Control

Sometimes these CUBE (2004) knockoffs really work, they engage your curiosity and suddenly you, the viewer find yourself going through the puzzle with the main characters. See also EXAM 2009, another under-rated entry in this genre, which is also a superior example. CONTROL 2022 is a hit and a miss. The torture for the first 60 minutes is just as effective on the audience as it is on the protagonist. Sara Mitch gives it her all, but even effort and good intentions cannot overcome a soggy script and a minimal budget. Not recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

No pun intended - the movie that some may call a Cube knockoff (I wonder if there was something that inspired Cube back then?) ... and they are not completely wrong if you are honest with yourself. We wake up with the main character and we are as confused as she is. The initial surprise and really tight tension wear off though ... as time goes by.

While the movie seems to be able to add new nuggets (of information and otherwise), is it enough to keep you engaged towards the end? I would think that many will slowly lose interest ... it remains decent! And the ending may very well sway you to vote better than I did ... but is it really? The action is nice but sort of repeats itself towards the end - well no pun intended, right? Life is not a circle ... and we need to have an ending to things ... even if it means we have not moved forward ... at all!

I love slow burn movies, and non existent funding movies, when their done well.

Whilst this one was almost devoid of funding, it was also devoid of progress.

It took over an hour for anything beyond the most simplistic testing to happen, next to zero exposition in that time as well. Only to switch into warp speed for the last 20 minutes, but it also didn't go too far from the starting line.

Acting wasn't terrible, but many of the choices made by the 2 characters were ridiculous.

Eileen has psychokinesis, I can accept that without issue. SHE accepted it as evidenced in the testing... come to the test of putting a ball in a bucket....... nope we can't do that, BUT we'll remove 16 screws from the tables legs easily enough to no gain, and then move the ball in to the bucket.

Ditto when Roger is being killed in sand, no point trying to use her powers in stopping the flow of sand, or demolishing the cage he's in, go back to brute physical strength, of which she has none, and fail like a moron.

I would love it if just once in these movies the characters would use their psycho/telekinetic powers to rip out an entire wall of their cage and go on a rampage.

A young woman awakens in a stylish prison with no memory except for when she sleeps. Eileen played by Sarah Mitich, sees herself and her daughter in her dreams at a beach singing the same lullaby over and over again. An analog-sounding Alexa-type computer that appears to lack AI has monotone one-way answers to the questions which Sarah Mitich asks.

The computer forces her to complete tasks that become impossible to do without using Sara Mitich's psychokinetic powers, which Sarah learns to control over agony, distress, and fear whilst attempting to achieve the expected result of the test. She's threatened by the dormant Computer with the life of her child.

The cinematography is very good, and Sarah Mitich's acting is very believable. Her husband played by George Tchortov is a bit wooden but he is playing a comatose character.

A creative low budget film misses its marks. If you were to fast-forward Sarah Mitich's dream scenes you wouldn't miss anything. For example, the lullaby repeated often does not tie to anything.

I think that the film is still worth watching. The concept is Interesting.

The dialogue is so transparently contrived you cannot take seriously that a human being, let alone a pair of them, could possibly be so deliberately unhelpful, obfuscating and unreasonable.

Reminiscent of The Cube but infinitely less self-aware, bluntly, the writing is too stupid to allow even the most credulous of audiences to enjoy the premise.

The performances are emotionally convincing, and camera work is laudable given the budget, nothing can save the film from writing so disingenously unlike a real person. You spend the entire time frustrated that the characters won't utter a single coherent sentence. Beyond that, the exposition is blunt and choppy, the characters' decisions make no sense, the emotionality feels like the writer has never actually met a human being.

No decision in the entire film, either by the characters, writer or driector make any sense. It's incoherent from opening to close.

Just a disasterous waste of decent acting and a potentially interesting idea.