Interceptor

This is one of those rare moments when you should trust the negative reviews. Elsa Pataky was fine in the small roles she had in the Fast and Furious films but she is not an action star and her acting can not support a film on its own. Apart from that the cgi in this is TERRIBLE, it looks like you are watching a direct to video film from the 80s. The writing is awful, the one liners in this are so generic and completely uninspired. The action in this is also very bland and the fight scenes are too repetitive. Nothing about this movie is fresh or entertaining, I'm not sure who the target audience is supposed to be but this is one movie that you should avoid.

I've missed the stupid action hero's of the 80s & 90. It disengage my brain for 1hr 30 mins and that what I need at the moment.

Acting was dreadful but it fit the genre and reminded me of the straight to video movies you took a punt on for a Friday night.

The opening blurb tells us America has two bases designated to stop inbound nuclear missiles from Russia. One is a military base in Alaska, no doubt guarded by plenty of heavily armed soldiers, plenty of security counter measures to stop people getting in and teams of backup in case of any problems. The other is a precarious floating rig, with a handful of missile batteries, that doesn't appear to have any defences or counter measures, and the nearest support is an hour away. From that set up, the bad guys we see in the film have really over complicated their plans. All they want to do is disable the interceptor rocket batteries, yet are stoic in following through their own plan, which is guarded by Captain J. J. Collins (Elsa Pataky), who is equally single minded in her objective, in the standard lone action hero way.

More bizarrely to all that, we have Chris Hemsworth providing comic interludes. Did the mildly simmering tension really need that?

Not really. The scenario is a claustrophobic set, resulting in intense and brutal fights, with basically the one goal that's in the title. Forget any notion of checking to see if the rest of the ships crew are alive (we told you we used nerve gas and shot them all, but maybe we didn't...), she has one mission and will carry it out. Tim Wong (who's also the films fight coordinator) as Zhang and Ingrid Kleinig (who's also the films second unit director) as Kira are most known for their stunt work, so it's no surprise that they are involved in some of the more physical acts. Steven A. Davis as Nikolai is also the films assistant fight coordinator, though he's not that active in fighting. Emotional support comes from Mayen Mehta as Corporal Rahul Shah playing the introverted subordinate soldier - a turtle owning family man - while Rhys Muldoon as Lieutenant Colonel Clark Marshall fills in the emotional back story about how the Captain has suffered in her career, with Belinda Jombwe as Ensign Washington giving a brief motivational speech . That seems to be the take away from the film; all the main characters feel/should feel wronged by the system, and it's how they deal with those feelings that separates which side their on.

The set is very minimal and the CGI reminiscent of 80's VHS stuff - it gets the story where it needs to go - while the soundtrack accents the vision; you can watch with subtitles and know something is going to happen by the "tense instrumental music".

IMDB also have Ali Kadhim as Dark Cloud (Japanese Sword Guy), yet he's not included in the films credits (and I don't remember him in the film). Maybe the producers thought that was one cliche too far?

I can understand why some people don't like the movie, as it was a cheesy and generic flick for sure, but not sure if I can understand the many upset 1/10 reviews from people who seem to have taken this personally somehow. All those reviews read exactly like metacritic review bombs where people are upset over something else than the content they're reviewing... or just rants from people who love exaggerating for drama.

This reminded me of some straight to VHS average action flicks that you'd pick up from the rental place completely deliberately for that day where you just want a mindless movie and as such, it worked very well. Did I laugh and roll my eyes at convenient plotpoint? Sure. But I also expected to.

I kinda liked seeing a female lead for once. Just like male leads powers are always played way up and how John McLane can still run and kick ass after being battered and bruised beyond any reason, just flying away from explosions instead of exploDING, so did she. If your suspension of disbelief fails only on the part of her being a woman, I guess you truely have it ingrained in you that "women = weak" and can't even for a moment tune that out in a silly action flick.

This kinda reminded me of some "Tomb Raider" kind of deal, with the exception that I actually enjoyed this more than any Tomb Raider movie.

If you are "tired of feeling like my identity is always attacked by films such as this.", that is just sad. There have been crazy egomaniac villains that have agendas like this in movies for a small eternity and obviously the movie's not saying he's right.

If you are very keen on only seeing agendas in women being shown as anything capable, do yourself a favor and skip it. If you're looking for a generic action flick for a mindless day? Sure, why not :)

Interceptor is something like Die Hard (or Under Siege) but instead John McClane wie get a G. I. Jane, and like those Die Hard movies this one is also full of implausible things and events happening - but it got no Bruce Willis or Alan Rickman in the cast to compensate the plot holes by charismatic performances, also the action and fighting scenes are no way of the same quality. Anyway, production is okay for a B flick, acting solid, but the whole story is just one big cliche, a formulaic, generic affair, and therefore I really don't know why I should recommend Interceptor to you. Hopefully, one day some coding hexer will develop an algorithm that can write better, more interesting and entertaining stories, as those human writers are able to write these days.