Deux titans anciens, Godzilla et Kong, s'affrontent dans un combat épique alors que les humains découvrent leurs origines entremêlées et leur lien avec les mystères de l'île du Crâne.Deux titans anciens, Godzilla et Kong, s'affrontent dans un combat épique alors que les humains découvrent leurs origines entremêlées et leur lien avec les mystères de l'île du Crâne.Deux titans anciens, Godzilla et Kong, s'affrontent dans un combat épique alors que les humains découvrent leurs origines entremêlées et leur lien avec les mystères de l'île du Crâne.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 4 victoires et 5 nominations au total
Vincent B. Gorce
- Monarch Specialist
- (as Vincent Gorce)
6,0129.8K
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Avis en vedette
Lots of fun but G movies are becoming too cheesy...sigh
As a hard-core Kaiju fan of many years, I love that we are being treated to all of these Godzilla movies as of late. My opinion of the first two in this series (Godzilla and Godzilla: King of the Monsters) is that they were (somewhat) reality based and not obviously made for children. My criticism of G v K (the ending in particular) and this movie is that so much of it is far-fetched and fantasy based. Much more cartoonish.
The bottom line is, they're making the monsters out to have too much human intelligence when they should actually be more animalistic. This was like watching a superhero movie and in my opinion, making the monsters out to be superheroes is a huge mistake. That's what happened when Toho did this in the 60's/70's which resulted in Godzilla movies becoming silly, low-budget kids movies, which has since been ridiculed for decades and has tarnished Godzilla's image. I understand the writers are trying to be creative and give the fans something different from all of the other monster movies out there, but this can be done without all the cheese. Please stop making the monsters so human!
I enjoyed the movie but have to admit that I am somewhat disappointed.
The bottom line is, they're making the monsters out to have too much human intelligence when they should actually be more animalistic. This was like watching a superhero movie and in my opinion, making the monsters out to be superheroes is a huge mistake. That's what happened when Toho did this in the 60's/70's which resulted in Godzilla movies becoming silly, low-budget kids movies, which has since been ridiculed for decades and has tarnished Godzilla's image. I understand the writers are trying to be creative and give the fans something different from all of the other monster movies out there, but this can be done without all the cheese. Please stop making the monsters so human!
I enjoyed the movie but have to admit that I am somewhat disappointed.
I had low expectations and was disappointed
I think I've been spoiled by the masterpiece that was Godzilla minus one. Going back to this ultra generic brainless 0 story nonsense is just disappointing. I don't expect a great story but the dialogue was so bad and the story so pointless I almost wanted the humans dead so I didn't have to listen to them. Several Uber generic rehashed MCU jokes that weren't even funny. I love Godzilla and the monster verse started off great with Brian Cranston and that first Godzilla film but since then it's just slowly gotten worse imo. Like I said, I knew this would be dumb and I went in with low expectations but left feeling almost insulted at how ridiculous and stupid it was. I hate to say it because I love the idea of Godzilla movies.
Godzilla sells out to be more commercially viable
This movie has a real problem - It tries to cater to a wider audience by adding more 'Marvel type' action and storytelling rather than focus on doing what it could do really well and appeal to a more niche audience.
The "doing what it could do well" part I am referring to is the BIGNESS of the Kaiju's / monsters. Not just their actions but their presence and size.. a bit of slowness in how they walk and move, to feel that "thud" when they take a step and the sheer overwhelming presence that they represent - Like in Pacific Rim or in Godzilla King of the Monsters. You FEEL the bigness and the size.
A splash in the ocean can causes huge tide-waves due to the size.
A resounding BOOM that is felt when two Kaiju's collide.
Where is that?
There is no respect paid to the bigness.
It's just they took some superhero action sequences and applied them to giants and made them move like they were the same size as humans.
There is no FEEL or BIGNESS - It's simply a 6 out of 10 movie because it caters "enough" to enough people because it goes for what's popular and throws a lot of it while giving away the depth and the "feel" of a big monster movie that is what godzilla is meant to be.
The "doing what it could do well" part I am referring to is the BIGNESS of the Kaiju's / monsters. Not just their actions but their presence and size.. a bit of slowness in how they walk and move, to feel that "thud" when they take a step and the sheer overwhelming presence that they represent - Like in Pacific Rim or in Godzilla King of the Monsters. You FEEL the bigness and the size.
A splash in the ocean can causes huge tide-waves due to the size.
A resounding BOOM that is felt when two Kaiju's collide.
Where is that?
There is no respect paid to the bigness.
It's just they took some superhero action sequences and applied them to giants and made them move like they were the same size as humans.
There is no FEEL or BIGNESS - It's simply a 6 out of 10 movie because it caters "enough" to enough people because it goes for what's popular and throws a lot of it while giving away the depth and the "feel" of a big monster movie that is what godzilla is meant to be.
Truly mind damaging experience
Something is very wrong with American film making for some time. Nothing makes sense here, intelligence of people is sharply underestimated (on the level of insult) and nothing really works with story. This last film about monsters shows that while it is trying to draw some long forgotten mythology that works worse than in most cartoons for children under 12. Human characters exist only to remind us of long forgotten cliches and definitely not of characters. Destroying the cultural and historical heritage of mankind is order of a day. And in all that there's nowhere in the site possibility of simple 'just sit back and enjoy the rid'. What an insulting mess of corporate idiocy... That beautiful queen under the surface and some fights do save this experience, but the whole thing is not worth the effort at all...
A brainless, but (mostly) entertaining monster mash.
Releasing merely weeks after the critically and commercially acclaimed "Godzilla Minus One" won the Oscar for Best Visual Effects is a boon as well as bane for "Godzilla x Kong: The New Empire" - while more people are familiar with the behemoth radioactive lizard, there is an undeniable urge to draw comparisons between the two movies. Adam Wingard's second Monsterverse film following 2021's "Godzilla vs Kong" delivers satisfying Titan action, but overall, the film feels like a step back, largely owing to dull and tedious human drama.
Personally, I found "Godzilla vs Kong" to be the best Monsterverse film. It embraced the absurdity and silliness of its premise and made the most of it to deliver one hell of a show, placing the Titans front and centre, while jettisoning any unnecessary human drama. "Godzilla x Kong: The New Empire" starts off much slower, with the actual plot taking nearly 20 minutes to kick in. Combined with an uptick in uninteresting human drama, this slows down the movie with certain portions feeling boring.
Much like its predecessor, "Godzilla x Kong: The New Empire" struggles trying to the connect the stories of the two leading titans. Kong is the heart and soul of the movie, with Godzilla largely feeling like an accomplice or sidekick. The first half of the movie is almost entirely about Kong's exploration of Hollow Earth, the subterranean ecosystem where the Titans live. While learning about the mystical world was engaging and intriguing, it lead to a delayed introduction of the villain, leading to the third act feeling slightly rushed and less rewarding compared to the enthralling finale of "Godzilla vs Kong".
The action sequences themselves are a whole lot of fun, with a face off in hollow earth with gravity slightly messed-up being one of my favourites of the entire franchise. The finale in Rio delivers plentiful excitement and fun too.
"Godzilla x Kong: The New Empire" is best suited for fans of the Showa era. For Kong fans(like myself), there is a lot to like about the movie, owing to the humanisation of the great ape. The action scenes are fun, colourful and campy, similar to it's predecessor, but an increased focus on human characters and a slower pace make this a slightly underwhelming entry to the Monsterverse.
Personally, I found "Godzilla vs Kong" to be the best Monsterverse film. It embraced the absurdity and silliness of its premise and made the most of it to deliver one hell of a show, placing the Titans front and centre, while jettisoning any unnecessary human drama. "Godzilla x Kong: The New Empire" starts off much slower, with the actual plot taking nearly 20 minutes to kick in. Combined with an uptick in uninteresting human drama, this slows down the movie with certain portions feeling boring.
Much like its predecessor, "Godzilla x Kong: The New Empire" struggles trying to the connect the stories of the two leading titans. Kong is the heart and soul of the movie, with Godzilla largely feeling like an accomplice or sidekick. The first half of the movie is almost entirely about Kong's exploration of Hollow Earth, the subterranean ecosystem where the Titans live. While learning about the mystical world was engaging and intriguing, it lead to a delayed introduction of the villain, leading to the third act feeling slightly rushed and less rewarding compared to the enthralling finale of "Godzilla vs Kong".
The action sequences themselves are a whole lot of fun, with a face off in hollow earth with gravity slightly messed-up being one of my favourites of the entire franchise. The finale in Rio delivers plentiful excitement and fun too.
"Godzilla x Kong: The New Empire" is best suited for fans of the Showa era. For Kong fans(like myself), there is a lot to like about the movie, owing to the humanisation of the great ape. The action scenes are fun, colourful and campy, similar to it's predecessor, but an increased focus on human characters and a slower pace make this a slightly underwhelming entry to the Monsterverse.
Learn How the Kaiju Sausage Is Made
Learn How the Kaiju Sausage Is Made
Director Adam Wingard and stars Brian Tyree Henry, Rebecca Hall, Dan Stevens, and Kaylee Hottle reveal how the titans of the MonsterVerse were made to feel real behind the scenes of Godzilla x Kong: The New Empire.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesWith a net budget of $135 million, this is the cheapest MonsterVerse film to date. The filming process was more streamlined than the previous film, Godzilla vs Kong (2021), which had many extra scenes that were filmed (additional character development, lore expansion, and action scenes) but which were ultimately cut from the final film. Director Adam Wingard also cited more experience with the VFX process.
- GaffesWhen Godzilla leaves the Roman Colosseum, he knocks down and destroys a large section of its outer walls. When Godzilla returns to the Colosseum later, its walls are intact again.
- Citations
Bernie Hayes: Is that a mini-Kong?
- Générique farfeluThe Warner Bros and Legendary Pictures logos are set in the depths of the Hollow Earth, and are made of crystal energy.
The WB logo is shaded blue, and the Legendary logo is shaded violet.
- ConnexionsFeatured in WatchMojo: Top 10 Epic Godzilla Team Ups (2023)
- Bandes originalesWelcome To My World
Written by John Hathcock and Ray Winkler
Performed by Jim Reeves
Courtesy of RCA Nashville
By arrangement with Sony Music Entertainment
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Godzilla X Kong: The New Empire
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 135 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 196 350 016 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 80 006 561 $ US
- 31 mars 2024
- Brut – à l'échelle mondiale
- 572 050 016 $ US
- Durée
- 1h 55m(115 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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