The Unlikely Pilgrimage of Harold Fry

The story of Harold Fry's 500 mile walk from Devon to the English border with Scotland is well translated to the big screen by director Hettie MacDonald in this low key but very watchable film. When retired Brewery manager Harold (Jim Broadbent) receives a letter from an old work colleague that she is dying in a hospice at the the other end of the country in Berwick-upon-Tweed, he writes a letter. However feeling it is not enough, he cannot bring himself to post it and, after talking to a shopgirl in a petrol station, decides on the spot to walk to see her, leaving his wife Maureen (Penelope Wilton) sick with worry and frantic about being on her own. As Harold makes his way up north his 'Pilgrimage' starts to become public knowledge and he soon attracts a following on both social media and then the headline news. On the journey he meets an assortment of characters, from a well meaning and helpful Slovakian woman, a woman on a farm, a stranger at a railway station, a pill popping confused 18 year old, a stray dog and a small following of people who want to join his pilgrimage. And as Harold makes his journey we start to learn that his life and relationship with Maureen is not as boring as it seems, for beneath the surface he is masking a terrible tragedy and a fractured relationship.

The story might be slight but I found it nonetheless compelling. Both Broadbent and Wilton produce powerful performances and as the film progresses their characters personalities start to make sense. The film is also well made and full of good performances and doesn't feel overlong.

If you've seen the Timothy Spall film 'The Last Bus' (2021), the Robert Redford film 'A Walk in the Woods' (2015) or the Emilio Estevez/Martin Sheen film 'The Way' (2010) then some of this may seem vaguely familiar to you as, like them, this is a gentle road movie that is in part, about using the journey as a way of self discovery and confronting ones own emotional issues that will appeal to older viewers in particular. It is a well acted drama with a ring of truth to it that should appeal to those enjoy gentle drama.

This, for me, is a "companion piece" to last year's LIVING, since it again has an elderly gent in the central role. Like other "road movies", the film alternates between motivation and meetings. Harold crosses paths with a few fairly ordinary people who each have a tale to tell. At one stage he becomes a kind of Messiah figure, leading a flock of followers, but he arrives in Berwick on his own to resolve the issue of the dying woman's role in his life.

I got a slight sense of "wokeness" being applied to both the characters and the actors, and there are a few scenes that don't really ring true. The best element is the seesaw on which Harold's marriage is quietly riding.

Jim Broadbent and Penelope Wilton are two fine actors on top form here. This is another small movie with a big heart which it wears on its sleeve.

In a bid to avoid the rush of people going to see Guardians this weekend I decided to catch up on last weeks new release that I unfortunately missed. The unlikely pilgrimage of Harold Fry is one of those small British films that we maybe get once or twice a year that are mainly targeted towards the older generation. The film takes next to no time to get going as it opens with Harold played by the always brilliant Jim Broadbent receiving a letter from an old friend. The letter reads that Queenie who Harold used to work with but hasn't seen for a long time has been admitted to a hospice and is in the final stages of cancer. Initially Harold writes a letter back but on his way to the post office he meets someone who changes his mind and he decides to walk from the south of England to the North some just under 500 miles as he believes he can save Queenies life by doing so. This film is very much about people, the good, the bad and the human spirit of being able to make mistakes in life but not having to feel like those mistakes define you. Along his journey we learn a lot about Harold and his life and ultimately the real reason he has embarked on his journey but I won't say any more as not to spoil it. I think the thing this film surprised me the most with was that it's really deep and real and I left the cinema actually feeling quite emotional rather than uplifted as you'd perhaps expect with this type of thing. Yes some of the pacing isn't perfect and heck perhaps you wanted a feel good film but this was different and it gave me something I look for in films which is great writing that accurately represents real human emotion. I thought this film was really thought provoking and despite the somber mood it left me in I also left feeling that as humans we don't have to change the world, sometimes just giving someone a smile on a day when they're really struggling can make the world of difference to them. I can't recommend this film enough, especially if you like thought provoking drama but if you do go and see it perhaps tell your partner where you're going first.

Lovely movie, with the ever so lovely Jim Broadbent and Penelope Wilton as the typical retired couple, going about their humdrum lives, until the post arrives from an old friend of Harold's. Life just isn't the same again, as something inside Harold beckons him on a journey, which unfolds the reason of why he must take the journey. Wonderfully captured, but I kept thinking I had watched it before. And I had. The equally excellent Timothy Spall in the Last Bus, travelling the length of the UK with his wife's ashes to the place they met in Lands End. If you like Jim Broadbent as Harold Fry, you will love Timothy Spall in The Last Bus.

Jim Broadbent and Penelope Wilton. That's all I needed to know to go see this film. Both deliver incredible performances ranging from that unique British wit, the inevitable pulled heartstrings to having it outright ripped out of your chest.

Thematically, the film asks us to let go of the things we think we need - the things that hold us back. Which Maureen (Wilton), wife of Harold for at least a few decades, rightfully takes quite personally. You wonder why Maureen just let's Harold leave, but we discover later she's not completely in the right, either.

Unfortunately, the supporting cast feel forced, two-dimensional and pepper Harold's journey purely to impart information that could be taken or left behind. This isn't helped by the stunted pacing and frequent B-roll cutaways to presumably things Harold wouldn't have seen if hadn't set off on his adventure.

The social media/celebrity element leaves a bad taste in the mouth, and his first follower appears endearing at first but then descends into cult follower territory trying to find meaning from someone else's cause.

Again, I cannot emphasise enough the stellar performances by both leads. I'm tearing up just watching the trailer while writing this. The film is let down by its supporting cast and weird editing.

I didn't know this was based off a book so I can't make any comparisons with the source material.

But if I were to give this a second viewing, I'd only watch the scenes with Harold and Maureen interacting with each other, with one notable exception: when Harold asks for a glass of water in a café. Heartbreaking.