Tout doucement

From a story perspective, this movie has a lot of surprises that you don't want to ruin by reading about it before watching. On the other hand, you should probably have some idea of what you're getting into, especially if you need to avoid certain triggers. This movie gets pretty messed up, and it is filmed in a way that is meant to immerse you in the situation as much as possible: it appears to unfold in a single, unbroken take (said to actually be four takes, which is still impressive) with a you-are-there positioning of the camera. It gets a little shaky at times, but it's not found footage--it's more like the camera feels what the characters feel, such as the motion of a car. One thing I will mention is that I turned this movie on when I was almost ready to fall asleep, but once it started, I didn't look away. It can be tricky sometimes trying to decide to see a movie that has been labeled "disturbing." Sometimes it may end up not bothering you too much, other times you end up with images you never wanted in your head. You'll have to follow your own instincts, I guess. For me, Soft and Quiet had some tough stuff in it, but it ended up being a unique experience that was worth the risk.

Blumhouse has a knack for provocation---and though not standardized horror or thriller in the Blumhouse mold, it lies in its own subgenre of fragile white identities gone extreme much like the fringey elements of American History X did in the past. If this film makes you uncomfortable, then it delivered its message successfully, in a one take, hardline address of racism in the US and the tendencies they bring out in what first appears to be "normal everyday group of women" meeting up for a post-workday friendly "workshop" of thoughts and daily agenda. Sounds innocent enough, but it takes no longer than the foil coming off a dessert to show what lies beneath. It's not pretty folks, but that is the gist of the narrative, that the unfounded hate and discrimination is indeed very ugly and you watch it unfold in a slick, non-gimmicky little dark film that doesn't exploit but rips the bandaid off the wound that is extremism and the violence that hides beneath. In plain sight in fact.

Does this help or heal? Neither actually, but shows what it all looks like upclose and feels all too real at times, in these times.

7 1/2 out of 10.

I started this film with almost no idea what I was getting into.

I got excited in first 20-30 minutes of the movie thinking this could go somewhere really dark.

As the movie progressed the situation became harder and harder to take seriously due to the fact that if compared to a real situation(which I would hope the film maker would try to mimic) the characters would not really be able to pull any of this off.

I found it hard not to laugh when I saw the characters, suburban women doing all these things and how unrealistic all the aspects were to it.

Maybe it was the actresses, the situation, the aggression I couldn't take seriously but it just did not work for me.

I do applause the idea of the whole movie, wish it was better put together is all.

Wow. This is one of those genuine cases of the less you know going in, the harder the film is going to hit. Everything seems normal until along comes - a shot of a pie. And nothing is the same from there out. This was a tough watch but also a really enjoyable one.

The whole film is shot as a continuous tracking shot, similar to Sam Mendes' '1917'. I understand that the films aren't actually shot this way but it doesn't bother me. I love the raw nature it provides the film.

I find this kind of movie infinitely more scary than any ghost or monster movie. These are the real horrors of the world. These are the things you need to be genuinely scared of.

This one is heavy, tense and often a very uneasy watch. But it is a great case of getting every last drop out of a limited budget and producing a highly memorable movie that will stick with people long after the credits roll. 9/10.

That's how extremists are bred, that is exactly how the notions of extremism manifest.

There are only a handful of films that make me feel nauseated and uncomfortable. I have seen tons of vile stuff in my life; but there were only a couple of instances where I flinched, where my conscience got in the way and told me to ease off and breathe.

Soft & Quiet, as it seems made its way into that list

Everything about this film had me fuming & infuriated, in a good way though! I mean all those arguments that blatantly talked about racial supremacies and ethnic segregation; they were all supposed to make the audience feel enraged and enflamed with anger and rage and now looking at the aftereffect, I must say, they did serve their purpose just fine.

I was feeling so suffocated, I was furious the whole time; the characters were meant to be detested and the actors playing those parts made sure that was indeed the case. Some terrific acting there, cause I wanted all of them to die terrible deaths. It pains me to even think that people like them exist in our society, what a shame!