Honja saneun saramdeul
- 2021
- 1h 31m
ÉVALUATION IMDb
6,9/10
3,3 k
MA NOTE
Une femme solitaire réévalue son existence isolée après que son voisin décède seul dans son appartement.Une femme solitaire réévalue son existence isolée après que son voisin décède seul dans son appartement.Une femme solitaire réévalue son existence isolée après que son voisin décède seul dans son appartement.
- Prix
- 10 victoires et 10 nominations au total
Avis en vedette
Aloners swiftly enchants its viewers with quiet and simple images that slowly build up the solitude of our protagonist. Ji-na isn't per se lonely, she might not even be unhappy, she simply chose to be alone, wafting through the weeks with single lunches and the ever-accompanying noise of technology. When a few encounters threaten to unravel her solitude she is forced to face her past, present and future. Hong Sung-eun's debut is so tender and warm and struck a deep cord within me. The way she uses the camera to portray Ji-Na's life, always focused, always following the same movements, never shattering to slowly making the young woman re-experience her surroundings is incredibly powerful. I especially appreciated Gong Seung-yeon's delicate performance as well as the script's refusal to make its aloners a bad thing - there can be comfort in being alone, and there might be a different comfort in finally connecting with people and life again. Absolutely incredible!
We work the 9/5 to get along. We survive and yet we feel so disconnected by the people around us. I would compare this movie to Fight Club, but a drowned out introspective feminine version. It's a story about a woman working a job, living in a one room apartment, as life happens around her. Of course she doesn't have a murderous compulsion to do violence, but a slow realization that life isn't what it seems and that life is of the habit to keep us from living. If you are into film and understand the lifeless grind of working to survive, this movie hears you.
If you want a solid Korean movie about the working class that has zero frills and tons of humanity, this movie is for you. If you need action and still want some class consciousness, there is always Snowpiercer or Parasite. This one is a much more low key vibe.
If you want a solid Korean movie about the working class that has zero frills and tons of humanity, this movie is for you. If you need action and still want some class consciousness, there is always Snowpiercer or Parasite. This one is a much more low key vibe.
Film, like all art forms, has to offer us something personally. That also means that there will be lot of film that just never click. I would ask those who were bored, however, that they consider what the director was trying to do. Here we have a young woman who has fallen into a sort of despair. She works at a call answering service for a credit card company. We get to see how this could be really unpleasant. People often call because their own incompetence led them there. Some are angry because they needed their cards to work but they don't. And some treat these operators as if they were like minded friends. One guy has supposedly built a time machine and he doesn't want to carry cash into the past. He is a frequent caller and always gets the same response. What has happened to this young woman as that her life has become so consistently withdrawn, that she has lost all the joy. A man dies next door to her, and it turns out she never really knew him. She retreats to her apartment and shuts out the outside. Her father has become a widower and she can't handle his loneliness and rejects him out of hand. Eventually, she gets an epiphany from a young woman whose incompetence invites her cruelty. But there is much more to the story. I rather enjoyed this.
Human beings thrive on connections, it's in our nature. In today's fast-paced world, it's easy to get caught up in the hustle and bustle, to isolate in the name of survival. But deep down, we all crave human touch, that sense of belonging.
"Aloners" by Hong Seong-eun expertly captures this essence. It serves as a poignant reminder of the importance of human connection in a society that is increasingly losing touch with humanity.
Perhaps it's high time for us to take a page out of our protagonist, Jina's book and begin to truly live. Let us embrace the chaos, the messiness of human relationships, all the highs and lows, and rediscover the beauty of empathy and human connection.
"To tell you the truth, I am not cut out for eating alone. Or sleeping alone or taking the bus alone. I don't like smoking alone. I am no good on my own. I just pretend to be."
"Aloners" by Hong Seong-eun expertly captures this essence. It serves as a poignant reminder of the importance of human connection in a society that is increasingly losing touch with humanity.
Perhaps it's high time for us to take a page out of our protagonist, Jina's book and begin to truly live. Let us embrace the chaos, the messiness of human relationships, all the highs and lows, and rediscover the beauty of empathy and human connection.
"To tell you the truth, I am not cut out for eating alone. Or sleeping alone or taking the bus alone. I don't like smoking alone. I am no good on my own. I just pretend to be."
Its about our new gen live since 1-2 decades sgo. Nobody cares anyone, especially with smart phones neighbours or colleagues ignored each other.
This story lacked too much, nothing interesting from start to end. Some are minor illogical but biggest problem is its boredom.
It is too simple written and too hectic made without realizing it does not content ant punch or effect. Wasted my time and money, max rating is 4.8/10 because thousands better movie out there.
This story lacked too much, nothing interesting from start to end. Some are minor illogical but biggest problem is its boredom.
It is too simple written and too hectic made without realizing it does not content ant punch or effect. Wasted my time and money, max rating is 4.8/10 because thousands better movie out there.
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Détails
Box-office
- Brut – à l'échelle mondiale
- 82 479 $ US
- Durée
- 1h 31m(91 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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