Ice Cube and Kevin Hart was actually pretty good. Ice Cube is not the greatest of actors, but the writers play to his basic strengths by giving him the tough talking 'straight man' role. Likewise, Hart is the crazy one and again the writers play to his strengths by giving him the 'Chris Tucker' type role - sorry I've made the analogy again. Despite some of the annoyances, Ice Cube and Hart do make this film watchable and do make a winning combo. Laurence Fishburne arrives late in the game as the villain of the piece giving Ride Along that little bit extra class.
Ride Along is an OK film and is perfectly watchable (albeit Hart does get a little annoying from time to time). However it is just an OK film and is far from the best that the genre has to offer.
The opening credits for this film are shamelessly (and perhaps knowingly) over the top and ridiculous. The chase sequence at the start looks like it's come from Need For Speed or Burnout and in these sequences it feels like you're watching a mate playing a computer game. I'm sure it's no coincidence that the following scene shows Kevin Hart playing a video game. It's actually quite fun in a dumb way.
Ride Along has two strands to its plot; you have the main plot which basically sees Payton attending various 126 situations (which are police codes that they use to wind up rookies). We then have a sub plot involving a Serbian gang that are attempting to buy fire arms. The main plot does provide us with some laughs, but I suspect that how funny you'll find this aspect of the plot will really depend on whether you find Kevin Hart funny or not. I'll admit that he was occasionally funny here, but when watching him I can't help feel that I'm watching a poor man's Chris Tucker (no matter how much I try to shake this thought). I did find that he also got a bit annoying at times. The main plot does start to become a little repetitive and tiresome towards the end, but there are just about enough laughs here to make it tolerable. The sub plot involving the Serbians seems to merely act as a back drop for the majority of the running time till towards the end when the writers decide that it's time to wrap the film up. In some ways it didn't bother me as the sub plot is never as strong as the main plot.
One thing that needs to exist in order for these cop-buddy films to work is chemistry between the two leads and to my surprise the chemistry between Ice Cube and Kevin Hart was actually pretty good. Ice Cube is not the greatest of actors, but the writers play to his basic strengths by giving him the tough talking 'straight man' role. Likewise, Hart is the crazy one and again the writers play to his strengths by giving him the 'Chris Tucker' type role - sorry I've made the analogy again. Despite some of the annoyances, Ice Cube and Hart do make this film watchable and do make a winning combo. Laurence Fishburne arrives late in the game as the villain of the piece giving Ride Along that little bit extra class.
Ride Along is an OK film and is perfectly watchable (albeit Hart does get a little annoying from time to time). However it is just an OK film and is far from the best that the genre has to offer.
Ice-Cold Movie, Warm Hart.
No matter how popular this film becomes at the box office, Kevin Hart no longer has to prove himself as being worthy of a lead star. His comedic timing and graceful style more than prove that in Ride Along. The trouble is that the film itself is so lacking in almost any originality or intelligence that he would have had to do a lot in order to show himself worse than the movie.
Playing the comic relief in a pale yet obvious retread of 48 Hrs. and Training Day, Hart fully utilizes his short stature and body language to his strength. Being rather short, indeed shorter than his female co-star Tika Sumpter, Hart compensates by playing a man-child with a large inferiority complex. Constantly attempting to prove himself capable of something of value, he still cannot help but invoke his knowledge of childish things, mainly video games. He also cries in terror, jumps into his brother-in-law's arms and looks for acceptance at every turn. He is, in fact, a fully-grown imp. What is astonishing about him is how he uses this to carry the movie along. Scene after scene drags along with the obligatory sense of having been done countless times beforehand but it is Hart's sentimentality that shines beyond the dull narrative. Though his facial expressions are often overwrought, he is still capable of carrying scenes purely through his timing and understanding of comic development. At times, he sounds like he is improvising a stand-up bit. Other times, he seems to invoke the speed-demon, whirlish style of Eddie Murphy. No matter his tactic, he makes it count despite a lack of support.
Making things more frozen than necessary is Ice Cube, scrunching up his face in attempting to portray a hard-ass of a cop; one of those lone, righteous moralists who is willing to go against any and all authority in order to prove himself as being right all along about his case. Of course he is, but what is confusing is how the film seems to condemn his behavior as a loner, yet justifies his actions during the course of the story. It is never clear which side the movie falls on and it most likely does not matter. Truthfully, none of the characters or plot points seem necessary at all except to showcase the difference between Hart's ambitious high-school security guard trying to become an Atlanta policeman and Ice Cube's tough-as-nails detective on the hunt for the most ferocious kingpin in the city, so terrifying and imposing that no one has ever seen his face (You will guess who it is right away; the opening credits give it away).
The biggest fault in the screenplay is its lack of developing the relationship between the two key characters: Ice Cube and his sister. Supposedly, they are very close due to being raised in foster homes, leading to him playing over-protective daddy to her. The trouble is the writers never give them a scene for themselves. What kind of relationship did they have or have now? And how has it changed as they have gotten older? And, furthermore, what is Ice Cube's personal life? Does he have one? Clearly, these were not on the writers' or director's mind. The final priority seems to have been only to ensure Kevin Hart came out looking like a fine-bred, comedic leading man for years to come. In this, the movie has succeeded. However, the makers of the movie should not pat themselves on the back. Save that for Mr. Hart himself, the only saving grace in this entire tired, formulaic story.
Playing the comic relief in a pale yet obvious retread of 48 Hrs. and Training Day, Hart fully utilizes his short stature and body language to his strength. Being rather short, indeed shorter than his female co-star Tika Sumpter, Hart compensates by playing a man-child with a large inferiority complex. Constantly attempting to prove himself capable of something of value, he still cannot help but invoke his knowledge of childish things, mainly video games. He also cries in terror, jumps into his brother-in-law's arms and looks for acceptance at every turn. He is, in fact, a fully-grown imp. What is astonishing about him is how he uses this to carry the movie along. Scene after scene drags along with the obligatory sense of having been done countless times beforehand but it is Hart's sentimentality that shines beyond the dull narrative. Though his facial expressions are often overwrought, he is still capable of carrying scenes purely through his timing and understanding of comic development. At times, he sounds like he is improvising a stand-up bit. Other times, he seems to invoke the speed-demon, whirlish style of Eddie Murphy. No matter his tactic, he makes it count despite a lack of support.
Making things more frozen than necessary is Ice Cube, scrunching up his face in attempting to portray a hard-ass of a cop; one of those lone, righteous moralists who is willing to go against any and all authority in order to prove himself as being right all along about his case. Of course he is, but what is confusing is how the film seems to condemn his behavior as a loner, yet justifies his actions during the course of the story. It is never clear which side the movie falls on and it most likely does not matter. Truthfully, none of the characters or plot points seem necessary at all except to showcase the difference between Hart's ambitious high-school security guard trying to become an Atlanta policeman and Ice Cube's tough-as-nails detective on the hunt for the most ferocious kingpin in the city, so terrifying and imposing that no one has ever seen his face (You will guess who it is right away; the opening credits give it away).
The biggest fault in the screenplay is its lack of developing the relationship between the two key characters: Ice Cube and his sister. Supposedly, they are very close due to being raised in foster homes, leading to him playing over-protective daddy to her. The trouble is the writers never give them a scene for themselves. What kind of relationship did they have or have now? And how has it changed as they have gotten older? And, furthermore, what is Ice Cube's personal life? Does he have one? Clearly, these were not on the writers' or director's mind. The final priority seems to have been only to ensure Kevin Hart came out looking like a fine-bred, comedic leading man for years to come. In this, the movie has succeeded. However, the makers of the movie should not pat themselves on the back. Save that for Mr. Hart himself, the only saving grace in this entire tired, formulaic story.
Hart gets to do what Hart does best
Ride Along with Kevin Hart and Ice Cube isn't reinventing the game but Hart is hilarious and worth the watch.
Ben is trying to win over his girlfriend's brother James, so James invites him on a 24 hour Ride Along patrol. Ben thinks it's to get to know him but James is really trying to scare him away.
Technically speaking the plot is about how Ben interferes while James tries to capture a leader of a crime syndicate Omar while on the ride along. Really the ride along is just excuse for insane situations to occur within that setting.
Long term this movie will probably be pretty forgettable. As a comedy it is consistently funny and reminiscent of old school improv riffs with the antagonizing eccentric and the straight man. Kevin Hart gets to be absolutely ridiculous, per the usual as Ben: running his mouth, acting a fool, letting self deprecating jokes happen at his expense. I'm a huge fan of the character Kevin Hart has created – while it is the same in every movie it is enjoyable in every movie. Ice Cube is a good polarity as James to Hart's Ben. His smile muscles might be broken. At times he might even be too serious detracting from the chemistry of the duo.
The situations these temporary partners get into are random and feel like filler but are funny comedy routines and I'm glad they are still in the film. In an ideal world the writers would've cleaned up the script for a more believable story. Despite this Ride Along is definitely worth the rental just for Hart's antics.
More reviews at our website!
Ben is trying to win over his girlfriend's brother James, so James invites him on a 24 hour Ride Along patrol. Ben thinks it's to get to know him but James is really trying to scare him away.
Technically speaking the plot is about how Ben interferes while James tries to capture a leader of a crime syndicate Omar while on the ride along. Really the ride along is just excuse for insane situations to occur within that setting.
Long term this movie will probably be pretty forgettable. As a comedy it is consistently funny and reminiscent of old school improv riffs with the antagonizing eccentric and the straight man. Kevin Hart gets to be absolutely ridiculous, per the usual as Ben: running his mouth, acting a fool, letting self deprecating jokes happen at his expense. I'm a huge fan of the character Kevin Hart has created – while it is the same in every movie it is enjoyable in every movie. Ice Cube is a good polarity as James to Hart's Ben. His smile muscles might be broken. At times he might even be too serious detracting from the chemistry of the duo.
The situations these temporary partners get into are random and feel like filler but are funny comedy routines and I'm glad they are still in the film. In an ideal world the writers would've cleaned up the script for a more believable story. Despite this Ride Along is definitely worth the rental just for Hart's antics.
More reviews at our website!
A Not Great, but Enjoyable Ride
Fresh off of his hit stand-up comedy film, "Let Me Explain," Kevin Hart returns to the big screen with "Ride Along." While it may be far from the most memorable comedy, I can't help but admit I enjoyed sitting through it.
Kevin Hart plays Ben, an eccentric man who wants to marry the love of his life, Angela (played by Tika Sumpter). Before he does, he seeks to get the blessing of her brother James (played by Ice Cube), a tough, loose cannon cop. In order to prove he's worthy of marrying James' sister, Ben must join James on a day on his job as an officer. Eventually, the two get wrapped up in a case neither of them were expecting.
As expected, the film plays out like a typical buddy-cop comedy: a cop teams up with someone he doesn't like or agree with and the two have to attempt to get along. While this basic plot line has indeed been done to death, this film makes the fortunate decision to skip out on many movie clichés. There is no third-act-breakup, no mopey montage, and no "you're off the case" or "you're fired" scene. While a lack of these clichés does hamper the conflict, it is quite refreshing to see them absent from the film. On the other hand, the script lends itself to other flaws. Several scenes seem to be included for the sole purpose of filling time (such as a random cameo by Jacob Latimore that amounts to nothing). Moreover, the story can be very predictable at time, even with a couple of random and nonsensical plot twists thrown in. Still though, there is a lot of good to this film.
The dialogue, while far from quotable, is consistently funny and is almost guaranteed to keep the theater laughing. The jokes are delivered on a regular basis and never stray too far into campy or mean-spirited territory. Unlike films like "Identity Thief" and "A Madea Christmas," the tone of the film never strays from a comedic romp and always keeps the laughs coming.
Kevin Hart's performance itself is arguably worth the price of admission. Hart's lines are delivered with the impression that he is enjoying making this movie, and his high-energy presence is sure to please his fans. If you are a fan of Kevin Hart, you will most likely enjoy his screen-presence and his great chemistry with Ice Cube even if you find the script to be lacking.
"Ride Along," may not go down as a comedic legend, but in my eyes, it is certainly worth checking out at least as a rental. The flawed script can indeed be overlooked by the gleeful dialogue and Kevin Hart's enthusiasm. I'd say give it a shot, it wouldn't hurt to check it out.
Kevin Hart plays Ben, an eccentric man who wants to marry the love of his life, Angela (played by Tika Sumpter). Before he does, he seeks to get the blessing of her brother James (played by Ice Cube), a tough, loose cannon cop. In order to prove he's worthy of marrying James' sister, Ben must join James on a day on his job as an officer. Eventually, the two get wrapped up in a case neither of them were expecting.
As expected, the film plays out like a typical buddy-cop comedy: a cop teams up with someone he doesn't like or agree with and the two have to attempt to get along. While this basic plot line has indeed been done to death, this film makes the fortunate decision to skip out on many movie clichés. There is no third-act-breakup, no mopey montage, and no "you're off the case" or "you're fired" scene. While a lack of these clichés does hamper the conflict, it is quite refreshing to see them absent from the film. On the other hand, the script lends itself to other flaws. Several scenes seem to be included for the sole purpose of filling time (such as a random cameo by Jacob Latimore that amounts to nothing). Moreover, the story can be very predictable at time, even with a couple of random and nonsensical plot twists thrown in. Still though, there is a lot of good to this film.
The dialogue, while far from quotable, is consistently funny and is almost guaranteed to keep the theater laughing. The jokes are delivered on a regular basis and never stray too far into campy or mean-spirited territory. Unlike films like "Identity Thief" and "A Madea Christmas," the tone of the film never strays from a comedic romp and always keeps the laughs coming.
Kevin Hart's performance itself is arguably worth the price of admission. Hart's lines are delivered with the impression that he is enjoying making this movie, and his high-energy presence is sure to please his fans. If you are a fan of Kevin Hart, you will most likely enjoy his screen-presence and his great chemistry with Ice Cube even if you find the script to be lacking.
"Ride Along," may not go down as a comedic legend, but in my eyes, it is certainly worth checking out at least as a rental. The flawed script can indeed be overlooked by the gleeful dialogue and Kevin Hart's enthusiasm. I'd say give it a shot, it wouldn't hurt to check it out.
Fun buddy comedy
When you think of Ice Cube you think of the hardcore rapper from NWA, the gangster persona, not complex actor. Yet since becoming an actor Ice Cube; real name (O'Shea Jackson), has developed himself into quite the character actor. The comedic prescence of Kevin Hart and this budding police comedy brings the movie full tilt. There is a great story line that suggests looking for comfort and approval betweent Hart's character and Cube's. There are hilarious comments throughout the film and the writing was quite original. This is a great movie with strength in the plot, the characters and just fun throughout. There is no doubt I would highly recommend this to everyone. Kevin Hart is becoming the fast uprising comedic actor of late.
Le saviez-vous
- AnecdotesDwayne Johnson was originally supposed to play James and Ryan Reynolds was originally supposed to play Ben.
- GaffesThe Black Charger switches between tinted windows and headlights and standard windows and headlights throughout the movie.
- Citations
Ben Barber: [breaking up a fight] Hey! You're white! You're white! You don't fight.
- Générique farfeluThere's a scene halfway through the end credits: During a barbecue, James tries to stop Ben from turning on the grill (to avoid what happened the last time).
- ConnexionsFeatured in Chelsea Lately: Episode #8.8 (2014)
- Bandes originalesPoppin' Off
Written by Eddie Smith (as Eddie Smith III), Jesse Rankins, Jonathan Wells
Performed by Watch the Duck (as Watch The Duck)
Courtesy of Epic Records
By arrangement with Sony Music Licensing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Ride Along
- Lieux de tournage
- Atlanta, Géorgie, États-Unis(Peach street)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 134 938 200 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 41 516 170 $ US
- 19 janv. 2014
- Brut – à l'échelle mondiale
- 154 468 902 $ US
- Durée
- 1h 39m(99 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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