Peter voit sa vie bien remplie avec sa nouvelle compagne Beth et leur bébé bouleversée lorsque son ex-femme Kate débarque avec leur fils adolescent, Nicholas.Peter voit sa vie bien remplie avec sa nouvelle compagne Beth et leur bébé bouleversée lorsque son ex-femme Kate débarque avec leur fils adolescent, Nicholas.Peter voit sa vie bien remplie avec sa nouvelle compagne Beth et leur bébé bouleversée lorsque son ex-femme Kate débarque avec leur fils adolescent, Nicholas.
- Prix
- 1 victoire et 11 nominations au total
Avis en vedette
When I began this movie, I really had no idea where the story was going to go. I just saw that it was a Hugh Jackman film and wanted to see it. He's always been one of my favorite actors. This story is very personal to me because not only have I too dealt with mental illness for a long time now, but I have also lost several loved ones to suicide. My heart felt like it was being ripped from my chest. Watching this story also made me question how I have dealt with my own children at times. Now, they are all adults but one of my sons deals with depression and anxiety and there were some years during his adolescence that I really worried if he would try to hurt himself. I encourage everyone who watches this film, to hugged your children tight, constantly tell them you love them, and pay attention to them. It is so easy to get involved in life and miss little clues that are right there. But truthfully, just as it is performed in this movie, our love can prevent us from seeing the truth because we don't want to believe it. This was a very touching movie.
The Son is every parent's nightmare. Reminiscent of Birth in the way the uncanny permeates every frame and implants a creeping sense of foreboding under your skin. Vanessa Kirby as Beth is the most relatable character, as she seems as confused by Nicholas as the audience. Hugh Jackman nails it as the father trying to do the right thing and slowly realising that there are some things that are just beyond our control. Zen McGrath is naturalistic as Nicholas, allowing the actions to speak for themselves and calibrating perfectly a performance it would be easy to over-egg. There is something stagey about the production, a nod to the play origins, and done deliberately one feels, as it adds to the sense of unreal events overtaking characters. My favourite moment was when the parents leave the hospital having made one decision, only for the next cut to show they reversed it. A harrowing film that will hopefully start important conversations for some people.
It felt personal somehow, when thinking of myself in all their places. It is so hard and devastating. I sometimes see that look in my father's eyes, and sometimes in my mother's or my sister's, sometimes I have these mixed feelings and the deep conviction that I don't desire to keep on living, but I don't know how anyone else can survive this, anyone else that's similar to Nicholas. Such a real and painful movie. I don't know why it touched me so deep, and why it made me cry so hard, it felt too personal. And it makes you think, what can anyone do really? What can we do, and is it anyone's fault?
The script seemed choppy and not believable, especially in the beginning; I had that feeling where you're acutely aware that they are actors doing a scene. More importantly, the film needed a much, much better actor to play Nicholas, someone who could do the role greater justice especially with Hugh Jackman as the lead. The film did touch on some very important themes including the pain and mourning that can come from divorce, especially for children, and also of course the difficulty of trying to understand and help a loved one with depression. The film felt a little long and drawn out, but had a very emotional and impactful ending that made it worth it.
I don't know much about depression but I do know how people react to it if someone close to them have it. Florian Zeller may not have presented how accurate acute depression is but his depiction of characters around a person suffering from it is near perfect.
The Son works for me more than The Father because it relies very little on subtext and the story is out there in the open. Hugh Jackman gives his career best performance as a role of a successful person but an absent father. There are criticisms of how the movie does not empathize with Nicholos but I didn't feel it that way. I felt it was rather accurate because of how less most of us understand what depression is actually is. Most of the times, people think "it's just in your head" or "move forward" are actual solutions to depression.
The scene where Hugh Jackman fights with his son was spectacular and shows us how much we are like our dads. Hopkins appears in just one scene but that single scene shows the irony of Jackman's character. The ending was absolutely devastating and very brave. The Son is one of the very films which worked very well for me despite it's not so favourable general public reception.
The Son works for me more than The Father because it relies very little on subtext and the story is out there in the open. Hugh Jackman gives his career best performance as a role of a successful person but an absent father. There are criticisms of how the movie does not empathize with Nicholos but I didn't feel it that way. I felt it was rather accurate because of how less most of us understand what depression is actually is. Most of the times, people think "it's just in your head" or "move forward" are actual solutions to depression.
The scene where Hugh Jackman fights with his son was spectacular and shows us how much we are like our dads. Hopkins appears in just one scene but that single scene shows the irony of Jackman's character. The ending was absolutely devastating and very brave. The Son is one of the very films which worked very well for me despite it's not so favourable general public reception.
Le saviez-vous
- AnecdotesDuring the shooting of this film, Hugh Jackman's father passed away.
- Bandes originalesIt's Not Unusual
Written by Gordon Mills & Les Reed
Published by Valley Music Ltd and administered by BMG
Performed by Tom Jones
Courtesy of Decca Music Group Ltd
Under licence from Universal Music Operations Limited
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- El hijo
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 449 650 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 213 287 $ US
- 22 janv. 2023
- Brut – à l'échelle mondiale
- 3 617 681 $ US
- Durée
- 2h 3m(123 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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