Paint

The movie "Paint" has missed the mark with its outdated portrayal of the main character, Carl, played by Owen Wilson. He is so out of touch with modern technology that he doesn't even know what an Uber is or how to use his cellphone. The woman he loved and left, Katherine, played by Michaela Watkins, has been waiting for him for two decades. This only adds to the overall sense of melancholy that encompasses the film. The attitudes and feelings of the film are as antiquated as Carl's wardrobe, leaving me feeling disconnected and disinterested. Only the very talented Stephen Root (plays Tony, Carl's station chief) and the lively Ciara Renée (who plays Ambrosia, Carl's younger and more skilled competitor), manage to bring any energy to the film. Just want to stress the fact that Stephen Root keeps on performing outstanding and is still very much undervalued. The unconvincing flashbacks to his younger self, leave him looking unchanged and uninspired adds insult to injury. Just as the movie, uninspiring! Overall, "Paint" fails to deliver a fascinating story and appealing characters. Its flat approach and outdated attitudes made it difficult for me to connect with the movie. And leaving me feeling unsatisfied and disappointed. The trailer is misleading and disconnected from the movie. This is not the funny Owen I am used to seeing. A 5/10 would suffice here.

It's a well-intentioned movie that does have some interesting ways that it goes about delivering its messages about valuing what's important in life (especially towards the film's ending). And there were a handful of jokes that did get a good laugh out of me.

Unfortunately, that's about it as far as positives go. Bland by-the-numbers direction, shallowly-written characters, emotionally disconnected performances, and very little actual conflict make Paint an exceptionally boring film for the most part.

It takes far too long for the story to get to its most interesting parts, and for the better part of the first hour I was left wondering when the story was going to start.

I never understood what Owen Wilson's totally-not-Bob-Ross character really wanted or needed until the film's end, and even then it doesn't feel earned.

Every character and plot point is only shown at its very surface level, never giving you much reason to get invested in anything being presented. If I don't know anything about these people or events, why should I care? So I didn't care, and now I will never think about this movie again.

Almost walked out and I should have. Since they tease a Bob Ross movie and never delivering is akin trying to get drunk on near beer. Somehow this movie is set in the 1980s and today. The plot is as predictable as a paint by numbers project.

The only part of the movie worth noting is that Owen Wilson does look like Bob Ross and his hair is something to behold. Sadly, in this movie his knock off impersonation is flat and every supporting character are paper thin and forgetable.

I give credit to the promo trailer team, from that it looks like an interesting movie. How this movie ever received a green light is shocking and the fact people got paid for making it is criminal.

Do yourself a favor and pass on this movie.

My interest in this movie comes from watching the real guy when I was a kid right after Barney and friends, but when I looked up his name, Bob Ross, as it turns out this is not a biopic.

Owen Wilson tells a joke exploiting Ross' Posthumous fame on the internet that pokes fun of the concept that Joy of Painting consist of 40-year-old footage watched by like 3 or 4 generations who watched it as if though they were the 1st despite how outdated his fashion sense was for all the generations. Adding to the joke is the relevant concept of how fulfilling and addicting being famous to a handful of people (in this case the locals who watch Wilson's character on PBS somewhere in Maine) can make a person feel. An interesting idea about the levels of selling out vs. Being true to your art.

It was funny when I saw the trailer and I thought Wilson was playing Bob Ross and that the Joy of Painting guy used his statis as an artist to get laid. Its less funny now that I know it's not Bob Ross. I see what they are trying to do but it was not funny. Paint was good for some obvious puns that made me giggle but no solid laughs.

It was supposed to be one of those quirky films that made fun of the mundane but it was mundane without being interesting. It was very not interesting.

Not worth seeing.

Greetings again from the darkness. You might wonder how a low-key painter becomes ubiquitous, evolving into the source of pop culture references in everything from "Saturday Night Live" to "Family Guy" to recent horror film SMILE. Bob Ross hosted "The Joy of Painting" on public television from 1983 until 1994. His soft-spoken manner and ability to connect with the audience while finishing a painting in 30 minutes drew in many dedicated viewers and turned him into an unlikely celebrity (as did the internet). Writer-director Brit McAdams uses Bob Ross as inspiration for his first feature film.

Though it's certainly not a profile or biography of Ross, Owen Wilson's portrayal of Carl Nargle is part tribute and part caricature, and it seems that McAdams wanted to go the comedy route, despite most gags and punchlines landing as softly as Carl Nagle's signature sign-off, thanking viewers for finding that "special place.". Whereas Ross' whispery vocal seemed soothing, Wilson's is kinda creepy. The comedy never really lands for a few reasons, but mostly because we don't much care for Carl Nargle and his out-of-touch ego and misogyny ... although this isn't the fault of Wilson, who does his best with what he's given.

Carl Nargle's (a fictional character) painting show has been a long-time fixture on the Vermont PBS channel where he regularly creates landscapes featuring Mount Mansfield. His loyal audience ranges from the elderly at a senior citizen center to the frequenters of a local dive bar to the women drawn to Carl's calm nature and fold-out bed in the back of his custom van. The latter group includes his ex, Katherine (a criminally underutilized Michaela Watkins), who is also the program manager, and Carl's assistant Wendy (Wendi McLendon-Covey). His newest interest is the young intern Jenna (Lucy Freyer), who seeks to be the next to receive the gift of a painting, which Carl gives to each conquest. But times are changing for Carl. Station Manager Tony (Stephen Root) needs a ratings boost and seizes the opportunity by hiring Ambrosia (Ciara Renee) to bring in new painting blood. There is more to the competition between Carl and Ambrosia than painting and ratings and ego ... it extends to Katherine, generating an entirely new dynamic.

The film has a lackluster feel to it. While some would-be intriguing topics are broached, none of them are explored to the point of creating any real interest. As for the comedy, there is no energy or sharpness. It comes across as believing many punchlines and situations are funnier than they really are. Everything is just a little off ... doesn't quite work as comedy, satire, self-discovery, or drama. To top it off, the timeline is confusing. While no cell phones are present, it never gives off a strong enough vibe for us to place the era. There is simply no joy in this painting.

Opens in theaters on April 7, 2023.