Glitter & Doom

The music is definitely the major part of this little indie film. It is very well acted. The leads are impressive. All their scenes felt real and sensitive.

Alex Diaz and Alan Cammish sounded great together. Missi Pyle was wonderful and sounded amazing. Ming-Na Wen is always great.

The supporting actors and dancers added to the operatic storytelling.

The Indigo Girls wrote wonderfully emotional songs and the director and screenwriter did a fine jobs blending a story and music into a thoughtful, not always straight plot or theme, but gets you to the end that they strive for.

I know the rating is not as high as my rating because I want to see a vision that is creative, fun, sweet, kind, and special and this movie is that . . . Different and cool.

Was intrigued by the premise of a queer love story set to the music of the Indigo Girls, and this rich movie does not disappoint! The boy-meets-boy story is well advanced by the creative use of a dozen or more songs from the Indigo Girls catalog. Sometimes sung straightforward, sometimes mashed up, Most of us can relate to the struggles of Glitter and Doom. Do you go out on a limb to "feed the soul" or lead the life mapped out for you?

Glitter + Doom was very enjoyable and visually stunning. While there are a few familiar faces. Both leads Alex Diaz and Alan Cammish carry the bulk of rhe plot with aplomb. You root for them to win at love and at defeating their self doubt.

The music in this film was all written by Amy Ray and Emily Saliers and includes some deep cuts from their timeless catalig. Glitter + Doom is proof that their music will be enjoyed for many years to come.

Destined to be a cult hit. The story is pretty simple. Mostly following two young men falling in love. All performances are super strong. Especially Missi and Ming. The use of music is ingenious assuming you know how songs were mashed up to tell a story so creatively. Not sure what another reviewer here is saying about autotune. That's a stylistic technique I didn't hear. And I saw this at a festival and the Director said all vocals were sung live and didn't need much work in post. Highly recommended. Agree with others here and at the screening I saw who praised it. Can't wait for the soundtrack and to see it again!

I honestly had no to low expectations for this going in knowing only the bare minimum about it. I never expected it to hit so hard, but, by Gods, it is beautiful. I absolutely loved all the little cameos & Ming-Na Wen is just flawless in everything that she does. Glitter & Doom, though, played by new to me actors definitely make the movie. Which is good because it's all about them.

As someone with both walls & scars, their story just hits all the feels. There really are not alot of movies I consider 10 out of 10. I can always find something to criticize or take a point off for & I could do that here, but I simply don't want to. I just loved this movie. I'm in tears, mostly happy crying, but crying nonetheless. It was such an experience to watch. I hesitated because I thought the song use may be cringe, but it was perfect. This is the kind of story I would 5 star & have the ebook & physical copy of if it were a book. Instead it's a movie & I'm going to need a Blu-ray release so it can never be lost to me on streaming. I'm going to turn right around & watch it again now. It may not be for everyone but it was just the kind of movie that I didn't know I needed right now.

Glitter comes from a rich family, but wants to be a circus clown. Doom is a singer-songwriter from poor surroundings, trying to break into the local club scene. While Glitter has an over-abundance of self-confidence, Doom has self-doubts. They meet, and have under a month to fall in love, before Glitter leaves for clown school in Paris. Meanwhile, Doom needs to produce a promotional music track to confirm his breakout club gig.

The music is from the Indigo Girls, repurposed, rearranged, and sometimes mashed up. The songs are sung by the two principals, with a small ensemble doing some dancing around them at times. The entire combination has a magical effect.

I saw this at its world premiere at the Inside Out 2SLGBT+ Toronto Film Festival, with a fair number of the talent present. The queer filmmakers were Indigo Girls fans, and mildly surprised that Indigo Girls gave them permission to use their catalog of 300+ songs. That, in turn, helped them secure financing. Still, they shot in Mexico for budgetary reasons, while organically assembling a team that was much drawn from the queer community. Being done during the covid era, they did find a geographically diverse cast.

This was the Closing Night Gala of the festival, and I think it did a good job of leaving a good final impression on the audience.