Goodbye

Goodbye (2022) is a truly underrated gem that resonated deeply with me, evoking a range of emotions seldom experienced while watching a movie. This poignant film beautifully explores the themes of individual and familial acceptance in the aftermath of losing a loved one. It teaches us to find solace in cherishing the precious moments shared with them while still embracing happiness. Unlike many Bollywood films, Goodbye focuses on reality rather than indulging in action, plot twists, or unrealistic storylines. It delves into the profound questions of life and death, unearthing the true meaning hidden beneath.

Right from the beginning, the film captivates me with the heartfelt past scenes involving Gayatri and the puppy she brings home for Harish. Flashbacks of the past family time the parents and children had vividly depict the power of family bonding and how a mother can transform a mere house into a loving home. The movie adeptly avoids unnecessary elongation and instead encapsulates every aspect of family life through succinct sequences. Contrary to some reviewers, I found the funeral scene to be a necessary portrayal of society's varied responses to loss. It realistically portrays the different ways in which people experience grief, acknowledging that the pain felt by a husband, or a child differs from that of a friend.

In today's generation, many of us live far from our parents, engrossed in the demands of our careers, marriages, and personal lives. Like Gayatri's children, we often find ourselves living emotionally detached, fast-paced lives, often forgetting the precious time we had with our families. Goodbye refrains from attributing fault to children, husbands, or society; it rather offers a nuanced perspective, highlighting the different perceptions held by each individual. Similarly, the film encourages us to view traditions and customs from a different angle, reminding us "Not everything we don't understand is wrong".

One aspect that truly impressed me was the respectful portrayal of Hindu traditions surrounding death. The film neither coerces nor judges anyone for following these traditions; instead, it invites us to see them through a fresh lens. It recognizes that even while science validate a custom, it is the power of stories that truly strengthens and perpetuates our cultural traditions. As an atheist myself, I found it refreshing to witness the film's appreciation for customs that promote acceptance and happiness without causing harm. The journey to Haridwar serves as a beautiful metaphor for the family coming together in their shared loss, creating lasting moments of connection. It exemplifies the purity that Indians often find even amidst great sorrow, with simple elements like the street food, the presence of Pandits, the sacred Ganga river, and the Hari Krishna dance instilling a sense of tranquility and peace.

The exceptional direction in Goodbye deserves special mention. My personal favorite sequence is the animated album that beautifully depicts Harish's love life through a kite flying incident, accompanied by a heartwarming background score. The animated portrayal of a young Amitabh Bachchan deepens the emotional connection, leaving a lasting impact. No songs (except the first party song) will break the movie sequence, and there is no unusual ending. The sweet and melodious songs gracefully guide the audience towards a satisfying and happy ending.

In my opinion, Goodbye deserves a place among the illustrious films that delve into the profound exploration of life's meaning. This movie gets into my list of "Finding the Meaning of Life" and joins the league of "Tamasha", "Rang De Basanti", and "Udaan". This film's ability to touch the soul and deliver a heartfelt message is unparalleled, making it a truly remarkable directional piece.

Overall, Goodbye is an underrated gem that skillfully explores the intricacies of acceptance, family bonds, and the meaning of life. Its authentic portrayal of grief, coupled with exceptional direction and a heartfelt narrative, make it a must-watch for anyone seeking an emotional and thought-provoking cinematic journey.

The plot was good and emotional. But if you have already watched the Bangali movie "bela seshe or bela suru" then it is not going to be a new type of movie to you. Otherwise everything is perfect and movies like this should be made to attach our family bonding. Sometimes we may not be able to understand someones influence in our life untill he/she is gone. Getting realising something late is not a bad thing but onec the person was gone you can not undo what you have done to him/her. It might be good or bad. Those things might be small one but those memories will live inside you forver in your life. In short I can say, always give importance the people who are around you.

Happy watching.

A lovely movie that shows the struggles of a father and all his kids as they grapple with the sudden, shocking death of their beloved wife and mother. People are never ready to face the agony of losing a loved one, especially the heart of the family, the matriarch. This is a journey of evolving raw grief to content acceptance, rigid mechanical ritualism to easygoing camaraderie. Amitabh gives a master class on the agony of a man who loses the love of his life, trying very hard to come to terms with the full impact. It's heartening to see that even in dark grief, strained family bonds can be repaired and people can come together. A really heartwarming family drama.

Goodbye is a movie f the void in a family when the person who keeps they together suddenly expires. How the family gradually comes to terms with it and slowly bonds with each other, many of whom are not in talking terms with each other.

Amitabh is at the centre and is the soul of the movie. He gives another excellent performance.

This is Rashmika's hindi debut and she does well.

Sunil grover also does well in a short role.

There are lot of comments on rituals and interaction between people who are part of funeral. Some make you smile but many are over the top.

The film also drags as it becomes repetitive, probably editing would have made it better.

Similiar content was presented better in movies like Paglait & Ram Prasad ki Tehrvi.

The film may have hundreds of problems, and a boatload of flaws but through apt execution, it evolved to be something that was able to hold its ground pretty well.

Amongst a bunch of speculative rationales for why it may have succeeded, I genuinely feel their utilization of human emotions got the job done here, or you can say it is because of the meaningful confabulations deftly laid out in a back-and-forth fashion or the actors who have had to partake in those didactic chatters or perhaps a mixture of both that ultimately led this narrative to a heartwarming closure.

This is a film that will remind you of your close ones, more meaningful to those who had lost someone they dearly cared about. This tale will make you remember the memories you shared, all those joyous moments you spent together, and even those arguments and fights you got yourselves into, both good and bad things populate their respective spaces in your unstained vase of recollections.

Keep it safe, don't ever let it go, it's too precious.