Un couple divorcé se met en équipe et se rend à Bali afin que leur fille cesse de commettre la même erreur qu'ils pensent avoir fait 25 ans auparavant.Un couple divorcé se met en équipe et se rend à Bali afin que leur fille cesse de commettre la même erreur qu'ils pensent avoir fait 25 ans auparavant.Un couple divorcé se met en équipe et se rend à Bali afin que leur fille cesse de commettre la même erreur qu'ils pensent avoir fait 25 ans auparavant.
- Prix
- 4 nominations au total
Geneviève Lemon
- Beth-Ann
- (as Genevieve Lemon)
Avis en vedette
Following their tempestuous relationship of 19 years (including the recovery), an acrimonious divorced couple travel millions of miles from home, then enter a momentary truce to stop the pending nuptials of their only daughter who just recently graduated from college and got engaged on a whim in Bali. Lazy star vehicle doesn't offer much in the way of surprise or originality, it's also light on laughs and ineffective on drama, thus it's mostly a chance to witness the snap, crackle, and pop repartee of a well-matched Roberts and Clooney. The scenery is good too, making it even more comfortable to sit through. **
George Clooney and Julia Roberts are two excellent actors and the Academy Awards they each won were well deserved. They are also two very suitable actors for romantic comedies, and if we accept the idea that good romantic comedies can be made with characters (and actors) in their 50s or even 60s, then casting them in the lead roles of a film of this kind may be a good idea. However, to make a quality romantic comedy something else is needed - a believable story that makes us resonate with the characters on the screen, possibly fall in love with them or suffer with them during the screening of the film. 'Ticket to Paradise' by director Ol Parker did not have the chance of such a scenario. By basing their film solely on the charm and magnetism of the two actors, the filmmakers have failed in their attempt to deliver quality entertainment. Clooney (at the peak of his charisma) and Roberts try their best, but it's not enough to save the film from the fate of a mediocre comedy.
David (Clooney) and Georgia (Roberts) married 25 years ago and divorced 5 years later. Lily, their only daughter is finishing her law studies and a wonderful career awaits her starting in a prestigious law office. On the farewell college trip to Bali, the young woman meets a local seaweed farmer, falls in love with him, and decides to remain on the island paradise in the Indian Ocean. The two divorcees decide to join forces to convince their daughter to give up her marriage plans. The reasons are their own experience of a failed marriage but also the fear that the girl is destroying her life, at least according to Western or American patterns. The first 10-15 minutes offer the opportunity for funny exchanges of replicas, filmed with rhythm and using appropriately the technique of parallel frames. These are also the best comedic moments in the film, in my opinion. It is what follows that disappointed me.
'Ticket to Paradise' reminded me of a tradition of American cinema in which the film fits very well. It's about dramas, sentimental comedies or musical films produced in the 30s whose stories took place in the world of the super-rich dressed in tuxedos, sumptuous dresses and fur coats. Spectators of those times, preoccupied with economic crises and - towards the end of the decade - with the danger of war, filled the theaters where charismatic heroes played by actors such as Clark Gable or James Stewart appeared on the big screens. With a few changes in scenery and dialogues, 'Ticket to Paradise' could have been made then. George Clooney is, by the way, the actor closest to the profile of the great American actors mentioned, and he is formidable in this film. But I think that his charm (and to a lesser extent that of Julia Roberts) are not enough to carry the whole movie. The relationship between the two is too predictable and the parallel love story between the two young people is completely missed. Kaitlyn Dever as the daughter is, I think, a terrible miscasting. At no point do we see her as an intelligent young woman making a sensible decision. The way in which the natural paradise of Bali is described is at the level of tourist clips commercials and the presentation of the local culture smella paternalistic Western folklorism. I understand that the intention of the filmmakers is here also an escapist cinema that disconnects its viewers from the problems of the day, but in the absence of authenticity and a somewhat believable story, the effect risks being missed. I'm afraid that only the joy of seeing George Clooney and Julia Roberts again and together is what will be left after watching this film.
David (Clooney) and Georgia (Roberts) married 25 years ago and divorced 5 years later. Lily, their only daughter is finishing her law studies and a wonderful career awaits her starting in a prestigious law office. On the farewell college trip to Bali, the young woman meets a local seaweed farmer, falls in love with him, and decides to remain on the island paradise in the Indian Ocean. The two divorcees decide to join forces to convince their daughter to give up her marriage plans. The reasons are their own experience of a failed marriage but also the fear that the girl is destroying her life, at least according to Western or American patterns. The first 10-15 minutes offer the opportunity for funny exchanges of replicas, filmed with rhythm and using appropriately the technique of parallel frames. These are also the best comedic moments in the film, in my opinion. It is what follows that disappointed me.
'Ticket to Paradise' reminded me of a tradition of American cinema in which the film fits very well. It's about dramas, sentimental comedies or musical films produced in the 30s whose stories took place in the world of the super-rich dressed in tuxedos, sumptuous dresses and fur coats. Spectators of those times, preoccupied with economic crises and - towards the end of the decade - with the danger of war, filled the theaters where charismatic heroes played by actors such as Clark Gable or James Stewart appeared on the big screens. With a few changes in scenery and dialogues, 'Ticket to Paradise' could have been made then. George Clooney is, by the way, the actor closest to the profile of the great American actors mentioned, and he is formidable in this film. But I think that his charm (and to a lesser extent that of Julia Roberts) are not enough to carry the whole movie. The relationship between the two is too predictable and the parallel love story between the two young people is completely missed. Kaitlyn Dever as the daughter is, I think, a terrible miscasting. At no point do we see her as an intelligent young woman making a sensible decision. The way in which the natural paradise of Bali is described is at the level of tourist clips commercials and the presentation of the local culture smella paternalistic Western folklorism. I understand that the intention of the filmmakers is here also an escapist cinema that disconnects its viewers from the problems of the day, but in the absence of authenticity and a somewhat believable story, the effect risks being missed. I'm afraid that only the joy of seeing George Clooney and Julia Roberts again and together is what will be left after watching this film.
Ticket to Paradise is a completely bog standard romcom. Not a single creative risk was taken in the making of this film. It is all very safe and predictable.
They cast George Clooney and Julia Roberts and knew that that would be enough to get bums on seats, so they phoned in the rest.
The comedy is all tried and tested stuff. The plot follows the traditional romcom formula, meaning you won't find any surprises here.
This doesn't make it a bad film, its just got a pretty uninspired feel to it, as if it was made by a marketing team.
The result is a charming, sweet, but unremarkable film. If you've ever seen a romcom then you've seen Ticket to Paradise, but it does have its moments.
They cast George Clooney and Julia Roberts and knew that that would be enough to get bums on seats, so they phoned in the rest.
The comedy is all tried and tested stuff. The plot follows the traditional romcom formula, meaning you won't find any surprises here.
This doesn't make it a bad film, its just got a pretty uninspired feel to it, as if it was made by a marketing team.
The result is a charming, sweet, but unremarkable film. If you've ever seen a romcom then you've seen Ticket to Paradise, but it does have its moments.
I love the actors, loved the location and loved an older romance getting a look in for a change. However, the plot was lazy and it kind of felt like an opportunity was missed, it was only okay when it could have been great. It felt like the actors just sleepwalked through the movie and the script wasted their talents.
Also, what stopped me from enjoying the movie more was the dumbness of the supposedly very intelligent daughter. I mean, what is the rush to marry someone you have known for only 30 days? Maybe she had been binge-watching 30 day fiancé. I get that he's a hunk and it's a paradise island but after a couple of years of picking seaweed even that will get old.
There was great chemistry between George and Julia and it kind of felt like we were cheated out of a proper smooch between them! It is worthwhile for the nostalgia factor but not a classic and probably not even a re-watch.
Also, what stopped me from enjoying the movie more was the dumbness of the supposedly very intelligent daughter. I mean, what is the rush to marry someone you have known for only 30 days? Maybe she had been binge-watching 30 day fiancé. I get that he's a hunk and it's a paradise island but after a couple of years of picking seaweed even that will get old.
There was great chemistry between George and Julia and it kind of felt like we were cheated out of a proper smooch between them! It is worthwhile for the nostalgia factor but not a classic and probably not even a re-watch.
"Ticket to Paradise" is the clear example that the trailer is better than the movie itself. The script does not bring anything new to romantic comedies, it rushes to take the already known formula and fill the plot with the typical clichés. Julia Roberts and George Clooney offer simple performances without much charm, the secondary characters are more endearing as is the case with Wren Butler played by Billie Lourd. The filming locations are extraordinary and the cinematography makes them look even more beautiful. Returning to the script, it fails to catch on and as entertainment it doesn't go that far either. One of the worst moments is the terrible CGI with which a dolphin that appears on the screen for a few seconds was created. Movie to see once and not repeat.
Le saviez-vous
- AnecdotesDespite being set in Bali, Indonesia, the film was filmed in Queensland, Australia.
- GaffesLily is supposed to be starting work as an attorney after she returns from Bali, a trip she departed for immediately after graduating from college. However, in the United States, attorneys (in most circumstances) must attend three years of law school after college and then take the bar exam in the state they intend to practice in; furthermore, the bar exam is only given in July and February. She would most likely be too busy studying for the bar to take an extended trip to Bali.
- Citations
David Cotton: You know, telling someone to calm down has literally never calmed anyone down in the history of the universe.
- Générique farfeluBloopers and outtakes during the closing credits.
- ConnexionsFeatured in CBS News Sunday Morning: Episode #45.3 (2022)
- Bandes originalesGo Where You Wanna Go
Written by John Phillips
Performed by The Mamas and the Papas
Under exclusive license from UMG Recordings, Inc.
Courtesy of Universal Music Australia Pty Limited
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Ticket to Paradise
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 68 275 985 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 16 509 095 $ US
- 23 oct. 2022
- Brut – à l'échelle mondiale
- 168 770 985 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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