The Sketch Artist (Portrait - Robot)

Like the other reviewer mentioned, this is a very watchable show. Yes, there are obvious choices in characters and surroundings, but that's because it works! Just like how I hate it when they implement all sorts of weird or new factors to a romantic comedy, when all we always want to see is girl meets boy, something happens that keeps them apart, but they find eachother in the end. With detectives it's the same. And does it have to be completely credible? No, then I'll watch the news for what actually happens in the world.

What I also like is how they combine old detective work with new methods, exact with less exact science, and use electronics and social media like they are actually used nowadays.

The only downside to this old (en new) skool detective show is that they always have to use grewsome storylines. And since having a baby my mind does not want to handle this anymore while watching a show for fun. But this show kept me fascinated enough to overrule that feeling. Hoping to see the next season soon.

The trouble is though that the prémisses and the characters are not particularly believable. Remy Girard playing seasoned detective Bernard Dupin was seventy when the series was filmed and admits to being that age as part of a plot in Season Two. It's inconceivable that he'd be on field work as he's grossly overweight and can barely walk. And he's way past the age for retirement. Even worse, he subdues fit young thugs and hitmen without any trouble at all. In real life these guys would have pulverised him.

As for Eve Garance, the sketch artist, it just isn't credible that she gets witnesses to remember small details such as a mole or an earring, or even eye colour, in the contest of a rapid set of events or just a glimpse of the perp.

Maryse and Anthony have important supporting rôles as the head of the unit and CSI boy respectively. The writers seem to have woken up to the fact that they should have written in a techy IT person from the beginning so Elektra had a far more prominent place in the action in season two.

In the background, we have not particularly convincing human interest stories about the five main characters.

The crimes they deal with are over the top even for north America.

I admit I binge-watched but it's still pretty rubbishy. However, the actors and the tight direction kept it together for the main part.

We had three major cliffhangers at the end of season two. I assume a third one will come next year.

It took me a while to warm to this original crime drama series about a police sketch artist who helps to solve crimes investigated by the Montreal Police by using all her skills and emotional intelligence to create electronic 'identikit' profiles of both victims and suspects. Éve Garance (played by Rachel Graton) is surrounded by a rather oddball bunch of colleagues, but while they all contribute something interesting, her civilian background and kind of superpower of 'reading' people make Éve central to solving each crime. The final 'piece' in the 'jigsaw', if you like, and in that sense 'Portrait-Robot' AKA 'The Sketch Artist' is reminiscent of CBS's wonderful 'The Mentalist' in the noughties.

Credit to all the actors and production staff involved, particularly Sophie Lorain who plays Maryse Ferron, Éve's logic-obsessed wheelchair-bound boss and Alexis Durand-Brault who directs the action (Lorain and Durand-Braul also wrote the series), and the other co-stars Rémy Girard as the moribund veteran 'hack' detective Bernard Dupin and his rookie sidekick crime scene technician Anthony Kamal (Adrien Bélugou) add a bit of intrigue and humour to the proceedings. It wouldn't be 'noir', of course, if Éve didn't have some sort of personal issues, but the on the whole the 2-episode story arcs steer clear of the worst clichés and I felt there was enough by the end of Series 1 to want more. I watched 'Portrait-Robot' on British television as part of the 'Walter Presents ...' features of mainly foreign language crime dramas on Channel 4, but would imagine the series is widely available. Give it a go, why don't you?

By the end of series 2, I'm afraid I was bored with the characters, bored with their personal problems, which sometimes just swamped the crimes being investigated, and bored with the visual aesthetics. Some time ago, I ducked out of another Canadian series, 'The Coroner', after the last 20 minutes of the first episode attempted to make me interested in the private life of the central character. I can take a certain amount of this - it goes with the territory - but here the setup with the four central characters appears to have been strategically devised with this aspect in mind. I like crime dramas but I do not watch soap opears. Adieu a tous.

I have been a forensic specialist for 50 years. I have seen every movie x 5. Sick of searching for something new and then i stumbled on this. It's not the plots, it's the characters. I particularly like the forensic scientist. Shades of the bbc series, silent witness, and not quite so good bec it's too quick. I like silent witness for its slow pace and multi episode format. Also the relationships are given, and have been given, lots of time to develop. Apart from that, some of the plot lines in the sketch artist are intriguing - even if you've seen them x5. I will watch this to the end without feeling this it time i will never get back.

Full marks..