Mujib: The Making of Nation

"Mujib" has transitioned into a feature film instead of a documentary. Two aspects left a strong impression on me: 1. Arifin Shubo.

2. Cinematography.

Arifin's performance in this movie was commendable; he bet his good life on it. Witnessing this, Shuvo reminded me of an incident involving India's Aamir Khan. As Aamir Khan delves deep into a film, he begins to think about it even more than the director. Similarly, Shuvo perhaps had the grandest dream for this film, and why not? He constitutes 90% of the entire movie, and the film revolves around him.

Shuvo contributed to this movie for a mere token fee of 1 taka. It's evident that he held 'Mujib' close to his heart throughout the film. This performance stands as the pinnacle of Shuvo's career. In my opinion, this movie is worth watching solely for his remarkable performance.

The cinematography's specialty lies in the fact that most shots are single takes or long takes. I have some knowledge about film production, and I've noticed that Shyam Benegal often captures scenes in a single take, akin to a stage play. Even when a shot requires a change of angle or cuts within the same scene, he starts from the beginning, maintaining his unique style. However, a simple solution would have been to use multiple cameras.

Some of the shots truly surprised me; the camera movements and framing were exceptionally well done. Considering the director is 86 years old, expectations weren't high, but he honestly did not disappoint. He adapted the film to suit modern times.

I encourage every Bengali to watch this film!

© Simit Ray Antar.

Mujib: The Making of a Nation (2023) embarks on the ambitious journey of chronicling the life and legacy of Sheikh Mujibur Rahman, a pivotal figure in Bangladesh's history. This informative biopic endeavours to encapsulate pivotal moments and the ethos of Rahman's era. Despite the stature of the director helming this project, the film needed to work on meeting expectations in terms of overall execution.

The performances, for the most part, came across as unconvincing, failing to breathe life into the historical characters they portray. Moreover, the screenplay's approach, which unabashedly seeks to glorify Bangladesh's Father of the Nation, needed more nuance and subtlety,Mujib: The Making of a Nation" (2023) embarks on the ambitious journey of chronicling the life and legacy of Sheikh Mujibur Rahman, a pivotal figure in Bangladesh's history. This informative biopic endeavours to encapsulate pivotal moments and the ethos of Rahman's era. Despite the stature of the director helming this project, the film needs to work on meeting expectations in terms of overall execution.

The performances, for the most part, come across as unconvincing, failing to breathe life into the historical characters they portray. Moreover, the screenplay's approach, which unabashedly seeks to glorify Bangladesh's Father of the Nation, needed more nuance and subtlety, especially ahead of the country's general elections which was held on 7 January 2024 after the release of the movie.

Nevertheless, the film deserves recognition for its attempt to illuminate the life of a revered political figure in Bangladesh. The Indo-Bangladesh collaboration that brought this film to fruition is commendable, symbolising a significant soft-power strategy on New Delhi's part.

This partnership highlights the cultural and historical bonds shared by the two nations and sets a precedent for future collaborative projects. While 'Mujib: The Making of a Nation' might falter in its cinematic delivery, its effort to document and share an important chapter of South Asian history is undeniably praiseworthy.

Starting with the most important aspect of this kind of cinema. The worst BGM I have ever heard in this era. The direction and the screenplay is too poor. A great direction and a good script with deep execution could have made this historical biography a great power packed cinema. There are so many wrong casting and it leads to make zero impact to some major roles related to the life of Mujib and the events relating 1947-1975. Mediocre visual effects and action scenes. Lazy screenplay and too lengthy run time. To insert some positive lines, there are some moments which really engages audience to feel it but not for a long period. Overall, this is not satisfactory and doesn't connects with audience at all.

Here's a review focusing on some of the criticisms surrounding Sheikh Mujibur Rahman's rule, though it's important to note that historical figures are complex and not easily defined by a single narrative.

"Mujib: The Making of a Nation" is a film that seeks to lionize Sheikh Mujibur Rahman, portraying him as an unquestionable hero of the Bangladeshi independence movement. While his leadership was undeniably important to the formation of Bangladesh, the film whitewashes many of the controversies and complexities surrounding his rule.

Rahman's economic policies, particularly his nationalization drives, are often cited as a major factor in Bangladesh's subsequent economic decline. Critics argue that these policies stifled private enterprise and led to widespread inefficiency and corruption. The film either ignores these criticisms outright or attempts to justify them within a broader narrative of nation-building.

Furthermore, the film downplays the growing authoritarianism of Rahman's regime in the years following independence. While it acknowledges some political unrest, it fails to delve into the increasing suppression of dissent and the erosion of democratic institutions. The assassination of opposition leaders and the suspension of elections are merely footnotes in the film's grand historical epic.

Finally, the film's portrayal of India's role in the Bangladesh Liberation War is problematic. While India's support was undoubtedly crucial, the film seems to minimize the strategic interests that motivated their intervention. This one-sided perspective ignores the complexities of the India-Bangladesh relationship and the potential long-term consequences of Indian influence in the region.

In conclusion, "Mujib: The Making of a Nation" is a deeply flawed attempt to craft a definitive biography of Sheikh Mujibur Rahman. By ignoring or downplaying the controversies and complexities of his rule, the film ultimately undermines its own credibility. A more honest and nuanced portrayal of this historical figure is desperately needed.

A particularly concerning aspect of "Mujib: The Making of a Nation" is the perception that it serves as a vehicle for political propaganda. The film's release coincides with a period of intense political scrutiny, with allegations of authoritarianism against the ruling government. Consequently, it's difficult not to view the film as a calculated attempt to reshape public opinion and to bolster the regime's legitimacy by presenting a more favorable depiction of a historically complex figure.

The film appears to selectively omit, embellish, and manipulate well-documented historical events to fit a particular narrative. This skewed depiction diminishes the historical accuracy that any film purporting to be a historical account should uphold.

Furthermore, the film's portrayal of events is biased. It focuses heavily on elements that align with a specific political narrative, while sidelining any aspects that might cast a less flattering light on the central character. This selective storytelling not only distorts historical reality but also deprives the audience of a more comprehensive understanding of the historical context.

In conclusion, "Mujib: The Making of a Nation" serves as a stark reminder of the need for a critical and independent media to evaluate the actions of those in power. It emphasizes the importance of approaching such films with a discerning eye, skepticism, and an understanding of their potential for political manipulation. It underscores the responsibility of filmmakers to uphold historical integrity when dealing with subjects of historical significance. While art has the power to shape collective memory, it should do so with the utmost respect for the truth and a commitment to responsible storytelling.