Avis Metacritic

There is, quite simply, a rather refreshing ordinariness to Remember Me in the unflashy, knuckle-down attention it gives to character development and the building of plausible and involving family and friend dynamics.

A well-made movie. I cared about the characters. I felt for them. Liberate them from the plot's destiny, which is an anvil around their necks, and you might have something.

The scenes between Pattinson and de Ravin exude genuine charm.

For those looking for the rare romantic youth drama without vampyric overtones or other gimmicks, Remember Me should satisfy and it works as a much-needed change of pace for the talented Pattinson who remains one of the most watchable of our young stars.

The modestly scaled film delivers some moving and affecting moments amid a preponderance of scenes of frequently annoying people behaving badly.

a horrific misstep in the branding of Robert Pattinson. The erstwhile teen vampire, who daringly portrayed gay surrealist Salvador Dalí in last year's "Little Ashes," lurches backward into a pile of romantic rubbish.

As a shameless contraption of ridiculously sad things befalling attractive people, the engorged romantic tragedy Remember Me stands tall between those towering monuments to teen-oriented cinematic misery, Love Story and Twilight.

There's an insult-to-injury quality to a plain bad movie with a "seize the day" message (Remember Me's tagline: "Live in the Moments"), which heckles you with all the other things you should or could be doing while you're marking time waiting on the credits.

The film’s tone is all wrong, the pacing is dead and the veering between sex, sadness and sado-masochistic violence is enough to give you motion sickness. It’s a bad movie.

Bless you, R.Patz & Co., because this gloriously steaming pile is officially in the bad-movies-we-love pantheon.