Blueback

The foremost criticism of Blueback is the same one everyone makes when they've read the book first: why are some things left out (to save time, supposedly), then other things added in. This is a general thing that's annoying about movies, so not singular to this movie. With that out of the way, it's a pretty good adaptation of Tim Winton's book. It conveys the story accurately, has the main scenes you're waiting to see, has the same message, etc. The cinematography is excellent. Breathtaking natural footage, which really fits with Winton's message, that the ecosystem here is beautiful and should be cherished and cared for. Bravo.

Abby, a young woman working as a marine biologist, recalls her teenage years with her mother in Western Australia. She is introduced to the diverse marine life in the bay she grew up in, makes friends with a blue groper and helps her mother fight to protect the bay's marine life from encroaching property developers.

A straight-forward, heart-felt film with a pleasant, leisurely pace about pursuing a passion to protect something you care about, aimed at a young audience. The flash-back narrative structure is nostalgic and makes clear why the adult Abby is working to protect the bleaching coral reef, but it obviates any emotional or dramatic impact from either time-period. The underwater photography of the ocean life, and the actors interacting with it, is very beautifully shot, tranquil and convincing of the film's thesis, to protect ocean life. Though short on depth and complexity the film successfully depicts the simplicity and integrity of spending your life caring for your immediate environment.

I saw a pre-showing for this movie and loved every minute of it. The acting coming from everyone was fantastic in it, especially the main girl who conveyed emotions really well. The character development and how the characters grow in the story was so interesting to watch and I was so invested in it. The writing of the script is very clever and each scene in this film was brilliantly executed, and I personally liked the one of the first scenes where the young girl meets the big fish it was so touching and I found that all the parts which were filmed underwater were stunningly beautiful. Something else I really loved about this movie was watching this young girl fighting to save the lives of these fish, it was so inspiring watching her determination grow in this film. Such an AMAZING movie, you HAVE to go see it, perfect for all ages.

Saw this at the 2023 Sundance Film Festival

"Blueback" is a story about Abby, a child who befriends a magnificent wild blue groper while diving. When Abby realizes that the fish is under threat, she takes inspiration from her activist Mum, Dora, and takes on poachers to save her friend. Tim Winton novel called "Blueback" was a book I read as a child and I remember enjoying it quite a lot. Director Robert Connolly clearly has talent on directing and camerawork as this movie has really amazing camerawork of the Oceania landscapes and some cool underwater sequences. Each scenes that shows the fishes, reefs and ocean grounds were beautiful and felt like you are inside of the ocean and experiencing it. Unfortunately the film falls onto the example of style over substance as the film carries a disjointed narrative and unreliable structure.

I understand the purpose of each characters arches but the film doesn't do a great job on developing the characters as the characters didn't feel properly fleshed out. The performances were pretty good but they weren't really able to carry the film due to the lack of character development and poor structure of the story. Many themes of environmentalism and save the ocean are explored but Connolly doesn't seem to understand how to approach these topics properly and they fell all over the place. For a children's film, the film does take a very long time to get to the point and from someone who enjoys slow pace films, Blueback doesn't feel very earned.

The runtime doesn't feel justified as there were several moments that felt like filler, some of the dialogue was pretty bad and the disjointed execution doesn't help to make the film interesting. Winton's books are pretty interesting and have chances to be adapted into films but Blueback isn't one of the good adaptations unfortunately. Overall, there are great camerawork and production throughout but the positives are overshadowed by it's negatives.

Rating: C.

I feel somewhat guilty criticizing a picture that seems to have its heart in the right place but that just isn't very good. Such is the case with director Robert Connolly's latest, an earnest but schmaltzy, predictable, uneven offering that addresses noble sentiments but isn't put together well. The film tells the story of Abby (Mia Wasikowska), a marine biologist who's called away from her coral reef studies to care for her aging mother, Dora (Elizabeth Alexander), when she suffers a debilitating stroke that has left her unable to speak. Upon Abby's return home to her Western Australia coastal community of Longboat Bay, she reflects back on how her mother got her interested in oceanography, particularly through her efforts to establish a local marine preserve. This part of the story is told through extensive flashbacks featuring Abby's younger self (Ariel Donoghue, Ilsa Fogg) and a youthful Dora (Radha Mitchell) in their efforts to protect the bay from illegal fishing and potentially damaging waterfront development, especially after they meet and "befriend" a large wild blue grouper that Abby names Blueback. The film thus raises and addresses an array of issues related to environmentalism, ecological stewardship and cross-species relations, as well as following one's passions and walking one's walk. Unfortunately, the flashbacks dominate the narrative so much that the story thread that launches the picture feels more like an afterthought, one in which Wasikowska almost could have phoned in her part. And, as for the content that makes up the bulk of this release's screen time, it comes across as laudable and well-meaning but a little too obvious and preachy, playing more like the script of an "After School Special" or material based on a selection from an all-girls' Young Adult reading group. The somewhat insipid treatment of this story tends to undercut this release's other strengths, such as its gorgeous underwater cinematography and the value of the messages it's seeking to impart. Some might say the foregoing sounds cruelly and heavy-handedly cynical, but at least it's honest, all good intentions aside.