Ajouter une intrigue dans votre langueHailing from a middle-class family, Lakshmi's life is upended when she realises that her marriage to Rishi Oberoi, an industrialist's son, is a sham to keep his death at bay.Hailing from a middle-class family, Lakshmi's life is upended when she realises that her marriage to Rishi Oberoi, an industrialist's son, is a sham to keep his death at bay.Hailing from a middle-class family, Lakshmi's life is upended when she realises that her marriage to Rishi Oberoi, an industrialist's son, is a sham to keep his death at bay.
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- 3 victoires et 9 nominations au total
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There is a fine line between being stupid and being innocent and kind-hearted. And Laxmi has already crossed that line. The most naive, stupid and dumb character I have ever seen. The story writer doesn't know anything new. Just keep praising laxmi lLaxmiLaxmi the dumbo queen. She ain't that innocent and looks like exactly what she is accused of and that is being fake and a public pleaser. She acts differently around Rishi, in front of him she keeps shouting and blaming but as soon as those who are against her she acts like an innocent tolerant girl. So Fake.
And her dumbness is epic she only works according to her own rules and doesn't give a damn about what others need! And what is the right way? Trusting everyone despite knowing who they are like come on stop being so dumb.
And her dumbness is epic she only works according to her own rules and doesn't give a damn about what others need! And what is the right way? Trusting everyone despite knowing who they are like come on stop being so dumb.
So third class show - Show someone innocent and a good person but not fool, third grade direction, too much over drama.
Initially it was ok serial but now pathetic, can only say a third class play.
So third class show - Show someone innocent and a good person but not fool, third grade direction, too much over drama.
Initially it was ok serial but now pathetic, can only say a third class play.
So third class show - Show someone innocent and a good person but not fool, third grade direction, too much over drama.
Initially it was ok serial but now pathetic, can only say a third class play.
Useless.
Initially it was ok serial but now pathetic, can only say a third class play.
So third class show - Show someone innocent and a good person but not fool, third grade direction, too much over drama.
Initially it was ok serial but now pathetic, can only say a third class play.
So third class show - Show someone innocent and a good person but not fool, third grade direction, too much over drama.
Initially it was ok serial but now pathetic, can only say a third class play.
Useless.
An insult to human intelligence. Most characters are not believable as human beings. The only solace is that at least it provides employment to numerous people and helps them earn their bread and butter.
Please stop dominating women. They are no more such bad on society. We have seen many who have achieved... Even kids in serial insult mother. These are not educative but telling society kids that they can use techniques of blaming mother for kid non performance. Hopeless serial. We have stopped seeing this serial.
Two dominating women and two weakness sisters... Sisters are being used to portray to the society that women are useless. Please read stories of women achievers. We have seen IAS, IPS examples. Your serial is demotivating women's. Please revisit the story. Offlate many serials show dominating on women's.
Two dominating women and two weakness sisters... Sisters are being used to portray to the society that women are useless. Please read stories of women achievers. We have seen IAS, IPS examples. Your serial is demotivating women's. Please revisit the story. Offlate many serials show dominating on women's.
Doesn't even deserves 1 star.
Laxmi Bhagya stands as a show that unfortunately undermines human intelligence and cultural integrity. It typifies the characteristics often found in Indian mega serials: exaggerated performances, excessive makeup, unremarkable music, and characters lacking depth. Regrettably, viewers are subjected to a recurring theme, where a naïve and selfless young woman's story intertwines with that of a wealthy, arrogant man - a narrative that feels all too familiar.
The show appears to lack logical consistency, creative originality, and any meaningful entertainment value. Laxmi, as a character, exudes a certain gullibility, placing blind trust in others while seemingly disregarding their needs. Her interactions with Rishi showcase a puzzling duality, shifting from heated confrontations to moments of unwarranted innocence.
Rishi, equally puzzling, boasts a flamboyant and impulsive demeanor, intriguingly falling for Laxmi despite his aversion to her personality. This quick transition from dislike to infatuation remains a perplexing element of the show.
The series is peppered with scenes that defy realism, leaving the audience questioning the narrative's credibility. Instances like the sudden, unceremonious marriage of Rishi and Laxmi or Laxmi's miraculous escapes from Maliksha's nefarious plots appear disjointed from reality.
Notably, Laxmi's inexplicable ability to sense danger when Rishi is at risk adds another layer of inexplicability to the story.
Production values and editing do not escape critique either. The sets, costumes, and background music appear lacking in finesse, leaning towards ostentatiousness rather than sophistication. The editing further contributes to a disjointed viewing experience, marked by continuity errors and technical glitches that hinder narrative flow.
In conclusion, Laxmi Bhagya, while attempting to captivate audiences, falls short in delivering a compelling, coherent, and polished narrative, ultimately leaving viewers with a sense of unfulfilled potential.
Laxmi Bhagya stands as a show that unfortunately undermines human intelligence and cultural integrity. It typifies the characteristics often found in Indian mega serials: exaggerated performances, excessive makeup, unremarkable music, and characters lacking depth. Regrettably, viewers are subjected to a recurring theme, where a naïve and selfless young woman's story intertwines with that of a wealthy, arrogant man - a narrative that feels all too familiar.
The show appears to lack logical consistency, creative originality, and any meaningful entertainment value. Laxmi, as a character, exudes a certain gullibility, placing blind trust in others while seemingly disregarding their needs. Her interactions with Rishi showcase a puzzling duality, shifting from heated confrontations to moments of unwarranted innocence.
Rishi, equally puzzling, boasts a flamboyant and impulsive demeanor, intriguingly falling for Laxmi despite his aversion to her personality. This quick transition from dislike to infatuation remains a perplexing element of the show.
The series is peppered with scenes that defy realism, leaving the audience questioning the narrative's credibility. Instances like the sudden, unceremonious marriage of Rishi and Laxmi or Laxmi's miraculous escapes from Maliksha's nefarious plots appear disjointed from reality.
Notably, Laxmi's inexplicable ability to sense danger when Rishi is at risk adds another layer of inexplicability to the story.
Production values and editing do not escape critique either. The sets, costumes, and background music appear lacking in finesse, leaning towards ostentatiousness rather than sophistication. The editing further contributes to a disjointed viewing experience, marked by continuity errors and technical glitches that hinder narrative flow.
In conclusion, Laxmi Bhagya, while attempting to captivate audiences, falls short in delivering a compelling, coherent, and polished narrative, ultimately leaving viewers with a sense of unfulfilled potential.
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- Aussi connu sous le nom de
- Lakshmi Kalyanam
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