ÉVALUATION IMDb
7,2/10
607
MA NOTE
Née dans les années 50, la sitcom - ou "comédie de situation" - est rapidement devenue un genre en soi, l'un des plus populaires du petit écran.Née dans les années 50, la sitcom - ou "comédie de situation" - est rapidement devenue un genre en soi, l'un des plus populaires du petit écran.Née dans les années 50, la sitcom - ou "comédie de situation" - est rapidement devenue un genre en soi, l'un des plus populaires du petit écran.
- Prix
- 1 nomination au total
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A pathetic, scary footnote to update (2021)...
A pathetic, scary footnote for 2021 - So many of these comedians, notably Jerry Seinfeld et al, refuse to perform at any of today's college campuses because the students have lost their sense of humor. With so many social agendas, there are too many people that are sitting on the edge of the seat ready to be offended and attack.
Scary.
Scary.
Fun spoiled by over analysis, misrepresentation and woke nonsense
What should have been a fun and light hearted look back, with minimal social commentary sadly turned into a cringeworthy and often irrelevant , inaccurate over analysis that took all the air out of the balloon.
Rather too many people attempting to apply their on rather faulty and false social ethics to history that often simply made comedy for what it as, something to laugh at and with.
Many of these people had little or no direct involvement in the actual comedy creation process.
It seems as if CNN management sat round a table with a white board full of all the latest terms and words that had to be included in order to fulfil some false sense of diversity and wokeness.
But in the end, it delivered too much that made the viewer roll eyes, tut and sigh.
I tried so hard to look past the faux commentary and.enjoy reliving some moments from my past but the final straw came when Margaret Cho spoke of cultural appropriation and misogyny, not having a clue what each actually means and with such an airy tone that looked down upon the audience.
It is so ironic that what should be a celebration of comedy was too often used as an excuse to over analyse, make wholly subjective assumptions, presented as fact and completely forget the whole point of the exercise.
One of the frequent contributors was the editor in chief of the A. V. Club, that has a tagline 'Pop culture obsessives writing for the pop culture obsessed'.
Obsessed is correct but sadly, all the obsession has clouded the brain so much that the neurons cannot be seen for the grey matter.
Rather too many people attempting to apply their on rather faulty and false social ethics to history that often simply made comedy for what it as, something to laugh at and with.
Many of these people had little or no direct involvement in the actual comedy creation process.
It seems as if CNN management sat round a table with a white board full of all the latest terms and words that had to be included in order to fulfil some false sense of diversity and wokeness.
But in the end, it delivered too much that made the viewer roll eyes, tut and sigh.
I tried so hard to look past the faux commentary and.enjoy reliving some moments from my past but the final straw came when Margaret Cho spoke of cultural appropriation and misogyny, not having a clue what each actually means and with such an airy tone that looked down upon the audience.
It is so ironic that what should be a celebration of comedy was too often used as an excuse to over analyse, make wholly subjective assumptions, presented as fact and completely forget the whole point of the exercise.
One of the frequent contributors was the editor in chief of the A. V. Club, that has a tagline 'Pop culture obsessives writing for the pop culture obsessed'.
Obsessed is correct but sadly, all the obsession has clouded the brain so much that the neurons cannot be seen for the grey matter.
The simpsons are missing! MISSING
How do you do a show on the history of sitcoms and omit the longest running sitcom in TV history!?! It is part of pop culture and a family sitcom yet it was completely omitted from the first episode. I'm just boggled and I really don't think that I missed it because I even rounded when it came time for the 19 8990s era especially when they talk about fox launching their network and they missed so many great fox shows and they only showed married with children. This series just lost so much credibility with me because I just don't know how one makes this mistake. Especially when Homer is like the anti-Dad, but they're such a family unit wild.
Same old political crap
I would love to see a really good history of the sitcom without all the same players. Of course they were vital , but this series brushes over the 50's and naturally spends most of its time on I Love Lucy. So many other shows that could be explored. They drag Norman Lear, Suzanne Somers, Eric McCormick out to expound and naturally we once again visit, Maude, Good Times, Modern Family ad nauseam.
The sitcom is a special art, a half hour format whose style comes from that 2/ minutes of entertainment.
Sex and the City, Fleabag, and others mentioned are not sitcoms. This ruined the whole premise of the show. So far, very bored.
The sitcom is a special art, a half hour format whose style comes from that 2/ minutes of entertainment.
Sex and the City, Fleabag, and others mentioned are not sitcoms. This ruined the whole premise of the show. So far, very bored.
Not very informative
With a series like this they could have done a marvelous job talking about society, the business, the actors, the networks, etc. Instead they do a half-based job on everything. Why do it?
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- ConnexionsReferenced in Late Night with Seth Meyers: Amy Poehler/Joseph Gordon-Levitt/Kevin Smith (2021)
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