Django

Despite its promising premise and impressive production values, Django (2023) falls short due to the lackluster performances of its cast. While the series boasts a talented ensemble, their delivery is wooden and uninspired, failing to bring life to their characters or engage the audience. Despite the best efforts of the writers and directors, the subpar acting ultimately undermines the series' potential, making it difficult to recommend to viewers specially fans of the original movies. Just count the times that the actors rais their heads slowly to express the scene it was hinching and irritating.

Sure there were some elements of previous versions but It's nothing compared to the original Django movies (Between 1966 and 2012). Where Django had a sad and impenetrable face.

This cowboy was invisible.

Actually, I awarded this series a total of eight stars but I chose to use white ones for the last six as an homage to art.

If world famous paintings like "Black Cat at Midnight in a Coal Bin" tickles your fancy then you'll not want to miss a riveting second of this attempt at art. For me, however, I don't think I should have to sit in a completely dark room and strain my eyes to watch a made for TV series.

Once again the choice to record in visible light (because, well, we can now) was chosen over allowing the audience the opportunity to actually be able to follow the story instead of needing to guess who that shadow actually is and what is he (or she) doing. I threw in the towel after, roughly, fifteen minutes of this and moved on to something else.

It's hard to take this show seriously, especially when the character Elizabeth speaks...I finally realised - she sounds like Moira from Schitts Creek when she does her weird accent trying to buy a car. It unintentionally turns the show into a comedy. At least a laugh is a welcome break from the tedious plot. A carefully curated slow moving show can be riveting, this is...well, boring. Churning out a lot of yawn worthy and trivial tropes, between more odd accents and attempting to draw out "secrets" that are unsurprising and lazy. More than one accent in the show changes within a sentence, creating a sense of disorientation in terms of where the story is meant to be set or where the hell anyone is from.

Obviously the expectation for celebrities to remain youthful looking is unreasonable and sad. I apologise to the actress, as I don't mean to be picking on her, but again, Noomi Rapace, who plays Elizabeth, has clearly overdone the cheek filler to the point that it is obviously misshapen in the first episode. Getting filler to the point of deformity and a very unnatural shape is sad to see.

The best part about the show is the surprise (to me) appearance of Abigail Thorn, of Philosophy Tube renown. Abigail shines in her role and breaks up the otherwise lacklustre performances.

I am struggling through episode 3 and really finding it hard to continue to see it out.

I'm from Belgium, so I know Matthias Schoonaerts is a very good actor. However, in this series his acting limits itself to raising his head very slowly while desperately trying to look like a bad ass and making short grunts and growls which I hope weren't in the script.

I'm focussing at Schoonaerts because he played Django, but the other characters in this series perform on the same level. They can do better. I know they can. I recognise most of them from other programs where they did a fine job!

It's not just the acting though. The whole cinematography is a bit off. The footage is either too dark or even a bit too shakey. At first I didn't know what it was I didn't like about it. It's that subtle.

And last but not least: the story. It's just not strong enough to play in the same league as the Django westerns the producers are aiming for.

Pity.

I barely watched more than half of the first episode for one very simple reason, that being, I couldn't see what was going on. The grading, brightness and contrast is so dark, even in sequences that are supposed to be under bright sunshine, you can't see what's going on. You can't see faces to tell what expression they have. You can't see buildings or their surroundings. You can't see anything. I'm watching on a 65" OLED and it's just a dark smear across the screen with a vague flickering of candlelight. It could be the greatest series ever filmed, but not being able to see what's actually going on in the scenes spoils any chance of enjoyment. Hard pass from me as a result.