ÉVALUATION IMDb
5,1/10
28 k
MA NOTE
Ajouter une intrigue dans votre langueAn honest IAS officer's fight against a corrupt political system through fair and transparent elections.An honest IAS officer's fight against a corrupt political system through fair and transparent elections.An honest IAS officer's fight against a corrupt political system through fair and transparent elections.
Ram Charan
- Ram Nandan
- (as Ram Charan Teja)
Sunil
- Side Sathyam
- (as Suneel)
Avis en vedette
The story is decent, but the narration drags and feels messy. Some scenes hit the mark, some miss, and most are just "meh".
Ramcharan pulls off his two roles well, but his performance doesn't blow you away. His beardless look? Let's just say it's not his best. Anjali shines in her limited role, while Kiara adds glamour but not much else. SJ Suryah steals the show as the villain but it feels very monotonous and the rest of the cast does their job.
The production is lavish-maybe too lavish, like they burned cash just for songs and fights to look grand. Music is nice, and the cinematography is impressive. Shankar's direction is okay, but it's not his prime-level magic.
Overall? It's not worth watching.
Ramcharan pulls off his two roles well, but his performance doesn't blow you away. His beardless look? Let's just say it's not his best. Anjali shines in her limited role, while Kiara adds glamour but not much else. SJ Suryah steals the show as the villain but it feels very monotonous and the rest of the cast does their job.
The production is lavish-maybe too lavish, like they burned cash just for songs and fights to look grand. Music is nice, and the cinematography is impressive. Shankar's direction is okay, but it's not his prime-level magic.
Overall? It's not worth watching.
I went to this movie with no expectations and it is not outright bad as his previous movie, Indian 2. The flashback episode is decent, the cat and mouse game between Ram and Mopidevi is engaging to some extent, interval block was interesting.
The movie starts with a hint in the beginning that it's a commercial entertainer supposed to be out 30 years ago. I hate having a mass fight sequence followed by an introduction song. Shankar could have used this time to establish the plot line.
Dance numbers are untimely. Can't even mention about the counless physics defying fight sequences and brainless cringe scenes. It is silly that Ram had to address his anger issues so that he can channel anger to become IPS officer.
It's worth watching once in OTT when it's available.
The movie starts with a hint in the beginning that it's a commercial entertainer supposed to be out 30 years ago. I hate having a mass fight sequence followed by an introduction song. Shankar could have used this time to establish the plot line.
Dance numbers are untimely. Can't even mention about the counless physics defying fight sequences and brainless cringe scenes. It is silly that Ram had to address his anger issues so that he can channel anger to become IPS officer.
It's worth watching once in OTT when it's available.
A director coasting on former glory meets an actor coasting on PR hype and you get GameChanger. Basically there is a faint whiff of a story which is presented as a series of meaningless but rich visuals . The songs that cost 1/4 the budget are so ill placed .There is a female lead whose purpose is unknown .So many elements which are serial level cringe - like how and why and where the heroes mother ends up . This marks the end of Shankar. Ramcharan escaped scrutiny over his ultra disaster acharya that came after rrrr but there is no escaping the rightful ridicule that comes his way for this self proclaimed global star ! AVOID in OTT also.
While this isn't as terrible as Indian 2 overall, the entirety of the first hour is some of the worst bits of filmmaking I have seen from the once-iconic director. The comedy sucks (Sunil and Vennela Kishore characters desperately need the "DELETE" button), the intro fight & song combo is horrendous, the romance between Charan and Kiara's characters is so poorly written, and SJ Suryah does eccentric SJ Suryah for the millionth time. Yeah, I should stop looking at this as a Tamil film, because it clearly isn't aiming to be one.
Almost every song is a bathroom break, though I like some of the beats in Dhop (along with its vibrant picturization). It was difficult to connect with the protagonist - an IAS officer + IPS officer + Election Officer + Angry Dude in College + whatever the hell the writing needs him to be. We connected with Shankar's protagonists in some of his earlier films because most of them weren't default superheroes. Very often, the circumstance creates one, and that formula worked for him for nearly 2 decades. But gone are those days. I'm not sure what ideas Karthik Subbaraj fed Shankar in the initial stages-ultimately, Shankar chose to give it the same screenplay treatment as Mudhalvan, Sivaji, and the likes.. in 2025. Plus, the only time I bought the performer in Ram Charan was during the short flashback portion, and even that's less impactful.
Kiara Advani is drop-dead gorgeous, though she's mostly relegated to being a song-and-dance prop in the film. Anjali gets a meatier presence than expected, and is fine in the flashback (..not the present). Jayaram is disposable, and Srikanth plays the guy Samuthirakani or Sachin Khedekar usually takes up. My biggest gripe, however, is with the action sequences. I don't remember Shankar directing action this terribly, like EVER. Peter Hein and Anbariv are involved, but to what avail? Every set piece is wholly forgettable. The "Hari-fication" of Shankar is well and truly underway, as far as the pacing is concerned. I don't have any faith in his upcoming projects. God save the Velpari adaptation.
Almost every song is a bathroom break, though I like some of the beats in Dhop (along with its vibrant picturization). It was difficult to connect with the protagonist - an IAS officer + IPS officer + Election Officer + Angry Dude in College + whatever the hell the writing needs him to be. We connected with Shankar's protagonists in some of his earlier films because most of them weren't default superheroes. Very often, the circumstance creates one, and that formula worked for him for nearly 2 decades. But gone are those days. I'm not sure what ideas Karthik Subbaraj fed Shankar in the initial stages-ultimately, Shankar chose to give it the same screenplay treatment as Mudhalvan, Sivaji, and the likes.. in 2025. Plus, the only time I bought the performer in Ram Charan was during the short flashback portion, and even that's less impactful.
Kiara Advani is drop-dead gorgeous, though she's mostly relegated to being a song-and-dance prop in the film. Anjali gets a meatier presence than expected, and is fine in the flashback (..not the present). Jayaram is disposable, and Srikanth plays the guy Samuthirakani or Sachin Khedekar usually takes up. My biggest gripe, however, is with the action sequences. I don't remember Shankar directing action this terribly, like EVER. Peter Hein and Anbariv are involved, but to what avail? Every set piece is wholly forgettable. The "Hari-fication" of Shankar is well and truly underway, as far as the pacing is concerned. I don't have any faith in his upcoming projects. God save the Velpari adaptation.
One Time watchable movie. Routine story line. Story is predictable .Movie is not worthy watching in theatres....i recommend all the fans don't go for this movie. Over all Ram Charan acting is too good But the Shanker the Way taking the movie story line is not good . Movie got so many Boring lines .Screen play is not good .Kiara advani and Ram Charan screen presence is not good in the movie. Nothing worked out for this movie. Thaman Background music is good . I strongly recommend all the fans don't go and watch the movie in the theatres. No cinematic Experience.iam telling Shanker to retire from the movies..
Le saviez-vous
- AnecdotesThe film marks director Shankar's first direct film in the Telugu language after years of releasing his tamil films dubbed into telugu. Director Shankar owes the success of the Telugu dubbed versions to producer, A.M. Rathnam. Rathnam's association with Shankar dates back to buying Shankar's first 2 films for their Telugu dubbed release. It was the successes of these two films that led to Rathnam to produce Indian & later his debut Hindi film, Nayak.
- Autres versionsThe UK release was cut, the distributor chose to make cuts to strong violence in order to obtain a 12A classification. An uncut 15 classification was available.
- Bandes originalesJaragandi (Telugu)
Lyrics by Anantha Sriram
Music by S. Thaman
Performed by Daler Mehndi & Sunidhi Chauhan
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- How long is Game Changer?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 2 100 000 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 100 000 $ US
- 12 janv. 2025
- Brut – à l'échelle mondiale
- 2 849 061 $ US
- Durée
- 2h 45m(165 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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