Ajouter une intrigue dans votre langueA man joins a game show in which contestants, allowed to flee anywhere in the world, are pursued by "hunters" hired to kill them.A man joins a game show in which contestants, allowed to flee anywhere in the world, are pursued by "hunters" hired to kill them.A man joins a game show in which contestants, allowed to flee anywhere in the world, are pursued by "hunters" hired to kill them.
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The movie kept on running and running
Remake of 1987 film and adapted from Stephen King novel, The Running Man sees Ben Richards (Glenn Powell) entering a dangerous game with higher stakes for the sake of his family.
The major reason why this movie had me interested was because of Edgar Wright, who has given amazing flicks year-after-year.
With regards to narrative, it was simple yet was weak in construction. While the first half had some intriguing elements, the second half was sluggish, stretched and lost it's steam, even before reaching the final act. The cast did a decent job in terms of performances. Glen Powell was charismatic and Josh Brolin was evil in his own ways.
Edgar Wright's kinetic flavour isn't quite as present here as it has been on Baby Driver. There are certainly some finely crafted action sequences, however it stretches on for too long. The humour jokes didn't land, in most of the cases. The camera work and strong background score was missing, as we have seen in other movies from the director.
The world felt quite two-dimensional. It was on the precipice of making an interesting point but settled in a elementary commentary. This was a disappointment in terms of leaving an impact.
Overall, The Running Man is an underwhelming flick, given the director's strong filmography, although it has some cool moments.
My Rating : 6/10.
The major reason why this movie had me interested was because of Edgar Wright, who has given amazing flicks year-after-year.
With regards to narrative, it was simple yet was weak in construction. While the first half had some intriguing elements, the second half was sluggish, stretched and lost it's steam, even before reaching the final act. The cast did a decent job in terms of performances. Glen Powell was charismatic and Josh Brolin was evil in his own ways.
Edgar Wright's kinetic flavour isn't quite as present here as it has been on Baby Driver. There are certainly some finely crafted action sequences, however it stretches on for too long. The humour jokes didn't land, in most of the cases. The camera work and strong background score was missing, as we have seen in other movies from the director.
The world felt quite two-dimensional. It was on the precipice of making an interesting point but settled in a elementary commentary. This was a disappointment in terms of leaving an impact.
Overall, The Running Man is an underwhelming flick, given the director's strong filmography, although it has some cool moments.
My Rating : 6/10.
Stumbles and falls.
Glen Powell stars as Ben Richards, who signs up for a TV show where contestants are hunted by killers; if they can survive for 30 days, they win a fortune in prize money. Josh Brolin is the villain of the piece -producer Dan Killian - who will go to any lengths to ensure the show's popularity and high ratings.
The 1987 adaptation of Stephen King's The Running Man, starring everyone's favourite Austrian bodybuilder, is a lot of cheesy '80s action fun, but it's far from my favourite Schwarzenegger movie. That said, I'd rather rewatch Arnie dropping corny one-liners while battling cartoonish, colourful, over-the-top villains than sit through Edgar Wright's version for a second time. The tone of the new film feels all wrong - Wright attempts to combine satirical humour with hard hitting violence, but fails to pull off the trick: he's no Verhoeven. He should have either leaned into the campiness, as per the original film, or gone serious and super dark and ultra violent - in attempting to do both, he merely succeeds in making his film feel very uneven.
This new adaptation is also unnecessarily long (2 hrs and 13 mins), losing a lot of steam in the second half. I was willing to give the film a fair crack of the whip, 'cos when Wright is on form he is great, but I really found my mind wandering once the film passed the hour and a half mark. The action scenes fail to get the adrenaline pumping - I felt no jeopardy for Ben Richards whatsoever - and the humour doesn't land (only the Y/Why? Gag made me laugh). I really wanted this to be good, so it pains me to say that The Running Man is far from Wright's best work and will probably be forgotten about fairly quickly (unlike Arnie's film, which is a cult classic).
4.5/10, generously rounded up to 5 for IMDb.
The 1987 adaptation of Stephen King's The Running Man, starring everyone's favourite Austrian bodybuilder, is a lot of cheesy '80s action fun, but it's far from my favourite Schwarzenegger movie. That said, I'd rather rewatch Arnie dropping corny one-liners while battling cartoonish, colourful, over-the-top villains than sit through Edgar Wright's version for a second time. The tone of the new film feels all wrong - Wright attempts to combine satirical humour with hard hitting violence, but fails to pull off the trick: he's no Verhoeven. He should have either leaned into the campiness, as per the original film, or gone serious and super dark and ultra violent - in attempting to do both, he merely succeeds in making his film feel very uneven.
This new adaptation is also unnecessarily long (2 hrs and 13 mins), losing a lot of steam in the second half. I was willing to give the film a fair crack of the whip, 'cos when Wright is on form he is great, but I really found my mind wandering once the film passed the hour and a half mark. The action scenes fail to get the adrenaline pumping - I felt no jeopardy for Ben Richards whatsoever - and the humour doesn't land (only the Y/Why? Gag made me laugh). I really wanted this to be good, so it pains me to say that The Running Man is far from Wright's best work and will probably be forgotten about fairly quickly (unlike Arnie's film, which is a cult classic).
4.5/10, generously rounded up to 5 for IMDb.
A good popcorn movie is still a good movie
People might say that it's a good popcorn movie, but I gotta say that a good popcorn movie is still a good movie. Glen has done a great job on acting.
As you know, the story is from Stephen King so it has some sort of guarantee that the plot wasn't gonna be that bad. In fact, i view that it is quite good even though there is a lack of depth in some part. Still, for a two hour movie, it has done a pretty great job on capturing the story. Although in some scenes, it's quite prolonging.
This movie is surely fulfilling the criteria of whatever action movie should have. There's an excitement as it will make you rooting for the runners. Some scenes may be predictable, but it is not easy as it seems. So just go watch it, it won't disappoint you.
As you know, the story is from Stephen King so it has some sort of guarantee that the plot wasn't gonna be that bad. In fact, i view that it is quite good even though there is a lack of depth in some part. Still, for a two hour movie, it has done a pretty great job on capturing the story. Although in some scenes, it's quite prolonging.
This movie is surely fulfilling the criteria of whatever action movie should have. There's an excitement as it will make you rooting for the runners. Some scenes may be predictable, but it is not easy as it seems. So just go watch it, it won't disappoint you.
Ran out of steam by the end
Really wanted to love this. I'm a big Stephen King fan and was curious how they would carry out an updated version of the movie. They had me all the until the last quarter of the movie where it felt like they just didn't know how to end it. Scarf girl wasn't necessary and better use of Lee Pace could have made the ending better.
A Great Film Delivered in an Average Way
I've never read The Running Man novel, and I thought the 1987 Schwarzenegger film was a fun but forgettable piece of cheesy sci-fi. That's why I was genuinely excited for a new take-especially with Edgar Wright directing. I adore Baby Driver and Hot Fuzz, and I've never disliked anything he's made. While his 2025 version doesn't break that streak, it's easily my least favourite of his films, though still an enjoyable watch overall.
Glen Powell steps in as Ben Richards, a desperate father who agrees to compete on the deadly TV show The Running Man to save his seriously ill child. The month-long hunt for a billion-dollar prize sets up plenty of opportunities for standout supporting roles, and the cameos are a lot of fun. My favourite stretch involves Michael Cera, whose scenes with Powell have great energy and chemistry.
Where the film let me down was in its pacing and surprisingly heavy exposition. For a director known for sharp, kinetic action, Wright delivers a film that feels a bit low-energy and light on set-pieces, especially for a 2-hour-13-minute runtime. The action that is there works, but the storytelling feels too spread out, and the script over-explains things instead of trusting the audience. It also lacks the usual Edgar Wright stylistic punch, which made something feel slightly off.
Even so, Powell gives a committed performance, and the supporting cast-especially Coleman Domingo-brings a lot to the table. The action is fun when it arrives, and despite some characters needing more screen time, everyone makes their moments count. The 2025 Running Man is a great film delivered in an average way, but it's still entertaining and absolutely worth a look, even if it falls short of greatness.
Glen Powell steps in as Ben Richards, a desperate father who agrees to compete on the deadly TV show The Running Man to save his seriously ill child. The month-long hunt for a billion-dollar prize sets up plenty of opportunities for standout supporting roles, and the cameos are a lot of fun. My favourite stretch involves Michael Cera, whose scenes with Powell have great energy and chemistry.
Where the film let me down was in its pacing and surprisingly heavy exposition. For a director known for sharp, kinetic action, Wright delivers a film that feels a bit low-energy and light on set-pieces, especially for a 2-hour-13-minute runtime. The action that is there works, but the storytelling feels too spread out, and the script over-explains things instead of trusting the audience. It also lacks the usual Edgar Wright stylistic punch, which made something feel slightly off.
Even so, Powell gives a committed performance, and the supporting cast-especially Coleman Domingo-brings a lot to the table. The action is fun when it arrives, and despite some characters needing more screen time, everyone makes their moments count. The 2025 Running Man is a great film delivered in an average way, but it's still entertaining and absolutely worth a look, even if it falls short of greatness.
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Le saviez-vous
- AnecdotesThe giant 'N' logo above the Network building is coloured red and resembles the Netflix logo (everywhere else in the movie the logo is colored white). This is a subtle dig at Netflix, who director Edgar Wright says ran trailers for his film Le dernier pub avant la fin du monde (2013) that carelessly gave away the ending.
- GaffesOn several occasions, particularly action sequences, Ben's bag containing his gear & recording equipment is nowhere to be seen, then appears again when he gets somewhere to rest.
- Citations
Ben Richards: [to the camera] Stop filming me!
- Générique farfeluThe Domain Entertainment logo takes the form of a lit sign.
- ConnexionsFeatures Alerte à la bombe (1972)
- Bandes originalesUnderdog
written by Sly Stone
performed by Sly and the Family Stone
courtesy of: Epic Records, a division of Sony Music Entertainment
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Running Man
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 31 935 275 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 16 495 564 $ US
- 16 nov. 2025
- Brut – à l'échelle mondiale
- 53 235 275 $ US
- Durée
- 2h 13m(133 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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