Sur les rivages de l'île de Jeju, un groupe de plongeuses sud-coréennes déterminées se bat pour empêcher la disparition de sa culture en proie à une menace grandissante.Sur les rivages de l'île de Jeju, un groupe de plongeuses sud-coréennes déterminées se bat pour empêcher la disparition de sa culture en proie à une menace grandissante.Sur les rivages de l'île de Jeju, un groupe de plongeuses sud-coréennes déterminées se bat pour empêcher la disparition de sa culture en proie à une menace grandissante.
- Director
- Prix
- 5 victoires et 3 nominations au total
Avis en vedette
I enjoyed the concept very much and it was fascinating to learn about these women, but I felt the narrative lacking a bit. Felt like there was an opportunity to say a lot more, and I found the attempt to tie it into existential circumstances in the last third was a bit forced and didn't totally land for me.
I would've been much more interested in learning about the women's personal lives and their families and their mental hurdles and struggles rather than the focus on relatively dry speeches at the UN and whatnot. But overall pretty solid and touching, and the women documented are nothing short of remarkable.
I would've been much more interested in learning about the women's personal lives and their families and their mental hurdles and struggles rather than the focus on relatively dry speeches at the UN and whatnot. But overall pretty solid and touching, and the women documented are nothing short of remarkable.
A documentary film about a group of female divers, most of them elderly, from South Korea. They dive without any kind of assistance to collect seafood.
It has all the basics you'd expect in these cases: interviews with different protagonists, basic information about how long this tradition has existed, how it continues today, etc.
You might find it more or less interesting overall; personally, it didn't catch my attention at all.
The main problem arises when they mention that this group has partnered with the United Nations, throw in some low-quality meetings about the Fukushima issue, and, finally, showcase the waste of taxes and the time politicians spend padding their agendas.
You're not missing anything by skipping this documentary.
It has all the basics you'd expect in these cases: interviews with different protagonists, basic information about how long this tradition has existed, how it continues today, etc.
You might find it more or less interesting overall; personally, it didn't catch my attention at all.
The main problem arises when they mention that this group has partnered with the United Nations, throw in some low-quality meetings about the Fukushima issue, and, finally, showcase the waste of taxes and the time politicians spend padding their agendas.
You're not missing anything by skipping this documentary.
I wanted to hear more about their training to become divers, their lives, etc. Instead it just had footage of harvesting and told a little about the divers. Then it switched to protesting Japan's release of nuclear wastewater into the ocean. Not at all what I was interested in. I read about the sea women in a book that was more moving and interesting than this movie. Skip the movie, read the books about the hanyeo women. You will learn more and be pulled into their lives in a much more emotional way.
The book also talked about the unique adaptations of these women's bodies. Scientists studied them and their cold resistance and other unique abilities.
The book also talked about the unique adaptations of these women's bodies. Scientists studied them and their cold resistance and other unique abilities.
It's fascinating to me that I learned for the first time about these strong, fearless, cheerful grandmothers called haenyeo, who in their 60s and 70s still snorkel a few meters and collect seafood to sell, and that's a tradition in South Korea. On the island of Jeji, a craft that has been handed down for generations, but is now dying out due to climate change, ocean pollution, and because the new generations do not want to do it. UNESCO protected this tradition in 2016.
However, although the film is visually wonderful, they failed to elaborate on some very important topics, such as when the government of Japan decided to release radioactive material into the ocean after Fukushima and when a haenyeo representative was invited to the UN to give a speech on what consequences this would have. . We don't really get a full epilogue to it, it's just scratched the surface. In essence, they did release that material into the ocean.
However, although the film is visually wonderful, they failed to elaborate on some very important topics, such as when the government of Japan decided to release radioactive material into the ocean after Fukushima and when a haenyeo representative was invited to the UN to give a speech on what consequences this would have. . We don't really get a full epilogue to it, it's just scratched the surface. In essence, they did release that material into the ocean.
Given that it's an A24 production, I had high hopes for good characters and storytelling but was ultimately disappointed.
The film is beautifully shot and the women profiled are incredible, but there is so little character building that an hour and a half later, I don't feel any closer to any of the characters. The film touches on some of the seawomen's past, the discrimination they faced, the lack of labour rights, and how they finally rose above it all. But the director gives the issue quite a superficial treatment using a few standard soundbites without diving deeper.
I also feel I didn't learn much about the "haenyeo" women. Why are the divers all women but their "bosses" all men? Is the area accessible to haenyeo divers only? Why are they able to compete with more modern forms of fishing? Given Malala is the producer, I also expected a deeper dive into related social issues.
Overall, the film is beautiful but lacklustre in emotion and substance. It's fun to see dozens of septuagenarians free diving, laughing and having a good time, but this isn't enough to sustain the film for an hour and a half. It feels like it's TV film you can watch on Discovery Channel.
The film is beautifully shot and the women profiled are incredible, but there is so little character building that an hour and a half later, I don't feel any closer to any of the characters. The film touches on some of the seawomen's past, the discrimination they faced, the lack of labour rights, and how they finally rose above it all. But the director gives the issue quite a superficial treatment using a few standard soundbites without diving deeper.
I also feel I didn't learn much about the "haenyeo" women. Why are the divers all women but their "bosses" all men? Is the area accessible to haenyeo divers only? Why are they able to compete with more modern forms of fishing? Given Malala is the producer, I also expected a deeper dive into related social issues.
Overall, the film is beautiful but lacklustre in emotion and substance. It's fun to see dozens of septuagenarians free diving, laughing and having a good time, but this isn't enough to sustain the film for an hour and a half. It feels like it's TV film you can watch on Discovery Channel.
Le saviez-vous
- AnecdotesThe true history behind the New York Times bestseller The Island of Sea Women, a novel by Lisa See published in 2019.
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Détails
Box-office
- Brut – à l'échelle mondiale
- 1 994 $ US
- Durée
- 1h 27m(87 min)
- Couleur
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