Together

James McAvoy and Sharon Horgan are brilliant in this exploration of lockdown dynamics. Writer Dennis Kelly uses the camera, and therefore the audience, as a kind of silent therapist for the characters, a married couple who may be are or may be not at the end of their relationship. There are some bravura solos and duets, carefully charted by director Stephen Daldry. The whole thing is both highly artificial and entirely natural, a real triumph for all concerned. I had a couple of reservations about one of Horgan's monologues -- the writing, not the performing -- in that it felt a bit more like a newspaper column than a speech, but that apart I was grateful for the sheer quality of what I was watching. It's a relief to be treated as an adult.

Lot of overly exaggerated acting by the two leading actors who played the couple. There's nothing to make you interested for this bored-you-to-death British movie. The couple in this movie were not likable at all. I even spotted the guy who played the husband who looked at the camera very often. When they sat at the counter eating mushrooms, his mouth didn't shut tight when chewing, so the noises came out of his mouth were just too overwhelmingly loud and annoying.

There's absolutely nothing worth you to invest over 10 to 15 minutes of your awakening time to watch this lame movie. Just another very typical British movie, totally unnecessary.

IN A NUTSHELL:

The official summary of this dark comedy movie from Bleeker Street says: "This is the story of a family, like so many, who found a way to survive - together. It is the hilarious and heartbreaking story of a husband and wife who are forced to re-evaluate themselves and their relationship through the reality of lockdown." The movie is directed by Academy Award-nominated Stephen Daldry with co-director Justin Martin.

Speaking about the movie, writer Dennis Kelly explains: "Together is about a couple who totally hate each other, but have somehow found a way of existing together by not talking to, thinking about, noticing, communicating with or being in the same room as each other - then lockdown happens. It's about how humans negotiate their shared experiences when they think they have nothing in common other than staying alive, and it's about how you can hate what you love and love what you hate. And Sharon Horgan and James McAvoy are brilliant in it."

THINGS I LIKED:

I LOVE LOVE James McAvoy and think he's such an incredibly talented actor. He gives a fantastic performance in this, as expected. The truth is that he's a brilliant chameleon of an actor. Some actors play the same character in all of their films, but he absolutely doesn't. To me, that's true acting.

When James McAvoy learned that Sharon Horgan would be cast in the role opposite him, he said it was a no-brainer to join the project.

I think the first time Sharon Horgan was on my radar was when I saw her in MILITARY WIVES. She is an equal match for McAvoy which is an impressive feat.

I appreciated the little details from the very beginning such as the stockpiling of toilet paper we see in the first scene, the evolution of mask-wearing, and changing artwork on the wall created by the son who is partly being homeschooled during the pandemic, etc.

Hidden among the ugly zingers about each other are sweet compliments and sparks of true love between these two people.

Super entertaining writing by Tony Award-winner Dennis Kelly. It's emotionally raw, brutally honest, witty, and real. The amount of lines that need to be memorized and delivered by the two actors is astounding. The movie was shot in only 10 days.

The characters' names are "He" and "She" because they represent all of us and what we have all gone through during the pandemic this past year.

Stephen Daldry has created some truly unique films with touching lessons and insights like The Hours, Extremely Loud & Incredibly Close.

The last conversation the couple had was touching and I thought the final shot of the neighboring kids jumping on their trampolines was perfect.

THINGS I DIDN'T LIKE:

It would be exhausting to have to be locked down in quarantine with these people. Most people would prefer getting Covid to spending more time with them.

I feel guilty because my family's quarantine experience has been VERY different from what this movie portrays, almost peaceful and enjoyable, despite the horrifying numbers of deaths and fear humanity has gone through all around me.

Some viewers won't enjoy how the actors break the 4th wall and talk directly to the camera with no explanation of who the third person is supposed to be.

Some viewers won't be interested in watching this because they'll feel like they already experienced it for themselves.

I felt so bad for the son, Artie, to have to live in such a toxic environment.

I thought the closing song choice was odd.

TIPS FOR PARENTS:

Kids will be totally bored.

Profanity, including many F-bombs.

The couple talks about their intimate relations.

There is quite a bit of political talk. He and She have completely different political philosophies and the writer's own perspective peeks through in moments.

l.

Dennis Kelly and Sharon Horgan co-wrote the brilliant sitcom 'Pulling'; here, Horgan stars in what is really a televised play that Kelly has written about one couple trying to survive the era of COVID-19. An excellent James McAvoy co-stars alongside her. Kelly's writing is sharp, humane, and politically angry, but in a talky piece the overall direction is somewhat predictable. It's good, but it's also quite long for what is essentially a pair of interlaced monologues.

The dark comedy "Together" chronicles the topsy-turvy year of a COVID-19 locked- down couple, He (James McAvoy) and She (Sharon Horgan), and briefly, their son, Artie (Samuel Logan). We are treated in excruciating closeups to the upended lives of lovers, for whom the claustrophobic life has brought out the meanest and most loving sides of their volatile personalities.

She is a righteous liberal running a refugee-aiding agency and He, probably a Tory in disguise heads a boutique tech company. In the first at they can't stand to be with each other. She is occupied with saving her mother from the pandemic by placing her in a care facility (clueless about the fate of that decision!) and he with encounters at the grocery store that stoke his misanthropic anger.

As we remember the dialogue treat of Richard Linklater's chatty series with Ethan Hawke and Julie Delpy, main director Stephen Daldry and writer Dennis Kelly also provide their actors with smart dialogue and room to improvise as they attempt to explain the love/hate feelings to their partner. The pandemic is, of course, prominent and tyrannical, but the depth of their feelings leads us to believe that COVID has given them a chance to take a bite out of reality that may have never surfaced in normal times.

Consummate actors like McAvoy dine on chances like this, and he doesn't disappoint. Each closeup shows how he uses his face to relay a thousand nuances, mimicking the multiple strands of the virus and the countless sides of human nature. Many times, the actors talk to the camera, violating happily the sacred fourth wall but creating an unusual intimacy with us, the visitors.

When McAvoy as He recounts an encounter with a "hero" in Walmart, his varied reactions are magnetizing as you may wonder how an actor can summon up these amazing expressions. We know, however, by the end of this remarkable long take the ambiguities of his character and the tragedy of the pandemic.

The third act concludes in Aristotelean balance while it leaves open life to continue its uncertainties, virus or no virus. "Together" shows how we are in this together, and talking it out may be one successful way to overcome the unfairness of life.