Dom zly

This is very grim, we see lives of poverty and desperation and brutality.

There acting is good, everyone delivers from Srodon as a likable coward to the bullying police officers.

The pace is quite slow, there is a lot of build up since both plot threads are worked out in parallel and we have to wait until both are ready before the pace can increase, this made it hard to watch in the beginning but it's worth persisting.

Both threads are dark and have a few twists.

There is a bit of humour, some drunken humour in the past thread and some more gallows humour in the current time thread.

The ending is very dark and surprising, and has a couple of extra twists.

In 1978, in Poland, Edward Srodon (Arkadiusz Jakubik) loses his beloved wife that had a brain hemorrhage and becomes alcoholic. He decides to sell everything, leave the town and begin a new life in another place. His bus breaks on the road, and he walks in the rain until a farm to ask for shelter. Zdzislaw Dziabas (Marian Dziedziel) and his woman, Bozena Dziabasowa (Kinga Preis), welcome Srodon and he drinks with Dziabas, who shows where he manufactures his moonshine. Srodon proposes Dziabas to increase his production of the booze to sell to the soviets and they calculate how much they need to produce. Srodon shows his money and spends the night in the bed of Dziabas' son. During the night, he goes to the toilet and Dziabas and Bozena stab the son in the dark instead of Srodon in a night of murders. In 1982, the prosecutor and a team of police officers reconstitute the night to check what happened in that night.

"Dom zly" (2009), a.k.a "The Dark House", is a weird and bizarre low budget-movie. Indeed, it is one of the worst movies ever made. The screenplay in two periods, 1978 and 1982, does not work well. The locations are awful, with an ugly cast and dirty people that drink all the time. The police officers are alcoholic and most of them corrupt. The movie is totally overrated in IMDb, and I was lured by the title associated to the rating and reviews. My vote is two.

Title (Brazil): Not Available.

This is an astounding film, bleak, grim, more than gritty and for those of us who were not brought up in an Eastern Bloc country a remarkable insight into the machinations of small town corruption Polish style.

Films like this should be seen by a wider audience, it was a captivating experience to sit and view the inner workings of this elaborate (sometimes overly) story.

There was just too much 'going on' in the story and some of it could have been left on the cutting room floor to give a tighter film, but that is a small critique of what is a disturbing look back at communism at 'street level'

If you like your cinema real...don't miss the opportunity to see this slice of Polish communistic vodka sodden culture.

Acting, directing, editing shine as a form of art in this beautiful movie. Actually the story is really simple. But, when telling of this story is combined with good acting and clever editing, brings a bright movie. Development of the plot is very clever, and teases your intelligence.

It's dark and heavy, especially on the second half, makes it difficult to watch, but,the movie sticks you to your seat. Political issues are brightly inserted through the story. Which i like the most is the movie is not irritating you with the concern of political messages. They are just smoothly spread over the plot.

And be prepared for a surprise ending. Just loved this movie!

This, like Wojciech Smarzowski's previous outing, is an exploration of the side of Poland that many film makers don't want to show. Neither the plot nor the characters offer any hope that there'll be a happy ending, and it is easy to find yourself feeling suffocated in the cesspool of corruption and self-interest that the film presents.

The story follows the investigation into the murder of a family on a farm in 1978. This is used to highlight the ineptitude and indifference of the local police and the thick coat of corruption which stains everybody involved in the story.As with 'Wesele' ['the Wedding'], the director's previous feature, the story is fictional but is very firmly based on fact.

It is uncompromising, compelling and very well-made, and is suited for those who want something eye-opening and gritty.