Coupure temporelle

I didn't have much expectations to begin with but I'm a fan of Griffin Gluck's acting and like Antonia Gentry from Ginny and Georgia, so I was intrigued from the start.

I don't know if the writing was purposely making it as corny as possible, but it was super corny.

A lot of things didn't line up- I know it's technically sci-fi but come on!!! At least MAKE it make sense in regards to time travel!

It wasn't awful & has major potential for it to be good- but by the end I found myself in disbelief and questioned why Antonia and Griffin would accept these roles.

As stated in the title, the best thing about it (IMO) is the awesome early 2000s sound track.

I wanted to like this one. I love time travel movies - especially when it involves scenarios like this story (someone was killed in the past and the protagonist tries to change the situation), as they also often involve a mystery (like this one did as well). Some folks might see a lot of similarities between this film and Totally Killer, which came out last year. They also might feel like this was a ripoff of the other movie, but this was written before Totally Killer, so this seems to just be a matter of timing for both films. Totally Killer wasn't a huge hit for me, so I was hoping that this would end up being a more enjoyable experience, but sadly that wasn't the case. While it got off to an interesting start, the contrivances and ludicrous scenarios (like a couple of teens being able to slip easily through the gates of a NUCLEAR FACILITY WITHOUT GETTING CAUGHT) - as well as the "forbidden love" scenario that played out in here (which felt inserted just for the sake of messaging) - were just too much. And the reveal of the killer (who I had already guessed) was so ridiculous and did not hold up to any level of scrutiny. The main actor also wasn't very convincing (or likable) for me, and I got a bit weary of the constant creased forehead/worried/conflicted/sad/tormented expression she wore pretty much the entire film. On top of that, she constantly contradicted herself with her actions/decision-making. The ending was also rushed and nonsensical, despite its attempt to come up with a "solution" that solved all the problems. It just felt forced and unfortunately did not stick the landing. Video review on Cyn's Corner YouTube channel.

Sometimes when they make slasher movies that aren't gory they end up good, like "Happy Death Day" or "Countdown" because they have to be creative and build suspense. This isn't one of those times. There are no good suspenseful moments, there are no jump scares.

There is the mystery about the killer and a bit of unique fun with the possible effect saving someone might have. That earns it about a 5.5 rating.

If you were a teen in 2003 then the nostalgia might be enough to make it more enjoyable.

It never gets annoying enough to turn off but it also never gets good enough to make it really worth while.

I know that they rarely use actual teenagers to play high school students but Summer often looked old enough to be playing someone's mom.

I've been waiting for this film for three years. Unfortunately, it's very hard to love. The violence is surprisingly tame, and no murder is shown on screen. (Beware, Terrifier fans!) It's not even PG-13, it's borderline PG. The recent trend of making films as desaturated and bleak as possible has plagued Time Cut as well, which simply makes no sense since the 2000s were famously colorful to the point of tastelessness. The editing is another issue-it's too twitchy to ignore. The killer teleports so much even Jason Voorhees would get uncomfortable, and his mask is some Max Headroom knock-off. Most importantly, the script itself is so increasingly fatigued that the third act can only be described as anticlimactic and unsatisfactory.

The silver lining is that it has a variety of modern Canadian scream queens: Marina Stephenson Kerr (in a clearly reduced to blink-and-you'll-miss-it role; Channel Zero), Sydney Sabiston (All Fun and Games), Megan Best (Elevator Game) and Summer Howell (in what might be described as a cameo; Curse of Chucky). Alas, the lead actors didn't impress me that much. The soundtrack is decent and full of familiar songs of the era. The only truly satisfying thing might be the clothes-they were on-brand for the decade. The costume designer is arguably the only person involved who was actually invested in her job.

All and all, no matter how you look at Time Cut, it's just not enough. It lacks some of the vital skills of a horror film, such as being scary. It's not funny, it's not smart, it's not totally killer, and it's not even trendy. Ugh, as if!

To say that this was ripped off of prime's 'totally killer' would be the understatement of the year.

The only reason I'm giving this a 3/10 is due to Madison Bailey's (also known for her role in Outerbanks) performance as she genuinely tried to work with what she given and made the film bearable to watch to the end, she is literally the only saving grace of this entire film.

Antonia Gentry (Summer) is in dire need of an acting coach, her performance in this film and in general as an actor is stiff and she literally offers us the audience nothing. To quote the one and only Patti Lupone 'she can't act her way out of a paper bag'. The film's killer was predictable and one could tell who it was from a mile away so it left nothing wonder about. I'm not certain why Netflix opted to rip off 'totally killer' but they failed miserably and offered nothing new to the table.