ÉVALUATION IMDb
6,4/10
5,3 k
MA NOTE
Le tournage d'un film de zombie à petit budget tourne mal quand les quelques membres de l'équipe se retrouvent attaqués par de vrais zombies.Le tournage d'un film de zombie à petit budget tourne mal quand les quelques membres de l'équipe se retrouvent attaqués par de vrais zombies.Le tournage d'un film de zombie à petit budget tourne mal quand les quelques membres de l'équipe se retrouvent attaqués par de vrais zombies.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 3 nominations au total
Avis en vedette
One of those films where you soon realise and appreciate the 'one take' aspect but once the 'scene' had been completed, it really takes-off big time.
I couldn't stop laughing - giggles and the belly sort - when all is made clear. The only language I have is English (at a push) so the subtitles were imperative. All the actors threw themselves whole-heartedly into the mayhem with the initial commissioning to the rehearsals then the actual filming of the film all made glorious sense!
Goodness knows how long it took.
Getting passed the first 30mins turns into another movie entirely and the viewer is amply rewarded.
I couldn't stop laughing - giggles and the belly sort - when all is made clear. The only language I have is English (at a push) so the subtitles were imperative. All the actors threw themselves whole-heartedly into the mayhem with the initial commissioning to the rehearsals then the actual filming of the film all made glorious sense!
Goodness knows how long it took.
Getting passed the first 30mins turns into another movie entirely and the viewer is amply rewarded.
'Final Cut' may be a rare case where the more you know going in the more you're likely to enjoy it. Because of the way the film is structured, the first 30 minutes are very sloppy and poorly put together. We as an audience don't know why yet, so we are just left to think that the whole film is going to be poorly made like this. There is of course a reason for this, which makes the film quite brilliant in the second half. But I fear this one could lose a lot of people in those early minutes, which would be a shame.
This is such a good idea for a movie. I understand it is a remake of a Japanese film with some clever tie-ins. I've often watched one-take films and thought about all the things that could (and potentially are) going wrong behind the scenes that we will never know about.
As I said, this isn't the worst film to know a thing or two about before going in. When I read the synopsis for the film it didn't sound like my thing at all. It really isn't anything like what is described there. This one was a lot of fun. 7.5/10.
This is such a good idea for a movie. I understand it is a remake of a Japanese film with some clever tie-ins. I've often watched one-take films and thought about all the things that could (and potentially are) going wrong behind the scenes that we will never know about.
As I said, this isn't the worst film to know a thing or two about before going in. When I read the synopsis for the film it didn't sound like my thing at all. It really isn't anything like what is described there. This one was a lot of fun. 7.5/10.
COUPEZ! - The movie with the zombies
It's quite a cross with all these new films. Whether Italian and Spanish successes are being remade in Germany, Swedish films in the USA or Japanese films in France: the directors and producers can no longer think of anything new. But you shouldn't fall for the ACADEMY AWARD winner Michel HaZanavicius (for THE ARTIST) so quickly. Even if his film refers to an original bravura piece from another language area, it is also a clever comment on the tendency to copy successful foreign language films for the respective language area if possible. But with this material it fits perfectly. Pure joy to see France's superstars in such a turbulent action. Romain DURIS (nominated for the EUROPEAN FILM AWARD in the 2000s) and ACADEMY AWARD nominee Berenice BEJO act full of joy. Matilde LutZ (the Italian has been familiar with fake blood since REVENGE) and Finnegan OLDFIELD shine as young actors. The music by two-time ACADEMY AWARD winner Alexandre DESPLAT is also beautiful. I haven't laughed like that in a long time! A blood-red fun that was also the opening film at the Cannes Film Festival last year. The festival bunker must have been shaking with laughter. Do not miss!!!
It's quite a cross with all these new films. Whether Italian and Spanish successes are being remade in Germany, Swedish films in the USA or Japanese films in France: the directors and producers can no longer think of anything new. But you shouldn't fall for the ACADEMY AWARD winner Michel HaZanavicius (for THE ARTIST) so quickly. Even if his film refers to an original bravura piece from another language area, it is also a clever comment on the tendency to copy successful foreign language films for the respective language area if possible. But with this material it fits perfectly. Pure joy to see France's superstars in such a turbulent action. Romain DURIS (nominated for the EUROPEAN FILM AWARD in the 2000s) and ACADEMY AWARD nominee Berenice BEJO act full of joy. Matilde LutZ (the Italian has been familiar with fake blood since REVENGE) and Finnegan OLDFIELD shine as young actors. The music by two-time ACADEMY AWARD winner Alexandre DESPLAT is also beautiful. I haven't laughed like that in a long time! A blood-red fun that was also the opening film at the Cannes Film Festival last year. The festival bunker must have been shaking with laughter. Do not miss!!!
9swo0
I saw this during a sneak preview, so I had no idea what this movie was about. It was lots of fun.
It starts off bad. Really bad. Like they tried to go for "so bad it's good" but then failed at that. If it weren't for the fact that I was sitting in the middle of a row with people on either side I would have just left.
But after half an hour, there's a change of pace, and yet another 'what am I watching' moment, but then it all starts making sense, and it becomes really funny and easy to watch.
It starts off bad. Really bad. Like they tried to go for "so bad it's good" but then failed at that. If it weren't for the fact that I was sitting in the middle of a row with people on either side I would have just left.
But after half an hour, there's a change of pace, and yet another 'what am I watching' moment, but then it all starts making sense, and it becomes really funny and easy to watch.
A movie within the movie, within the movie...
At first it was supposed to be titled Z - like Zombies - but the idea was abandoned because the meaning Z related to Russian army in Ukraine war, the atrocities...So they changed the title. It is brilliant, intelligent, unusual, adapted from a short movie, but for me it was a bit too complex to follow. I was unable to summarize it to myself. The movie takes place in an abandoned gigantic movie theater complex facility, the perfect setting for a film about movies making. As DAWN OF THE DEAD took place in a gigantic commercial center, the perfect setting for a horror film ciriticizing the consumerism American way of life. It is a comedy but, I repeat, worth for the screenplay. It is only a bit too confused for someone like myself. The connection to Russia is certianly not Z, for the reasons explained above, but the movie within the movie evokes the Russian Matryoshka wooden dolls, dolls within dolls.... And strangely, Romain Duris played in LES POUPEES RUSSES - Russian Dolls - back in 2005.
Le saviez-vous
- Anecdotes"Coupez!" was originally titled "Z (comme Z)" until Ukrainian filmmakers pleaded Michel Hazanavicius to change the title. The reasoning for this is the use of the letter "Z" painted on the tanks of the Russian army in their invasion of Ukraine.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Final Cut
- Lieux de tournage
- Hippodrome d'Évry, Ris-Orangis, Essonne, France(set of the zombie movie)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 15 124 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 6 455 $ US
- 16 juill. 2023
- Brut – à l'échelle mondiale
- 2 078 101 $ US
- Durée1 heure 52 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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