2050
- 2018
- 1h 46m
Un père de famille qui a du mal à tout tenir ensemble découvre un salon caché qui offre une solution: des sexbots.Un père de famille qui a du mal à tout tenir ensemble découvre un salon caché qui offre une solution: des sexbots.Un père de famille qui a du mal à tout tenir ensemble découvre un salon caché qui offre une solution: des sexbots.
- Prix
- 16 victoires au total
- Georgia
- (voice)
Avis en vedette
I am not sure if "2050" ever lives up to the expectations of the film's creators. The concept, on the surface is a curious topic, one with a valid point. Unfortunately, I felt a definite judgemental vibe from the story's perspective choices. Several of the characters felt shakey, didn't really fit Into the situations offered. Some of the writing seemed to need a bit more development.
Special effects are pretty minimal. The environments seem more now than future. Aside from some ancillary CGI elements peppered in there is no real leap to a sci-fi aspect. I didn't get enough A.I conveyance from the android characters to believe them. All that said, the film is shot nicely. Some of the situational material between the human characters were nice. "2050" has a few cool elements but not enough to make sci-fi futurist fans happy.
But hey, you get to see Stormi Maya naked, and you don't have to pay to subscribe to her OnlyFans. Nudity is always a plus.
Go watch the UK production 'Humans' instead, it's a lot more thought provoking and deals with the disruptions to society and family that the technology will bring in the near future. There's very little to make this turkey stand out from the crowd, visually it's uninspiring, there's no real plot, just a load of over-wordy sentences strung together with no real meaning - the Director and Writer should watch "Ghost in the Shell : Stand Alone Complex" to understand how to use dialog properly during scenes with limited activity on camera. The actors do a fair job of trying to deliver the lines with conviction, but the dialog they're given to work with, just makes the viewer want to skip forward.
The acting and dialogue is like the cinematography. Inconsistent. Moments of beauty and powerful nuance, drowning in acres of awkward and stilted.
I'm glad Dean can still get work. I've always had a soft spot for him. He's not a great actor, and his 50+ years sans A-grade Hollywood cosmetic surgery/stylist/nutritionist/trainer budget are showing, but he seems like such a nice guy. He deserves a shot, and this film shows not all hope is lost.
Le saviez-vous
- AnecdotesStefanie Bloom believes that many of the topics addressed in the film will be real before the eponymous year of 2050.
- Citations
Alli: If you control the people, you control the world. They tried everything they could to try to control us. Because they know we are emotional people. They tried to divide us by playing on our emotions. You know why, right? Because, if you keep the people emotional and angry you distract them from building their own financial empires and taking care of their families, and their family's families. I mean, think about it, bro. First you program people emotionally, right? Next you destroy their health. The best way to do that is through the food and water supply. I mean, Henry Kissinger snitched on the whole operation. He said, "If you control the oil, you control the country." "And if you control the food, you control the population." So now we've been programmed to rely on microchips more than we rely on each other. We no longer talk to each other, we only follow each other online, what? But this, this is the remedy. This is how we get back to our roots. This is how we bring humanity back to our essence, I mean, guys, oh. Just take this.
- ConnexionsReferences The Jetsons (1962)
- Bandes originalesWhat We're Left With
by Konstantinos Lyrakis
Meilleurs choix
- How long is 2050?Propulsé par Alexa
Détails
- Durée1 heure 46 minutes
- Mixage